Over the last 15 or so years, showrunners started confusing nonlinear storytelling with being creative. But instead of appearing creative, it only calls attention to their inability to make me care about characters without throwing them into a jackpot somewhere in their future. In the ‘70s and ‘80s, shows would frequently begin with a 30 second preview, i.e. “Tonight on Spenser For Hire”, showing that episode’s chases and shoot-outs, but that was more of a commercial and not part of the show’s narrative. I’d frankly prefer that to this new form of disjointed, even fractured television episodes.