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TheFour Horsemen of the Apocalypse is a metaphor depicting the end of times in the New Testament. They describe conquest, war, hunger, and death respectively. We use this metaphor to describe communication styles that, according to our research, can predict the end of a relationship.

The first horseman is criticism. Criticizing your partner is different than offering a critique or voicing a complaint. The latter two are about specific issues, whereas the former is an ad hominem attack. It is an attack on your partner at the core of their character. In effect, you are dismantling their whole being when you criticize.

The fourth horseman is stonewalling, which is usually a response to contempt. Stonewalling occurs when the listener withdraws from the interaction, shuts down, and simply stops responding to their partner. Rather than confronting the issues with their partner, people who stonewall can make evasive maneuvers such as tuning out, turning away, acting busy, or engaging in obsessive or distracting behaviors.

Being able to identify the Four Horsemen in your conflict discussions is a necessary first step to eliminating them, but this knowledge is not enough. To drive away destructive communication and conflict patterns, you must replace them with healthy, productive ones.

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The Four Horsemen of the Apocalypse[1] are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written about six centuries prior. Though the text only provides a name for the fourth horseman, subsequent commentary often identifies them as personifications of Conquest (Zelos), War (Martius), Famine (Limos), and Death (Thnatos or Mros).

Revelation 6 tells of a book or scroll in God's right hand that is sealed with seven seals. The Lamb of God/Lion of Judah opens the first four of the seven seals, which summons four beings that ride out on white, red, black, and pale horses. All of the horsemen save for Death are portrayed as being human in appearance.

In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest,[2][3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife.[4] The third, a food merchant, rides a black horse symbolizing famine and carries the scales.[5] The fourth and final horse is pale, upon it rides Death, accompanied by Hades.[6] "They were given authority over a quarter of the Earth, to kill with sword, famine and plague, and by means of the beasts of the Earth."[7]

Then I saw when the Lamb broke one of the seven seals, and I heard one of the four living creatures saying as with a voice of thunder, "Come!" I looked, and behold, a white horse, and he who sat on it had a bow; and a crown was given to him, and he went out conquering and to conquer.

For the broad historical interpretation of Christ as the rider of the white horse, it is to be understood that the Antichrist does not appear until the opening of the sixth seal.[11] Events in world history since the founding of Christianity were interpreted as "horses" up to the sixth seal event. Therefore, this interpretation can be seen as either partially preterist, or an instance of dual fulfillment.

In the New Testament, the Book of Mark indicates that the advance of the gospel may precede and foretell the apocalypse.[5][12] The colour white also tends to represent righteousness in the Bible, and Christ is portrayed as a conqueror in other instances.[5][12]

Besides Christ, the Horseman could represent the Holy Spirit. The Holy Spirit was understood to have come upon the Apostles at Pentecost after Jesus departed Earth. The appearance of the Lion in Revelation 5 shows the triumphant arrival of Jesus in Heaven, and the first Horseman may represent the sending of the Holy Spirit by Jesus and the advance of the gospel of Jesus Christ.[13]

In 1866,[14] when C. F. Zimpel defended the hypothesis that the first horseman was the Antichrist (and more precisely, according to him, Napoleon Bonaparte).[15] The Antichrist interpretation later found champions in the United States, such as R. F. Franklin in 1898[16] and W. C. Stevens in 1928.[17] It remains popular in evangelical circles today,[18] for example with Pastor Billy Graham, for whom the horseman represented the Antichrist or false prophets in general.[19]

In Edward Bishop Elliott's interpretation, the Four Horsemen represent a prophecy of the Roman Empire's subsequent history; the horse's white colour signifies triumph, prosperity, and health in the Roman political body. For the next 80 or 90 years, succeeding the banishment of the prophet John to the island of Patmos and covering the successive reigns of the emperors Nerva, Trajan, Hadrian, and the two Antonines (Antoninus Pius and Marcus Aurelius), a golden age of prosperity, union, civil liberty and good government unstained with civil blood unfolded. The agents of this prosperity, personified by the rider of the white horse, are these five emperors wearing crowns, who reigned with absolute authority and power under the guidance of virtue and wisdom, the armies being restrained by their firm and gentle hands.[20]

This interpretation points out that the bow was preeminently a weapon of the inhabitants of the island of Crete and not of the Roman Empire in general. The Cretans were renowned for their archery skills. The significance of the rider of the white horse holding a bow indicates the place of origin of the line of emperors ruling during this time. This group of emperors can be classed together under one and the same head and family whose origins were from Crete.[21]

According to this interpretation, this period in Roman history, both at its commencement and close, illustrated the empire's glory where its limits were extended, though not without occasional wars, which were always uniformly triumphant on the frontiers. The triumphs of Emperor Trajan, a Roman Alexander, added to the empire Dacia, Armenia, Mesopotamia, and other provinces during the first 20 years of the period, which deepened the impression on the minds of the barbarians of the invincibility of the Roman Empire. The Roman war progressed triumphantly into the invader's territory, and the total overthrow of those people successfully ended the Parthian war. Roman conquest is demonstrated even in the most mighty of these wars: the Marcomannic Wars, a succession of victories under the second Antonine, unleashed on the German barbarians, who were driven into their forests and reduced to Roman submission.[22]

Under another interpretation, the first Horseman is called Pestilence and is associated with infectious disease and plague. It appears at least as early as 1906 in the Jewish Encyclopedia.[24] This particular interpretation is common in popular culture references to the Four Horsemen.[25]

The origin of this interpretation is unclear. Some translations of the Bible mention "plague" (e.g. the New International Version)[26] or "pestilence" (e.g. the Revised Standard Version)[27] in connection with the riders in the passage following the introduction of the fourth rider; cf. "They were given power over a fourth of the Earth to kill by sword, famine, plague, and by the wild beasts of the Earth." in the NASB.[28] However, the original Greek does not use the word for "plague" or "pestilence" here, simply "death" (θᾰ́νᾰτος, thnatos).[29] The use of "pestilence" was likely drawn from other parts of the Book of Revelation and included here as another form of death. Also, whether this passage refers to the fourth rider only or the four riders as a whole is a matter of debate.[2]

Vicente Blasco Ibez, in his 1916 novel The Four Horsemen of the Apocalypse (filmed in 1921 and 1962), provides an early example of this interpretation, writing, "The horseman on the white horse was clad in a showy and barbarous attire. . . . While his horse continued galloping, he was bending his bow in order to spread pestilence abroad. At his back swung the brass quiver filled with poisoned arrows, containing the germs of all diseases".[30]

When He broke the second seal, I heard the second living creature saying, "Come". And another, a red horse, went out; and to him who sat on it, it was granted to take peace from Earth, and that men would slay one another; and a great sword was given to him.

The second Horseman represents civil war as opposed to the war of conquest that the first Horseman is said to bring.[5][35] Other commentators have suggested that it might also represent the persecution of Christians.[12][36][full citation needed]

Elliott points out that Commodus, who had nothing to wish for and everything to enjoy, that beloved son of Marcus Aurelius who ascended the throne with neither competitor to remove nor enemies to punish, became the slave of his attendants who gradually corrupted his mind.[38]

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