Death at a Funeral is a 2007 black comedy film directed by Frank Oz. The screenplay by Dean Craig focuses on a family attempting to resolve a variety of problems whilst they attend the funeral of the patriarch.
Daniel and his wife Jane live in England with his parents, while Daniel's younger brother Robert is a renowned novelist living in New York City. The story begins on the day of their father Edward's funeral. Robert arrives, having flown first class, but declines to help finance the funeral, leaving Daniel to cover all the expenses. As guests begin to arrive, Daniel struggles to complete a eulogy, even though everyone expects Robert will be the one to deliver it.
Daniel's cousin Martha and her fianc Simon are desperate to make a good impression on Martha's father Victor. Their hopes for doing so are dashed when Martha, hoping to calm Simon's nerves, gives him what she believes is Valium but is actually a hallucinogenic designer drug manufactured by her brother Troy, a pharmacy student.
An American man named Peter introduces himself to Daniel, who is too busy to speak to him and suggests they talk later. The service begins and the hallucinating Simon, certain he sees the coffin moving, tips it over, causing the body to spill out onto the floor. During the ensuing chaos, Simon is told why he is acting as he is, so he panics and locks himself in the bathroom. Martha tries to persuade him to open the door while fending off the unwelcome advances of Justin, with whom she had a past one-night stand that she would like to forget. Simon climbs onto the roof naked and threatens to jump.
While most of the guests are watching Simon on the roof, Peter meets privately with Daniel and Robert and reveals he was their father's lover. Unhappy that he was left nothing in their father's will, Peter shows them compromising photographs, trying to blackmail the family for 15,000. The brothers panic, bind and gag Peter, and give him what they believe is Valium to calm him down. Peter manages to free himself, but falls and hits his head on a glass coffee table. Troy and germaphobic family friend Howard believe Peter to be dead. Forced to dispose of the body as quickly and surreptitiously as possible, Daniel and Robert place it in the coffin with their father. Martha manages to talk Simon off the roof by telling him she is pregnant, much to everyone's relief.
Once everyone returns, the service resumes. Daniel's awkward eulogy is interrupted when the still-alive Peter bursts out of the coffin and the photos fall out for everyone, including Daniel and Robert's mother Sandra, to see. Daniel interrupts the ensuing uproar by delivering an impromptu, heartfelt eulogy, declaring that his father may have had secrets, but he was a good man, who loved his family, and that everyone at the funeral could do worse than to follow his example.
In the evening, after all the mourners (including Peter) have gone, Robert compliments Daniel on his speech and tells him that he plans on taking their mother to New York so that Daniel and Jane can finally buy their own flat. Their conversation is interrupted when Jane tells them that Uncle Alfie had a panic attack over seeing what he thought was Peter's dead body, so she gave him some "Valium". As the brothers exchange an alarmed look, the film ends with Uncle Alfie on the roof naked, as Simon had been.
The film was shot at Ealing Studios in London. It premiered at the European Film Market in February 2007 and was shown at the US Comedy Arts Festival, the Seattle International Film Festival, the Breckenridge Film Festival, the Maui Film Festival, the Sydney Film Festival, the Provincetown International Film Festival, and the Tremblant Film Festival before going into limited release in the United States on 17 August 2007. It opened throughout Europe, Asia, South America, and Australia before going into theatrical release in the United Kingdom on 2 November 2007.
On Rotten Tomatoes, the film holds an approval rating of 62% based on 133 reviews, with an average score of 6.00/10. The website's critical consensus reads, "Death At A Funeral is a rousing British farce, with enough slapstick silliness to overcome its faults."[4] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[5]
Ruthe Stein of the San Francisco Chronicle said the film is "in the tradition of those classics, in black-and-white and starring Peter Sellers or Alec Guinness, in which disasters keep piling up, each one more drolly funny than the last. That's high praise for Death but no more than it deserves. The humor manages to be simultaneously sophisticated, supremely silly and very dark...The casting couldn't be better. With no big stars to upset the balance, the actors work together as a true ensemble, the best since Little Miss Sunshine."[6]
Roger Ebert of the Chicago Sun-Times rated it three out of four stars and commented, "The movie is part farce (unplanned entrances and exits), part slapstick (misbehavior of corpses) and part just plain wacky eccentricity. I think the ideal way to see it would be to gather your most dour and disapproving relatives and treat them to a night at the cinema."[7]
Sid Smith of the Chicago Tribune called the film "lethal farce, combining hints of The Lavender Hill Mob, doses of Joe Orton and a smidgen of the Farrelly brothers' scatology in its mix." He added, "The sibling rivalry/resolution meant to give the movie its sweet, heartfelt thread is weak, and there are stretches in which the comedy sags or settles for the predictable. But Death provides an adult tonic in a season typically abandoned to the comic book cocktail. There are worse ways to escape the August heat."[8]
Steve Dollar of the New York Sun said, "The ensemble approach allows for a maximum of comic scenarios to be put into effect, as the film's motor revs into higher and higher gear. Expert pacing and delivery, as well as the abundance of hyper-articulate, over-educated, effervescently British character types, ratchet up the cringe factor accordingly. The film's antic disposition, or rather its disposition toward antics, may strike some as an exercise in overkill, even though, curiously, the film disappointingly resolves all the comic trauma by letting everyone off the hook. Moreover, a lot of the material, especially the closeted-gay jokes, seems dated. But for Mr. Oz, finger-snap pacing and an expert cast (surely familiar to any BBC America viewer) bring this Death to giddy life."[9]
Phelim O'Neill of The Guardian rated it two out of five stars and commented, "Scientists believe that black holes can slow down the progress of time. A similar effect can be felt by viewers of this damp squib of a farce as it grinds on from one lame set-up to the next. This sort of sub-Alan Ayckbourn trawl might work on stage but never on the big screen, where all the deficiencies of the form are thrown into sharp relief. From Oz downwards, the credits are full of familiar names foolishly squandering the goodwill their past works have generated."[11]
In 2010, Chris Rock, Tracy Morgan, and Martin Lawrence starred in a US remake of the same name, directed by Neil LaBute. Peter Dinklage returned to play the role of Peter, although the character was renamed Frank. The film was released on 16 April 2010 to mixed reviews.
Death at a Funeral is a 2010 American black comedy film directed by Neil LaBute and written by Dean Craig. It is a remake of the 2007 film of the same name, also written by Craig. The film features an ensemble cast including Chris Rock, Martin Lawrence, Danny Glover, Regina Hall, Peter Dinklage, James Marsden, Tracy Morgan, Loretta Devine, Zo Saldaa, Columbus Short, Luke Wilson, Keith David, Ron Glass and Kevin Hart; Dinklage is the only actor to appear in both films. The film was released in the United States on April 16, 2010.
A funeral service is being held for a man named Edward. His older son Aaron and Aaron's wife Michelle live at his parents' home, but have been trying to buy their own and have children. Aaron's younger brother Ryan is a successful author, while Aaron (a tax accountant) has not yet completed his own novel, and resents that Ryan would rather spend money on a first class airline ticket than help pay for the funeral expenses.
Aaron and Ryan's cousin Elaine and her fianc Oscar are on their way to pick up Elaine's brother Jeff before heading to the funeral. To ease Oscar's nerves, she gives him a pill from a bottle labeled as Valium. Jeff later reveals to Elaine that it is a powerful hallucinogenic drug he has concocted for a friend. Chaos ensues when Oscar hallucinates that the coffin is moving. He knocks it over, and the body falls out of the coffin.
Aaron is approached by an unknown guest named Frank, who reveals himself to be the secret lover of his late father. Frank shows Aaron photos as proof and threatens to reveal them to Aaron and Ryan's mother Cynthia unless he is paid $30,000. While in shock, Aaron relays the situation to Ryan, who suggests Aaron to pay the money because Ryan claims that he is in debt. When Aaron and Ryan meet with Frank to pay him, Frank starts to deride Aaron's ability as a writer and Aaron refuses to pay. Frank turns violent, but Aaron and Ryan subdue him, tying him up to prevent him from leaving. Family friend Norman enters the room, giving Frank several doses of what he also believes is Valium to try to calm him down. Jeff also enters the room, telling them that it is the same hallucinogen Oscar took earlier.
When Jeff and Norman, who are supposed to be watching Frank, get distracted by Uncle Russell, Frank releases himself from his bonds and is knocked unconscious upon falling over and hitting his head on a table. With Aaron, Ryan, Jeff and Norman believing that Frank is dead, they plan to put him in the coffin, and their opportunity comes when everyone is outside watching Oscar, who is on the roof naked and threatening to jump off the roof because he has seen Elaine's ex-boyfriend Derek kissing her. Elaine tells Oscar that Derek forcibly kissed her and calms him down by revealing she is pregnant. With everyone back inside, they continue the eulogy. While Aaron awkwardly tries to give his speech, Frank starts banging on the coffin, then suddenly forces it open and emerges. The pictures fall out of Frank's pocket, causing Cynthia to attack Frank in a berserk rage. Aaron yells for everyone's attention as he delivers an impromptu and moving eulogy, saying that his father was a good man with flaws like everyone else.
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