The Perfection Movie Download Tamilrockers

[Stephani Kapnick]

SureDisney movies with great song and scenery intros are wonderful (like Aladdin and The Lion King). But one of my favorite Disney intros is The Emperor's New Groove, and this feels very much like that, while being even darker and a little more serious. It's funny and introduces us to Flynn really well, but also provides some beautiful animation and a legendlike backstory that makes the film feel even more like an old fairy tale.

Long hair is notoriously difficult to animate, which is why cartoon characters so often have updos and braids. The amount of work and care that went into Rapunzel's hair was incredible. It truly looks like actual hair and not just a cartoon mass.

First of all, he's definitely the hottest. The directors literally had women employees come into a meeting with pictures of hot men to help them decide what Flynn would look like. For his personality, they were inspired by Ferris Bueller and Indiana Jones. It modernizes the movie so much to have a sassy, overconfident, yet emotionally repressed male hero, and he works absolutely perfectly with Rapunzel's naivete, curiosity, and surprising capability.

Listen, the scene where Flynn fights off a bunch of guards plus Maximus (a HORSE) with a frying pan is one of the funniest scenes of any Disney movie (not to mention being super action packed and animated to perfection), and it doesn't stop here. Rapunzel and Flynn's meeting is hilarious, and Flynn and Maximus's banter is amazing. The best part is when Flynn realizes that Maximus has rescued him and tries to have a sweet Disney moment, and then Maximus shuts it down with just one look.

Maybe this is just me, but I love when fairy tales are dark (as many original fairy tales were). Tangled's premise is incredibly dark: A kidnapped girl literally spends 18 years in captivity with a woman who pretends to be her mother but who really just wants her for her magical powers. Less than an hour into the film, Flynn and Rapunzel get trapped in a mine and give up on trying to get out, accepting death and confessing secrets to each other. When Flynn goes to rescue Rapunzel at the end, he finds Rapunzel chained up and being taken away by Mother Gothel, and he then gets stabbed, causing Rapunzel to promise Gothel a life of obedience if she can heal him. Yes, it has a happy ending, but it's refreshing to see Disney delve into darker territory first.

At the end of the film, you're not sure if Mother Gothel has ever truly cared for Rapunzel, or just what Rapunzel's hair did for her. You don't get that closure, which is so realistic. She's not a traditional two-dimensional villain. She has a goal we can understand, and she does treat Rapunzel like a daughter in many ways. Her villainy is far more manipulative and sneaky, and you get the feeling that she thinks she's doing nothing wrong.

Despite realizing that Gothel is not her mom and she's manipulated Rapunzel her entire life, and also seeing her stab Eugene, Rapunzel still reaches out for her when she falls out the window. This is far more realistic than I would've expected from Disney. Gothel has raised her, after all. Rapunzel still cares about her, which adds a layer of complexity to a movie like this, which normally would've been very black and white.

So many Disney princesses have this thirst for adventure that's sort of tossed aside at the end in favor of love. Rapunzel's dream does change to Flynn (after her original dream is fulfilled), but that's not her only goal or care. The movie ends with Rapunzel finding her family and her place, because that's what matters most to her. Flynn is an important part of her life, but he isn't her entire life. And if you watch the series, it's all about her NOT wanting to settle down and wanting to continue a life of adventure.

For decades, a staple of Disney films has been the whole "dead parents" thing. To be honest, it's getting a little old, and it's starting to seem like lazy writing to explain why these teenagers end up in these situations or why their remaining parent is overly cautious. I love the new twist in Tangled, where both her parents are alive but have lost her.

I have dabbled but not really jumped into the grasshopper pool head first. In this particular case it was entirely modeled in Rhino but no plugins , no grasshopper. Just good old fashioned modeling. The funny thing is, the modeling (for me anyway) is not the difficult part. The difficult part is navigating the politics, the egos , the budgets and schedules to get these things done. When I started this job I was told I had 12 weeks . 12 weeks to design I said? No, 12 weeks to design and build. In the end it took a total of 14 weeks from nothing to what you see in the pictures.

First let me say this, when I posted these images AI wasnt a thing yet. And while in recent months I saw that it was becoming more prolific it made me wonder how long it would be before someone here did this with my images. Im sad to see this frankly, not that you specifically used them but in general that they could be used. Its important that you understand why I posted my work here so that I can make my point more clear. I posted images here to inspire and show newcomers and veterans alike what Rhino and by extension the work we do be possible if you put in the time and effort. To create a dialog about process and execution to teach others . Yes its rewarding to hear compliments about the work , who wouldnt feel that way but it was not my intent . Im very proud of the work Ive done over the years using Rhino. I want that for others to experience.

As for the images, well they are about what I would expect when you feed something designed with intent and considerable thought into a generative meat grinder. You get image salad more akin to cannon fodder than a thoughtful design. This of course is my opinion so please I mean no disrespect towards you. I just feel strongly that the more we automate creativity the less creative we are. Sure you can crank out a thousand more ideations in a split second compared to what we as people can do but its akin to throwing spaghetti at the wall to see what sticks. While I would have preferred being asked if the images could be used this way I also understand that I put them up on a public forum and by doing so I have to expect this to happen so I bare no ill will towards you. But this is why Ive posted no more images and wont for the foreseeable future until I can dive in on the software that makes it so AI cant use the images. I have no social media or online portfolio so this is the only place Ive posted my work for the intent if helping and inspiring.

If your excited about AI , thats fine. Im not here to tell you what you should or shouldnt do. Its just that I caution you and others to be too eager to take on technology with the possibility of replacing us and by extension taking something remarkably human , the ability to dream and create away from us or make us feel there is no need for us to be creative. I had a career in miniatures before what I do now. That part of the industry is now gone because CGI came online and replaced it. I was of course sad by this because now I had to find a new career but I took some comfort knowing that it was giving thousands of creative people jobs. AI will not do this. Eventually it will become good enough that our employers question why they need people like us anymore. Sure thats progress, but thats also an easy statement to make, not an easy statement to make a living by if all you know and have worked for is being replaced by AI.

I hear what your saying about your industry. You are probably right about it being slower to impact your industry vs mine. We are already seeing it impact us (mostly illustrators and storyboard artists) but I do suspect that at some point it will creep in further. VFX will be hardest hit over time I suspect. I get it though, if your just doing an ideation process for a client it makes sense I guess my point is it takes people out of the equation and thats ultimately my concern. Where will it stop. For me , I will never use it. I dont want to risk having my reputation as a designer tainted because people think use AI thus having a reason to ask for a lower rate , yes producers are chomping at the bit to cut us all loose or reduce our numbers and rates or how long we are on a project.

This has slowly seemingly been overtaken by the need for social media perfection: the appearance that your work must only be shown in the final render state, in the best possible light. I found that quite sad. I felt very exposed to show WIPs even on this forum.

But I realised, especially learning to use Rhino and render, that so much of the journey and enjoyment was in the work, even if it is purely for a hobby, and hopefully the enjoyment of others, rather than money.

I hope you find a route that enables you to keep posting work here (Nightshade/Glaze type methods perhaps) eventually. Along with some other comments I have received from other very highly skilled, and helpful people over the past year, you have helped me keep going in Rhino. Those few small images of badges have stuck firmly in my mind, that anything is possible.

I have no intention of stopping my posts here however when it comes to film related content that I am not the copyright holder I have to take some extra precautions I feel. I do intend to look into Nightshade and see if that is a viable solution for my situation. In the mean time Ive decided that when time allows I will create my own personal projects that I can then post , share and discuss ( if anyone is interested) the process I went through. As I said earlier my intention is to inspire and if for some reason people are interested in what Ive done and it helps them technically or creatively I would like to continue to do that as time permits.

Ive greatly enjoyed your work and if I have helped or even shown support of your journey then thats everything I hoped to gain by being a member of this community.

When I started my career I was surrounded by mentors in an environment that not only guided but pushed me both creatively and technically. I can never put a price on the knowledge and experience I gained in my formative years in the industry and its because of that I can still keep a career going.

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