Lion Editor
Auriville Cha
If you're an existing merchant on the Advanced plan or above, we'll be enabling the Theme Editor for your account in the future. If you'd like early access, you can contact support or your account manager.
The LoyaltyLion Theme Editor can be used to preview and edit your Integrated Loyalty Page directly on your store. You can use it to see how your page will look with and without a customer, and customize many aspects of the interface, such as colors, buttons, and icons, without writing any HTML or CSS.
If your account has access to the Theme Editor, you can launch it by signing in to your LoyaltyLion admin, going to the "Manage" section, then "Loyalty Page", and clicking the "Launch Theme Editor" button on the page.
Using the "Preview > Customer" control, you can add a demo customer to the page to see how it looks when a customer is logged in. You're able to add and remove points, claim rewards (which won't redeem any real voucher codes), and change the customer's tier.
Clicking the "Brand" control will open up the editor sidebar, and allow you to change various colors and styles that apply to the whole page. The "brand colors" are typically used by other color inputs throughout the editor, as a quick way to change multiple colors in one place, although every color input can be set to use any color.
Click the "Text" button in the toolbar to open the text editing sidebar. From here, you can edit all our translation strings, similar to doing so in the LoyaltyLion admin languages page. You can search for text, or use the inspector to select visible text on the page.
Click the arrow icon next to the search box to enter inspector mode. Editable text will be highlighted in yellow. Click on any highlighted text to display it in the sidebar, and then make your changes with a live preview.
if you have used custom CSS to change icons (e.g. for rules or rewards), the icon selection in the Theme Editor won't take effect. If you want to be able to edit icons through the editor, remove those rules from your custom CSS and then add your custom icons back through the editor
if your custom CSS contains changes to the various LoyaltyLion layout elements, such as setting the background color of buttons, grids, etc - then related color settings in the Theme Editor will have no effect
Judge Reinhardt was fiercely devoted to the court. He was an incredibly hard worker and tough task master, particularly to his law clerks. He wanted and expected only the best from those who had the honor of working for the 9th Circuit.
He was known as the liberal lion of the 9th Circuit, but to those who knew him well his bark was much worse than his bite. Judge Reinhardt was devoted to his law clerks, many of whom, both male and female, he helped advance in their legal careers.
Manuscripts should follow the format outlined in the MLA Handbook. All text must be double-spaced in a clear, easy-to-read 12-point typeface. Text should be left justified with one-inch margins. Manuscripts are not to exceed (25) twenty-five double-spaced pages, including endnotes and Works cited pages. Illustrations or other images (graphs, charts) should be counted as occupying half a page of text. Manuscripts should be submitted electronically, as attachments to: lionu...@ksu.edu. Please make sure that personal identification does not appear on the manuscript itself. Send a second attachment with your name, address, telephone number, and e-mail address. Illustrations can be sent as .jpgs at this stage. Manuscripts should be original and not previously published.
Acknowledgement of receipt of your manuscript will be sent by e-mail. Then your manuscript will be sent anonymously for review. You will be notified of the results and a copy of the comments will be sent to you.
Permissions for copyrighted materials. The author must secure any necessary permissions for copyrighted material for print and electronic reproduction. Permission fees are the responsibility of the author.
The Lion and the Unicorn publishes literary criticism and author interviews. Submissions should be original work, and the journal does not accept simultaneous submissions. Translations may be considered. Work should explain its relationship to current critical conversations in the field of children's literature studies, or otherwise establish its own exigency. The editorial team determines if the work is appropriate to the journal and sufficiently developed to be sent to outside readers for review. All outside reviews are double-blind, typically with two reviewers per submission. Editors return reviewer comments to the author with one of the following recommendations: accept, revisions required, revise and resubmit, decline. If revisions are required, the editor determines whether or not the original reviewer(s) will be consulted. Revised and resubmitted essays are typically returned to an original reviewer as well as to one new reviewer. The timetable is approximately 12-14 weeks from submission to decision. However, exigent circumstances may require more review time.
Honorable mentions:
Joy McCullough. Blood Water Paint. Penguin Books, 2018.
Tony Medina. Thirteen Ways of Looking at a Black Boy. Illustrated by Floyd Cooper et al. Penny Candy Books, 2018.
Naomi Shihab Nye. Voices in the Air: Poems for Listeners. Illustrated by Dawn Henning. Greenwillow Books, 2018.
Arnold Adoff has been named the winner of The Lion and The Unicorn Award for Excellence in North American Poetry for his collection Roots and Blues: A Celebration. The journal, published by the Johns Hopkins University Press, has sponsored the award since 2005.
eTOC (Electronic Table of Contents) alerts can be delivered to your inbox when this or any Hopkins Press journal is published via your ProjectMUSE MyMUSE account. Visit the eTOC instructions page for detailed instructions on setting up your MyMUSE account and alerts.
We launched in June of 2009. We cover Connecticut's lower Naugatuck Valley, specifically Ansonia, Derby, Seymour and Shelton. We launched thanks to a partnership between The Valley Community Foundation in Derby, Connecticut, The Online Journalism Project in New Haven, and The Knight Foundation.
The Online Journalism Project and The Valley Community Foundation demonstrated that because of the consolidation and corporatization of local news, our communities were being underserved by local media.
I've been a reporter since graduating college in 1998. I was involved in my high school and college papers. I started at a weekly in New York, worked at The News-Times in Danbury, where I was named the paper's first "online editor" in 2005. I also had a brief stint on the web staff at The Hartford Courant.
It varies from town to town, but, basically legacy media. Connecticut is a small state with many news sources. In our area we have multiple TV stations, daily papers, a weekly, and online for profit sites.
Last year we participated in The Great Give, a national day of nonprofit fundraising. All told we raised about $10,000. Ethan Fry (the other reporter) and I did a 36-hour webcast. We were hallucinating at the end. I cried at one point. But we made a real connection with our neighbors and we were genuinely touched by their donations.
We're currently working with a consultant on a development plan. It's exciting and terrifying, and it's shaking me to the core because I'm learning new skills. Or at least thinking about new skills. You have to work on revenue. When I was hired, I said I didn't want to worry about that. I would just bring eyeballs. But in 2016 you have to try to do both.
I respect Connecticut journalists Matt DeRienzo, Doug Hardy and Christine Stuart. They were members and I saw conversations they were having on Facebook. I joined to learn from others. Also, I was told there would be coffee. Where is the coffee?
There, blending in seamlessly with the rock, was a sea lion. A portly, hairy, slippery creature that resembled an oblong beanbag chair with whiskers. It lay still for a few minutes, and my boyfriend and I gently speculated if it was dead. But then, it moved. Wriggling its neck and fins, it stretched out to maximize how much of its body was in the sun. I watched the sea lion roll its neck, and my neck loosened in response. Opening its eyes, the sea lion looked at us, seemingly rolled its eyes, and went back to its business. Which was apparently doing nothing.
I thought about sea lions for most of the car ride home. Like a child newly obsessed with dinosaurs, I suddenly needed to know everything about them. So I went to Wikipedia and read about sea lions, seals, and sea otters.
Part of my forgetfulness can be attributed to the addictive design of our devices, which directly feed the reward center of our brain. Several studies have noted that we even forget to breathe when we check our emails. Seeing that sea lion reminded me to breathe. One email can wait.
I'm using p4v on OS X 10.8. Before I upgraded to Mountain Lion, I could double click a checked out file in a changelist under the "Pending" tab and the file would open in the external editor specified in p4v settings (MacVim for example).
Does anyone know how to work around the new sandbox in Mountain Lion and open checked out files in an external editor from the Perforce Visual Client? Even specifying the native app TextEdit doesn't work. Is this possible without turning off GateKeeper?
I first walked into class expecting laughter and stories and life lessons and I am happy to say that is what I got. I learned from the older people in my class about taking pictures and writing articles and doing interviews.
Newspaper has been the highlight of my high school career. I have been able to walk into class everyday knowing that I would have fun and learn something new about the school or my classmates. When other things seemed boring or upsetting, I always knew that newspaper was the class I could go to in order to feel happy again.
This past year as the newspaper editor has taught me about leadership and communication and I feel the class has made me grow as a person. Newspaper has given me lessons that have made me feel incredibly prepared to move onto college and the rest of my life.
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