Rosalinde Haas: Max Reger - Complete Organ Works (12CD Box Set) (2000) FLAC

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Rosalinde Haas: Max Reger - Complete Organ Works (12CD Box Set) (2000) FLAC

Rosalinde Haas is a German organist and music professor who is widely regarded as one of the leading interpreters of the organ works of Max Reger. In 2000, she released a 12CD box set containing the complete organ works and arrangements of Reger, recorded on various organs in Germany, Switzerland and the Netherlands. This box set is a remarkable achievement that showcases the richness, diversity and complexity of Reger's organ music, as well as Haas' virtuosity, sensitivity and insight as a performer.

Max Reger (1873-1916) was a German composer, organist, pianist and teacher who was influenced by Bach, Brahms, Wagner and Liszt. He composed prolifically in almost every genre, but he is especially known for his organ works, which constitute about a third of his output. Reger's organ music is characterized by its polyphonic texture, chromatic harmony, contrapuntal ingenuity and expressive intensity. He wrote many large-scale works, such as fantasies, variations and fugues, as well as smaller pieces, such as chorale preludes, monologues and character pieces. He also arranged some of his own orchestral and chamber works for organ, as well as works by other composers, such as Bach, Mozart and Schumann.

Rosalinde Haas: Max Reger - Complete Organ Works (12CD Box Set) (2000) FLAC


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Rosalinde Haas (born 1934) studied organ with Helmut Walcha and piano with Wilhelm Kempff. She became a professor of organ at the Frankfurt University of Music in 1974 and retired in 1999. She has performed extensively in Europe and America and has recorded more than 50 CDs of organ music by various composers. She has a special affinity for Reger's music and has devoted much of her career to performing and recording his complete organ works. She has also written several books and articles on Reger's life and music.

The 12CD box set contains all of Reger's original organ works, as well as his arrangements of his own and other composers' works. The recordings were made between 1988 and 1999 on 11 different organs that are suitable for Reger's music. Some of the organs are historic instruments that Reger himself played or knew, such as the Sauer organ in the Berlin Cathedral or the Walcker organ in the Ulm Minster. Some are modern instruments that have the tonal resources and flexibility to cope with Reger's demands, such as the Klais organ in the Altenberg Cathedral or the Metzler organ in the Zurich Grossmünster. The box set also includes a booklet with detailed information on the organs, the works and the recordings.

The box set is a must-have for any organ lover or Reger enthusiast. It offers a comprehensive overview of Reger's organ oeuvre, from his early works to his late masterpieces. It also demonstrates Haas' remarkable skills as an organist, who can handle the technical challenges, interpret the musical nuances and convey the emotional depth of Reger's music. The sound quality is excellent and the choice of organs is varied and appropriate. The box set is available in FLAC format, which preserves the high fidelity of the original recordings.

If you are interested in listening to some samples or purchasing the box set, you can visit [this link]. You can also listen to some of Haas' recordings on [Spotify]. You will not regret discovering or rediscovering the fascinating world of Reger's organ music through Haas' brilliant performances.

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One of the highlights of the box set is the recording of Reger's monumental Fantasy and Fugue on B-A-C-H, Op. 46, which is considered one of his masterpieces and one of the most challenging works in the organ repertoire. The work is based on the musical motif B-A-C-H (B flat-A-C-B natural in German notation), which Reger used as a tribute to his idol, Johann Sebastian Bach. The fantasy is a complex and dramatic exploration of the motif in various forms and keys, while the fugue is a virtuosic and ingenious display of contrapuntal art. Haas plays this work on the Sauer organ in the Berlin Cathedral, which is the same organ that Reger himself played and recorded the work in 1915. Haas' performance is impressive and expressive, capturing the power, beauty and depth of Reger's music.

Another highlight is the recording of Reger's Variations and Fugue on an Original Theme, Op. 73, which is one of his most popular and accessible works. The work consists of a theme and 10 variations, each with a different character and mood, followed by a brilliant fugue. The theme is a simple and catchy melody that Reger derived from his own name (RE-G-E-R in German notation). The variations range from lyrical to playful, from serene to stormy, from graceful to grotesque. The fugue is a dazzling finale that combines the theme with elements from the variations. Haas plays this work on the Walcker organ in the Ulm Minster, which is one of the largest organs in the world and has a rich and colorful sound. Haas' performance is lively and nuanced, showing the diversity and charm of Reger's music.

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A third highlight is the recording of Reger's Chorale Fantasies, Op. 52, which are six large-scale works based on well-known Lutheran hymns. The works are inspired by Bach's chorale preludes, but Reger expands them into symphonic proportions and adds his own harmonic and contrapuntal innovations. The works are among the most expressive and profound in Reger's organ music, reflecting his deep religious faith and personal struggles. Haas plays these works on various organs that have different tonal qualities and styles, such as the Klais organ in the Altenberg Cathedral, the Metzler organ in the Zurich Grossmünster, or the Schnitger organ in the Hamburg St. Jacobi Church. Haas' performance is sublime and moving, revealing the spiritual and emotional dimensions of Reger's music.

A final highlight is the recording of Reger's arrangements of his own and other composers' works for organ. Reger was a prolific arranger who adapted many works for different instruments or ensembles, especially for organ. He arranged some of his own orchestral and chamber works, such as his Serenade, Op. 95, or his Romance in G major, for violin and piano. He also arranged works by other composers, such as Bach's Brandenburg Concertos, Mozart's Eine kleine Nachtmusik, or Schumann's Symphonic Etudes. These arrangements show Reger's respect and admiration for the original works, as well as his creativity and skill in transforming them for the organ. Haas plays these arrangements on various organs that suit the style and character of the original works, such as the Silbermann organ in the Freiberg Cathedral, the Müller organ in the Haarlem St. Bavo Church, or the Cavaillé-Coll organ in the Paris St. Sulpice Church. Haas' performance is elegant and faithful, highlighting the beauty and diversity of the original works.

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In conclusion, the 12CD box set of Rosalinde Haas playing Max Reger's complete organ works and arrangements is a remarkable and valuable collection that showcases the genius and beauty of Reger's music, as well as the skill and artistry of Haas as an organist. The box set covers the entire range and variety of Reger's organ oeuvre, from his early works to his late masterpieces, from his original works to his arrangements, from his large-scale works to his smaller pieces. The recordings are made on different organs that have different tonal qualities and styles, which enhance the diversity and richness of Reger's music. The sound quality is excellent and the FLAC format preserves the high fidelity of the original recordings. The box set also includes a booklet with detailed information on the organs, the works and the recordings. The box set is a must-have for any organ lover or Reger enthusiast, as it offers a comprehensive overview and a sublime experience of Reger's organ music through Haas' brilliant performances.

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