One person it is definitely for is Gloria DeMent, the 84-year-old grandmother who wrote AP film critic Christy Lemire in horror after spending $96 to take four generations of her family to see "The Nutcracker in 3-D." She wrote: "It broke my heart when we left the theater that my little great-granddaughters (ages 5-13) had sad little, confused faces."
As the film opens, Gulliver is celebrating his 10th year in the mail room of a New York newspaper. He has a crush on Darcy, the travel editor (Amanda Peet), who is a good sport and gives him an assignment to write a piece from Bermuda. He falls asleep on board his speedboat and enters the Bermuda Triangle, which, come to think of it, of course is where Lilliput must be. In the land of these 6-inch people, he awakens to find himself tied down with ropes staked to the ground, which is also what happened in Jonathan Swift's classic, but boy, would Swift not ever recognize the rest of this story.
Gulliver soon finds himself not a captive but more like a hero, god, adviser and warrior for the Lilliputians, whose society resembles an Arthurian, not a Swiftian, fantasy. On an island with a seaside castle, they wear the costumes and play the roles of medieval romantic swashbucklery. And they talk the talk. To paraphrase one Lilliputian, "Whyeth musteth we always speaketh with all these eths?"
The kingdom centers on the beloved and beautiful Princess Mary (Emily Blunt), and the rivals for her affection: King Theodore (Billy Connolly) and Gen. Edward (Chris O'Dowd). Lemuel is able to participate in these intrigues by peering over ramparts or taking a seat on battlements. He is about 12 times as tall as they are. I wonder how he can so easily hear their little voices; if he said "speak up!" they'd be blown away. No matter. Darcy, of course, turns up in search of Lemuel, battles wage, tables are turned, romances blossom and so on.
It just occurred to me that you may be imagining this is an animated film, and that Jack Black is voicing Lemuel Gulliver. Not at all. This is live action, and despite the 3-D, it's sorta old-fashioned, not that that's a bad thing. The problem is to contain Lemuel and the Lilliputians in the same frame when he towers over them. It makes for (1) long shots, or (2) shots of Black's enormous face peering at the little folks from over the edge of something. As he stands on the beach with the little fellas, I was immediately reminded of the genie in Michael Powell's masterpiece "The Thief of Bagdad" (1940).
Well, in all fairness, the entire Earth is ripped to pieces in a brilliant cartoon that plays before the feature. "Scrat's Continental Crack-Up" stars the manic creature from the "Ice Age" movies, who would destroy the globe to save a nut.
With this, Swift brings his biting, satirical look at humanity to a close, clearly not an admirer of the species! The first three journeys examine different human worlds, with strange scenarios, but leading each time to some form of failure due to perceived deficiencies of human nature. It is only the society encountered during his fourth journey that Gulliver experiences any admiration for. Swift is clearly a cynic, not hopeful about basic human nature, or the ultimate fate of the human species. That gives his wonderfully creative stories a modern edge.
Hi I am studying in high school and read many stories of gulliver in the textbooks. i have always a fantasy to travel to lilliput. And I still wonder if we can find out such place anywhere on the earth. What is ur suggestion about the reality behind this fact .i have also seen photo of very little woman on there they claimed that she is the smallest woman in the world. is it true. is it possible having such a small human being plz reply.
Messages about honesty, teamwork, and seeing people for their potential and not just their social status/job title are all positive. That said, there's also some potty humor: In one scene, Gulliver pees on a fire to put it out, and viewers see people who are covered in urine. And another scene shows a bit of Jack Black's "plumber's butt."
Despite the fact that Gulliver has the propensity to lie -- he plagiarizes his article and then tells a bunch of lies about himself to the Lilliputians -- he redeems himself with his last-minute plan to rescue them from their enemies. Darcy learns to see Gulliver's potential and not just to consider him "the mailroom guy." Horatio and Darcy discover that love is more about honestly knowing and loving someone for who they are rather than their title or status.
Cartoonish violence in Lilliput, where the Lilliputians often have skirmishes with a neighboring kingdom. Gulliver fights one-on-one with an entire armada that fires at him, but his huge belly repels the bombs, and they charge right back at the enemy ships. Soldiers are shown jumping into the water (comic scene). In one scene, a soldier is accidentally crushed, but it's handled humorously. Gulliver surrenders after receiving a horrible "wedgie" from an oversized robot soldier he fights.
A couple of sweet kisses between two different couples in the story. Also some innuendo and references to romantic relationships and flirting techniques. For example, when Princess Mary asks her fiance what he likes about her, he points at her breasts, and she says "inappropriate." Gulliver convinces Horatio to woo Princess Mary by quoting Prince's song "Kiss." Gulliver refers to women as "stone cold foxes" and "babes."
Parents need to know that this modernization of Jonathan Swift's classic satire features everything audiences expect from family-targeted Jack Black movies: physical (including potty) comedy, minor language, and lots of references to popular culture -- particularly movies and music. The sexuality is mostly tame, but there are references to a woman's breasts (as reason enough to marry her), some innuendo, and a few brief kisses. Language includes insults like "stupid" and "lame ass" (repeated several times in one scene). Expect several mentions of/allusions to Mac products, among other brand names. On the bright side, kids should learn about the value of honesty, believing in yourself, and looking beyond someone's status. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
In this adaptation of Jonathan Swift's classic satire, Jack Black stars as Lemuel Gulliver, a mailroom clerk at a New York City newspaper, where he's worked for years nursing a crush on travel editor Darcy Silverman (Amanda Peet). When an ambitious new mailroom employee (T.J. Miller) is hired one day and promoted the next, Gulliver decides to approach Darcy for a date -- but instead he makes her think he's interested in becoming a travel writer. After he turns in a plagiarized writing sample, Darcy assigns Gulliver a feature story about the Bermuda Triangle, where he sails into a storm that lands him on the diminutive island kingdom of Lilliput. There, he proves himself a hero, befriends Horatio (Jason Segel) -- a commoner who's in love with Princess Mary (Emily Blunt) -- and proceeds to lie spectacularly about himself to the everyone, since, for once in his life, he's beloved. But everything's in jeopardy when the princess' betrothed, General Edward (Chris O'Dowd), starts to feel threatened.
Whether you'll enjoy GULLIVER'S TRAVELS or not all boils down to how much you enjoy Black's brand of humor. For those who consider him an irresistible jokester, this is a slightly better-than-average comedy with loads of pop culture references and that signature Black comedy. Audiences who are lukewarm on Black's charm may be less amused by this adaptation, but there are enough silly laughs, talented supporting actors, and broad sight gags (such as the diminutive, fully made-up KISS band) to make this a decent family pick.
Even taking the scenery-chewing Black out of the picture, the Lilliputian cast is good, with Billy Connolly as the always entertaining king, Blunt as the beautiful princess who yearns for more than her status allows, and Segel as the commoner who yearns to woo her. But the stand-out performer is O'Dowd, an Irish actor best known for his work on British television (The IT Crowd). His uptight, self-righteous General Edward is just the right mix of pompous and insecure for what's otherwise a caricaturish character. This fish-out-of-water fantasy isn't necessarily a must-see film, but for Black devotees, it's yet another example of the comedian's Adam Sandler-like ability to remain essentially himself in every movie.
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