I was doing some research for a blade and came across a reference to the seax of Beowulf, but couldn't find it in the transation I read (abridged, you know. ) I was wondering if any of you know of references to it or any information that would help piece somthing together, Anglo-Saxon seaxs seem to deteriorate faster than thier Norse brothers, alas. I found that J.R.R. Tolkien wrote something on the subject, but haven't had time to track down a copy.
ben....i have no answer to your question.....but i was just reading your post and watching tv and the trailer for beowulf came on tv.....i actually got a chill.....this is the first time i ever saw the trailer too....it's not like it was on all night.....i hope you find your answer....i'm getting off this post befor osmething else happens......ryan
I didn't know about the movie untill this afternoon when I was looking for seax information, my family came home and told me they had seen a poster for it. It showed up on my email account as well. Weird.
Having just re-re-re-read the Burton Raffel translation of the Old English poem I can attest that, sadly, there are no descriptions of the weapons used. They do refer to a knife, I believe, in the (apocryphal?) section with the Dragon. But it lacks descriptions of design, geometry, ornamentation, etc. Maybe that's just Raffel.
Hi Ben. Try Ewart Oakshott's "Archaeology of Weapons" for the references you might be looking for. He spends a great deal of time in the period in question and has some solid stuff to say, backed by both historical and archaeological evidence...Should that be your desire.
Not complete texts, but sizable portions. Raffel's must be a popular (read: cheap) choice for schools. The keeper of the page notes that most of his hits come from people Googling "Beowulf by Burton Raffel" looking for fodder for term papers
As far as movies go Beowulf & Grendal that came out last year with Gerard Buttler is pretty darned good. They definately took some liberties but they stuck to the heart of the story and came out on the other side with a good flick.
Oakeshott makes a few mentions of the seax (sax) in "Archiology of Weapons" but doesn't have a section on them as such. Two illustrations that I remember are a migration era seax in it's wooden scabbard and a single edged, sword hilted Norweagan one which were also sometimes refered to as seaxs. I know that he referes to a story about an old Norse hero who digs a seax out of his host's father's grave that he had to do some dashing deed to get ownership of. Our hero, it is said, used it often in preference to his sword which had a b**chy personality and often gave him trouble in battle (likely excuse to stray with other cutting edge weapons, if you ask me). That would lead me to believe that said seax was a substancial weapon but no physical description was given of it in the story or Oakeshott didn't relay the details.
I'm reading a book on the Sutton Hoo find and it talks about how acidic the soil is on the East Anglican coast. They found all these great artifacts some of the wood survived barley and yet no bones. I think this also may figure into not finding any bone or antler grips on seaxs. The wood doesn't decay as fast as the bone.
English 219 focuses on how to write and design documents found in the workplace. Students create documents that are based on the needs of their readers by considering the type of research to conduct as well as the appropriate structure, writing style, and page layout to use. Assignments include creating professional letters, memos, procedures, manuals, proposals, and analytical reports.
Depicting its author's vision of a unique society, dystopian literature is fascinating, frightening, and fantastic. This course will explore genres such as totalitarian, cyberpunk, capitalistic, and post-apocalyptic dystopias within modern dystopian short stories, novels, and films. Because dystopias also function as a venue for social criticism, we will explore current topics such as individualism, government intrusion in private life, book banning, population control, and modern attempts at creating utopian societies. Class discussions and writing assignments will help students to increase their critical thinking, analysis, and writing skills. Students will improve their ability to gather, analyze, report, and interpret information through a variety of writing assignments which will include response papers, a review, literary analysis, and an annotated bibliography. Students will show evidence of their analytical and research skills as they plan and write a final position paper which addresses a critical social issue discussed in the course.
Hispanic, Latina/o, Chicana/o. Negro, Black, African American. ESL, Nonnative Speaker, Bilingual, Multilingual. White, Gringo, Caucasian, European American. Immigrant, Undocumented Worker, Illegal Alien. Identity labels are a constant part of our daily lives, sometimes used without thinking but often occurring in highly political and contested spaces. In this class, we will explore the politics surrounding labels and the implications of using different labels to describe individuals. With readings from linguistics, philosophy, and rhetoric and composition along with analyses of mainstream media discourses, we will gain a deeper understanding of the discursive implications of labeling and its relation to identity construction. Through a variety of writing projects, students will explore the role labeling has played in their own lives, analyze popular discourses, conduct a review of scholarly work on labeling, and conduct primary research on the role labeling has played in the lives of members of the UNM and Albuquerque communities
Images and texts saturate our culture, today more pervasively than any time in recent or past history. Photography and writing each have a way of capturing ambiguous moral, psychological, and documentary slices of life. The art of the image and the craft of the word each mediate deeply personal and arbitrary experiences of life because of the interiority and the exteriority of their gaze. By examining the visual rhetoric of photography and the traditional rhetoric of written text, this class will explore the intersection of these rhetorics and investigate how each informs the other. The writing and reading in this class consists of examining the lengthy tradition of writers who write about photography and photographers who write by studying photo essays, short stories, nonfiction analysis and reviews, photo exhibitions, theoretical positions, and iconic photographs. Each of these forms will serve as means to critically evaluate how knowledge and meaning are constructed within specific socio-cultural contexts, and how, as writers, we draw on images to connect us to words that help us and our readers develop relationships with ideas, places, time, and space. Students will create numerous short texts, weekly class blog entries, and work throughout the semester in varied and ongoing modes of inquiry to create a research-based final project.
Students will write about modern issues as they are presented in film comedies ranging from the 1930s to today, how arguments about these issues are presented, and how humor is used to further and empower these arguments. The issues will include but not be limited to war/politics, sexuality, masculinity/femininity, Hollywood culture, and technology. Film criticism techniques, rhetorical devices and argumentative styles will be studied and employed. Despite the focus on comedy, genre differences will also come into play; parodies of other genres, mockumentary, satire, and film versions of classic comedic literature are included.
This online course will develop student writing through the exploration of various texts including historical documents, literature, film and other visual images of the US west. We will examine the west as an imaginative space that produces a concrete impact in the lived experiences of people in the west from the 1800s to the present. Through analyzing these various cultural productions students will develop advanced strategies of rhetorical analysis and apply these skills to plan effective writing within their own unique rhetorical situation. The course will culminate in an independent writing project in which students develop research strategies for finding appropriate scholarly material to support a sustained argument about an aspect of US western culture. By the end of the course, students will be able to evaluate sources for quality, validity and appropriateness, and structure their own documents to create a rhetorically complete presentation of their understanding and interpretation of the US West and its ramifications for the people who live there. This is a multimedia course that incorporates print, film and Internet sources with both textual and visual representations of the west.
In this course, students will develop their own writing identities as emerging scholars by considering how language, power and identity influence how we read (are shaped by) and write (shape) our communities. By actively, collaboratively, and critically engaging with course readings, community-based research, and the writing process itself, students will practice and reflect upon the moves made by successful academic writers, gain a greater understanding of the complexity of issues related to language, power and identity within their own communities, and explore the strategies of community writing centers and other community literacy initiatives for acting as responsible agents of change.
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