Zz Top Drum Cover

[Courtland Boland]

WARNINGThis product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.

Self-closing Drum Cover turns a drum into a fire-safe receptacle for combustible waste. Simply use a screwdriver and wrench to attach the cover to a drum. For added safety, a replaceable fusible-link assembly melts at 165F (74C) to automatically allow spring-loaded cover to slam shut if there is a fire in the drum. Durable steel construction with powder-coat finish provides excellent chemical resistance. Ideal for the aircraft, furniture, and printing industries or anywhere solvent-soaked cloths are used.

Since then, the popularity of the YouTube drum cover video has increased dramatically. Some of them may not be worth watching, while others are just downright cool. So how do you make a great drum cover video in the first place?

I like to find songs with less drums on the track (Hip-hop and Rap tunes are good for this), and some open spaces so that I can show off a little. If you just want to play along to a song as if you are playing a transcription, that works as well.

This is the fun part: filming your drum cover video. Try and get your best performance in. This is going to take some practice and a little bit of thought to work out what you want to do, and where you want to do it.

The final step in making a great drum cover video is to publish your work. YouTube is the website of choice for most drummers, but there are other video hosting sites elsewhere on the internet, such as Vimeo.

I would appreciate some advice about the best way to approach getting permission from music owners to play to a cover using an original background track. Considering that for mere mortals even getting a response from famous artists or their representatives is more or less impossible.

Hey Everyone! My name is Duran, and this is my drum blog. I've been a professional drummer for over 15 years. I have a degree in jazz performance from the University of North Texas, toured internationally to over 90 countries, and I've got a few awards to my name. I love drumming, but more importantly I love helping other drummers reach their goals. If you have any questions or feel like I'm missing something, don't be afraid to let me know: [email protected]

You can get a semi-pro setup quite cheap these days. We could go on and discuss white balancing issues, whether a cooler light (color profile of 5600k) might be better for your shot, or whether you should go with something warmer (lights with a color profile below 3200k), but start by investing in a couple of lights to make sure you can cover any undesirable shadows.

Are you thinking about adding a shot of your feet? Be aware that keeping a foot cam well lit is a common issue. Those shots are often riddled with shadows from the drum kit and the drummer. Sometimes adding light to this shot can create even more problems with shadows, so experiment with light placement for your foot camera before you hit record.

Depending on the music genre, you might be able to get rid of the drums completely, but most of the time it will come at a cost to the rest of the track. In many situations, it will be nearly impossible to do any drum removal without severely impacting the sound of the song.

This is because drums as an instrument are fairly broad in the frequency spectrum, and usually panned to take the entirety of the stereo field. But with some engineering knowledge and experience, you can use a combination of M/S, EQ, Compression and Phase techniques to attenuate or remove drums from a track.

You might have seen quite a few people using those little Zoom devices. I love these recorders. They are reasonably cheap and can record audio in mono, stereo and other configurations, as well as video. They are reliable, well built, and sound good.

If this is not enough, it also offers a line/external microphone input. You could have all your microphones or your electronic drum kit output going to a mixer alongside the playback of the song, and have the entire cover done in one step without the need for post-production.

Most people like adding multiple shots to their videos to make it more exciting for the viewer. Because the above setup requires some post-production tasks, moving from one camera (your iPhone) to multiple cameras is simpler than it seems.

Takeaways for a multiple camera setup: Always record audio from each device as it will make it easier to sync in the future. Whenever possible, slate the take number and add a short sound before you start each take. Lastly, create a template for color correction in your editor for each camera used, as it will save you time during post-production.

If you have an electronic drum kit, you should be able to connect it to a computer and record directly into your software. There are a few ways to set up a DAW to receive internal samples or MIDI notes (which you can then sample replace), and there are a ton of resources on YouTube.

Action cameras are usually cheaper than their counterparts but have been able to handle fast motions, low lighting and 4K footage for a while now. They can also be found rather easily on second-hand websites.

Color Correction: A video post-production process that looks at the color profile of two different video feeds and applies correction curves so that both look and feel like they belong together. This is especially necessary if you shoot with different cameras, or if you shoot at different times of the day (when using natural light).

DOF: Depth of Field. A term used in photography to describe how much a subject stands out against the background. This is achieved by blurring the background, and using the bokeh effect.

Frequency Spectrum: The range of frequencies that humans can hear, which goes from 20Hz to 20,000Hz (20kHz). The lower the number in Hertz, the more bass or low pitched the sound is. The higher the number, the more treble or high pitched the sound is.

Joo Lebreis a freelance mixing engineer at caffeinatedaudio.co.uk and drummer based out of London, UK. He has toured as drummer and FOH engineer, designed and commissioned world class studio installations, and lectured a range of audio engineering topics for SAE London. Joo is a passionate music instructor and is truly obsessed with gear.

Brandon Toews / Drum Beats

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