Izotope Stutter Edit Alternative

[Mckenzie Witting]

Glitchsounds can be used in most modern electronic music genres. Although there is a Glitch genre that mostly features intentional degradation of audio, glitch sounds that imitate malfunctioning audio playback devices, and other similar artifacts, Glitch sounds can be used in Dubstep, Future Bass, IDM, Techno, Hip Hop, and most electronic genres.

Creating Glitch sounds can be tricky since it involves advanced audio manipulation techniques that often utilize complex effects sequenced to create its intricate signature sound. This list will try to inspire new techniques for you to use and inform you on the best and most appropriate plugins for producing Glitch sounds.

Glitch plugins are all about sound manipulation, audio degradation, and how you sequence effects to create original and exciting patterns. The best way to use Glitch audio plugins is to keep these principles in mind while producing.

For example, try to group your drums and apply some of the multi-effect plugins below. This will help you add interest to your drumbeats and create ear candy and excitement moments.

Another thing you can do is apply plugins like Digitalis or 2Rule filter on your lead synths. This will help you create distorted, bit-crushed synths that also modulate throughout the song. Talking of modulation, automation will be your best friend when producing Glitch music.

Its array of modulation sequencers allows you to control various parameters of synthesizers and audio effects, offering extensive possibilities for crafting unique and unpredictable sonic experiences.

Stepic offers a wealth of randomization options, allowing producers to craft unpredictable sequences that are the backbone of glitch music. The ability to experiment with various randomization patterns creates glitchy, chaotic soundscapes that define the genre.

In StepicVST, retriggering can be applied to both note and modulation sequencers. For note sequencers, retriggering creates stuttering, repetitive patterns characteristic of glitchy sounds. Experimenting with different retrigger points and sequence lengths can produce various glitch effects, from subtle rhythmic variations to chaotic, unpredictable patterns.

Digitalis has three different processing modules that perform different tasks to degrade your sounds. The modules are data, corruption, and time. All of them can be easily enabled or disabled and can run simultaneously.

The data module looks like an old-school drawing app where the user gets to draw with a pencil. What you are actually doing is setting up the spectral filter. There are loaded images and patterns on board, but you can alsodraw your own to create new and exciting spectral filtering patterns.

Additionally, formant and pitch processors are included in the data module, which achieves satisfying artifacts that color the sound. The last section of the data module is telecommunications and simulates the low bandwidth data compression effects on the incoming audio; it basically sounds like a 90s internet audio.

The corruption module alters the bits and bytes of the audio. It includes a decimator that extends the length of each digital byte, therefore reducing the sample rate of the sound. A crossover control will let you tame the high end and allow you to decimate the low end much harsher.

The advanced grain engine plugin allows you to adjust the grain size, position, pitch, speed, and jitter settings. You can also adjust the settings for filter and time modulations and add reverb and delay effects to your sounds. In addition, it has an audio editor that allows you to freeze, texturize, reorganize, and slice your audio.

The plugin allows you to chop the audio into 64 grains and has 12 main controllers for manipulating the audio. In addition, the plugin has two modulation structures: harvested for creative, playful, and simplified granular manipulation and the classic system with step sequencers, LFOs, and envelopes.

You can use MIDI notes and randomizers as the sources to trigger modulations, along with the typical step sequencer, LFOs, and envelopes. The plugin also has Modmix control, allowing you to crossfade between the two granular engines.

The plugin allows you to have high quality and a wide variety of effects, like filters, reverbs, delays, etc. For example, the reverb category includes effects like HQ reverb, spring reverb, and shimmer. The delay effects include phasers, flangers, and other time-based effects.

The possibilities with this great granular plugin are infinite. However, due to its unfamiliar workflow, it may be a bit strange at first, but it is fun once you get hold of it. In addition, the creative output you can derive from the plugin is limitless.

You can have ten effects running simultaneously in your chain with multiple instances of the same effect running on different settings. Each effect comes with a dedicated interface with enough controls to allow for huge sound design potential.

An improved Master section with drive and compression is included in Infiltrator 2, and the same type of compressor controlled by a single knob is now available as a standalone module. The Master tab has a bass bypass option (40Hz to 1kHz), effectively disables all processing for frequencies below the specified threshold.

Replicant 3 offers a lot of features that will help you manipulate sounds. You can create rhythm parts and set them to reverse, loop, and re-slice in real time while adding creative effects to bring the sound to a complex final version.

Replicant 3 has a number of steps ranging from 3 to 16 per bar, which means you can make much more complex rhythmic effects.

When engaging the triplets, you can set a random loop amount for more unpredictability or to control the number of repeats, their randomness, and their direction.

There are many more presets than the previous version, and the preset manager is much better designed. Here you can start getting glitches with a very small preamble. The plugin lets you save them and create new ones, so endless possibilities exist.

This new version has an additional cross-fade envelope in the Event FX and full non-sequential control of the slicing engine through a manual trigger (for touchscreens) and MIDI trigger. A built-in filter, pitch and panning knobs, and randomization parameters allow for generating random, probabilistic patterns.

The granular engine in the plugin allows you to manipulate audio samples in real time by slicing them into small grains and playing them back at different speeds, pitches, and positions. This allows for a wide range of sound design possibilities, from traditional granular techniques to more experimental and creative effects.

The synth offers multiple granular modes, including classic granular, harmonic, and harmonic+. In addition, it includes a variety of built-in effects, such as reverb, delay, and distortion. These effects can be used to add depth and texture to the sound of the granular engine.

Flex Beat is a plugin released by guys at Akai Pro in collaboration with AIR and produced this plugin that offers chop beats, DJ scratches, and more effects that can help produce music like hip-hop, trap, and more. Producers of many genres can use it, as they can twist samples much simpler way and add a secret sauce to any loop in their sample collection.

You can find 16 pads with loaded effects from the preset library, divided into categories based on effect. These can be used by clicking with the mouse in the plugin interface, or you can assign them with MIDI pads or keyboards, and they immediately process the input you apply.

Here you can find a lot of editing tools, which can be easily moved to the grid, or you can snap to musical subdivisions. These envelope shapes can be imported from the plugin library, and you can also save the settings you have made as new presets.

The plugin has three modes: One Shot and Loop modes can cause the effect to play only once or be set to infinite, while Hold mode keeps the effect active only when the pad is active.

Synthesizers are great for achieving nice textures and new soundscapes, independently of the type of synthesis involved. Granular synthesis, in particular, deals with small divisions of an audio sample, and modifying it by these small pieces can be useful for a more detailed alteration in its sonority.

Glitchmachines added a powerful FX module that pushes the sound even further. It includes a delay, a crusher, a ring modulator, a chorus, a phaser, a formant filter, and a multi-mode filter. In addition, the FX module has a dedicated sequencer that adds depth and complexity to these effects.

In Glitch 2, you have nine effects to play with. The effects are staples like reverb and delay and glitch essentials like stutter, retrigger reverser and shuffler. Each effect has its own color, which makes setting them up much easier, and can be sequenced in scenes.

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