A series of YouTube videos on Makam scales on TouchKeys
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Ozan Yarman
Oct 16, 2015, 10:08:09 AM10/16/15
to TouchKeys
Hello,
The following links contain belated video uploads on several Makam scales played on TouchKeys tuned to the "Yarman-24c tuning" (hence flaunting the music theory approach by the same name):
Bestenigar
https://youtu.be/wy0hYeDWhf8
Buselik
https://youtu.be/dV75nMhGq5E
Çargah
https://youtu.be/Qn9ku9bNd-k
Hicaz
https://youtu.be/7TyxYdCsK_4
Hüseyni-Muhayyer
https://youtu.be/9uELc6nVgVw
Hüzzam
https://youtu.be/NPc3Bh5aomY
Kürdi
https://youtu.be/uCTdqa0v_GY
Kürdilihicazkar
https://youtu.be/6YV4Vz_Rk5E
Nihavend
https://youtu.be/Co5CReMO7VE
Nişabür
https://youtu.be/GxxR9tlFspk
Rast-Rehavi
https://youtu.be/2tKI-tpOyj4
Segah
https://youtu.be/ACQyo3Y0W_8
Suzidilara-Mahur
https://youtu.be/Q95s30yIxPE
Uşşak
https://youtu.be/JDBR3_A6HY4
---------------------------------------------------------
Yarman-24c maqam tuning is a new design that is limitedly applied to:
1. TouchKeys in the maqam music demo you heard,
2. Tolgahan Çoğulu's guitar specially fretted to accomodate it:
https://www.youtube.com/watch?v=qZXAv8GyHQg
3. My own bowed tanbur whose animation with sound is here:
https://www.youtube.com/watch?v=fP1elrsk5QM
Tuning details are included below:
> Yarman-24c in cents (starts with perde rast ascribed to any possible pitch, preferably "C" at 261 Hz):
>
> 0.000
> 34.184
> 85.059
> 143.623
> 191.771
> 203.910
> 224.744
> 292.413
> 348.343
> 362.503
> 383.542
> 415.305
> 477.006
> 498.045
> 538.904
> 581.382
> 634.184
> 648.682
> 697.332
> 729.464
> 788.736
> 853.063
> 887.656
> 905.865
> 920.024
> 996.090
> 1043.623
> 1071.942
> 1085.497
> 1124.744
> 1186.446
> 2/1
* * *
> 24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
> |
> |
> DEGREE PITCH CENTS Perde Name
> 0: 1/1 0.000000 RAST
> 1: 85.059 cents 85.058930 nim zengule / şuri
> 2: 143.623 cents 143.623450 zengule
> 3: 191.771 cents 191.770760 dik zengule
> 4: 9/8 203.910002 DÜGAH
> 5: 292.413 cents 292.412970 kürdi
> 6: 348.343 cents 348.343260 dik kürdi / uşşak
> 7: 362.503 cents 362.502680 SEGAH
> 8: 156/125 383.541521 Segahçe
> 9: 415.305 cents 415.304620 buselik
> 10: 4/3 498.044999 ÇARGAH
> 11: 581.382 cents 581.381900 nim hicaz
> 12: 634.184 cents 634.183840 hicaz / saba
> 13: 16/11 648.682058 dik saba / bestenigar
> 14: 187/125 697.332210 NEVA
> 15: 788.736 cents 788.735950 nim hisar / beyati
> 16: 853.063 cents 853.063060 hisar / hüzzam
> 17: 887.656 cents 887.656140 dik hisar / hisarek
> 18: 27/16 905.865003 HÜSEYNİ
> 19: 16/9 996.089998 acem
> 20: 1043.623 cents 1043.623450 dik acem / arazbar
> 21: 1071.942 cents 1071.942290 EVC
> 22: 234/125 1085.496522 Mahur
> 23: 1124.744 cents 1124.744230 Dik mahur
> 24: 2/1 1200.000000 GERDANİYE
Frequencies:
0: 260.740741 Hertz 7.99511 oct MIDI: 59.94135 C
1: 273.871371 Hertz 8.06599 oct MIDI: 60.79194 C# / Db
2: 283.294429 Hertz 8.11480 oct MIDI: 61.37758 Dƀ
3: 291.283703 Hertz 8.15492 oct MIDI: 61.85906 Dd
4: 293.333333 Hertz 8.16504 oct MIDI: 61.98045 D
5: 308.718833 Hertz 8.23879 oct MIDI: 62.86548 D# / Eb
6: 318.855346 Hertz 8.28540 oct MIDI: 63.42478 Eƀ
7: 321.473895 Hertz 8.29720 oct MIDI: 63.56638 Ed
8: 325.404444 Hertz 8.31473 oct MIDI: 63.77677 E
9: 331.429772 Hertz 8.34120 oct MIDI: 64.09440 E‡
10: 347.654321 Hertz 8.41015 oct MIDI: 64.92180 F
11: 364.798788 Hertz 8.47960 oct MIDI: 65.75517 F# / Gb
12: 376.096415 Hertz 8.52360 oct MIDI: 66.28319 Gƀ
13: 379.259259 Hertz 8.53568 oct MIDI: 66.42817 Gd
14: 390.068148 Hertz 8.57622 oct MIDI: 66.91467 G
15: 411.215880 Hertz 8.65239 oct MIDI: 67.82871 G# / Ab
16: 426.782762 Hertz 8.70600 oct MIDI: 68.47198 Aƀ
17: 435.396398 Hertz 8.73483 oct MIDI: 68.81791 Ad
18: 440.000000 Hertz 8.75000 oct MIDI: 69.00000 A
19: 463.539095 Hertz 8.82519 oct MIDI: 69.90225 A# / Bb
20: 476.442539 Hertz 8.86480 oct MIDI: 70.37758 Bƀ
21: 484.300087 Hertz 8.88840 oct MIDI: 70.66077 Bd
22: 488.106667 Hertz 8.89969 oct MIDI: 70.79632 B
23: 499.298606 Hertz 8.93240 oct MIDI: 71.18879 B‡
24: 521.481481 Hertz 8.99511 oct MIDI: 71.94135 c
>> Exhausting the notational venues of Arel-Ezgi-Uzdilek under the Yarman-24 cast by prolonging the 695.2801937769087317 cents sized fifths up perde hisar through an auxiliary array of F‡, C‡, G‡, D‡, A‡, brings us to E‡ (perde buselik) and produces yet another complete cycle. Adding to this mixture a link to Fd and Cd starting from Gd down, we attain Yarman-31c:
>>
>>
>> Yarman24c extended to 31 notes using missing "comma" flats and sharps
>> 31
>> !
>> 34.18384
>> 85.05893
>> 143.62345
>> 191.77076
>> 9/8
>> 224.74423
>> 292.41297
>> 348.34326
>> 362.50268
>> 156/125
>> 415.30462
>> 477.00616
>> 4/3
>> 538.90365
>> 581.38190
>> 634.18384
>> 695.88538
>> 3/2
>> 729.46403
>> 788.73595
>> 853.06306
>> 887.65614
>> 27/16
>> 920.02442
>> 16/9
>> 1043.62345
>> 1071.94229
>> 234/125
>> 1124.74423
>> 1186.44577
>> 2/1
>>
>> Rationalized and made fretting-friendly:
>>
>> 51/50
>> 21/20
>> 88/81
>> 19/17
>> 9/8
>> 33/29
>> 58/49
>> 11/9
>> 69/56
>> 156/125
>> 75/59
>> 54/41
>> 4/3
>> 86/63
>> 7/5
>> 75/52
>> 16/11 (16/11 for Gd instead of 148/99 at 648.6821 cents for practical fretting)
>> 187/125 (187/125 for G instead of 3/2 at 697.3322 cents for a single route to Dd & D)
>> 32/21
>> 41/26
>> 18/11
>> 117/70
>> 27/16
>> 17/10
>> 16/9
>> 42/23
>> 13/7
>> 234/125
>> 67/35
>> 125/63
>> 2/1
>>
>> As stated previously and directly above in between parantheses, the small 6 cent discrepency between G and Gd is modified to yield a single practicable/frettable perde neva whereby the "fazla flat" (d) could be re-used as a "dik saba / bestenigar". The keyboard mapping of this fretting-friendly variant is correctly reflected to the Chromatic Clavier window in SCALA when set to YA31.
Try the cycle of fifths in 12-tone Modified Meantone through C-G-Dd-Ad-E-B-F#-C#-G#-Eb-Bb-F-C.
Try the cycle of fifths through a 17-tone chain by traversing C-G-D-A-E‡-B‡-Gƀ-Dƀ-Aƀ-Ed-Bd-F#-C#-G#-Eb-Bb-F-C.
Cordially,
Dr. Oz.
✩ ✩ ✩
www.ozanyarman.com
The following links contain belated video uploads on several Makam scales played on TouchKeys tuned to the "Yarman-24c tuning" (hence flaunting the music theory approach by the same name):
Bestenigar
https://youtu.be/wy0hYeDWhf8
Buselik
https://youtu.be/dV75nMhGq5E
Çargah
https://youtu.be/Qn9ku9bNd-k
Hicaz
https://youtu.be/7TyxYdCsK_4
Hüseyni-Muhayyer
https://youtu.be/9uELc6nVgVw
Hüzzam
https://youtu.be/NPc3Bh5aomY
Kürdi
https://youtu.be/uCTdqa0v_GY
Kürdilihicazkar
https://youtu.be/6YV4Vz_Rk5E
Nihavend
https://youtu.be/Co5CReMO7VE
Nişabür
https://youtu.be/GxxR9tlFspk
Rast-Rehavi
https://youtu.be/2tKI-tpOyj4
Segah
https://youtu.be/ACQyo3Y0W_8
Suzidilara-Mahur
https://youtu.be/Q95s30yIxPE
Uşşak
https://youtu.be/JDBR3_A6HY4
---------------------------------------------------------
Yarman-24c maqam tuning is a new design that is limitedly applied to:
1. TouchKeys in the maqam music demo you heard,
2. Tolgahan Çoğulu's guitar specially fretted to accomodate it:
https://www.youtube.com/watch?v=qZXAv8GyHQg
3. My own bowed tanbur whose animation with sound is here:
https://www.youtube.com/watch?v=fP1elrsk5QM
Tuning details are included below:
> Yarman-24c in cents (starts with perde rast ascribed to any possible pitch, preferably "C" at 261 Hz):
>
> 0.000
> 34.184
> 85.059
> 143.623
> 191.771
> 203.910
> 224.744
> 292.413
> 348.343
> 362.503
> 383.542
> 415.305
> 477.006
> 498.045
> 538.904
> 581.382
> 634.184
> 648.682
> 697.332
> 729.464
> 788.736
> 853.063
> 887.656
> 905.865
> 920.024
> 996.090
> 1043.623
> 1071.942
> 1085.497
> 1124.744
> 1186.446
> 2/1
* * *
> 24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
> |
> |
> DEGREE PITCH CENTS Perde Name
> 0: 1/1 0.000000 RAST
> 1: 85.059 cents 85.058930 nim zengule / şuri
> 2: 143.623 cents 143.623450 zengule
> 3: 191.771 cents 191.770760 dik zengule
> 4: 9/8 203.910002 DÜGAH
> 5: 292.413 cents 292.412970 kürdi
> 6: 348.343 cents 348.343260 dik kürdi / uşşak
> 7: 362.503 cents 362.502680 SEGAH
> 8: 156/125 383.541521 Segahçe
> 9: 415.305 cents 415.304620 buselik
> 10: 4/3 498.044999 ÇARGAH
> 11: 581.382 cents 581.381900 nim hicaz
> 12: 634.184 cents 634.183840 hicaz / saba
> 13: 16/11 648.682058 dik saba / bestenigar
> 14: 187/125 697.332210 NEVA
> 15: 788.736 cents 788.735950 nim hisar / beyati
> 16: 853.063 cents 853.063060 hisar / hüzzam
> 17: 887.656 cents 887.656140 dik hisar / hisarek
> 18: 27/16 905.865003 HÜSEYNİ
> 19: 16/9 996.089998 acem
> 20: 1043.623 cents 1043.623450 dik acem / arazbar
> 21: 1071.942 cents 1071.942290 EVC
> 22: 234/125 1085.496522 Mahur
> 23: 1124.744 cents 1124.744230 Dik mahur
> 24: 2/1 1200.000000 GERDANİYE
Frequencies:
0: 260.740741 Hertz 7.99511 oct MIDI: 59.94135 C
1: 273.871371 Hertz 8.06599 oct MIDI: 60.79194 C# / Db
2: 283.294429 Hertz 8.11480 oct MIDI: 61.37758 Dƀ
3: 291.283703 Hertz 8.15492 oct MIDI: 61.85906 Dd
4: 293.333333 Hertz 8.16504 oct MIDI: 61.98045 D
5: 308.718833 Hertz 8.23879 oct MIDI: 62.86548 D# / Eb
6: 318.855346 Hertz 8.28540 oct MIDI: 63.42478 Eƀ
7: 321.473895 Hertz 8.29720 oct MIDI: 63.56638 Ed
8: 325.404444 Hertz 8.31473 oct MIDI: 63.77677 E
9: 331.429772 Hertz 8.34120 oct MIDI: 64.09440 E‡
10: 347.654321 Hertz 8.41015 oct MIDI: 64.92180 F
11: 364.798788 Hertz 8.47960 oct MIDI: 65.75517 F# / Gb
12: 376.096415 Hertz 8.52360 oct MIDI: 66.28319 Gƀ
13: 379.259259 Hertz 8.53568 oct MIDI: 66.42817 Gd
14: 390.068148 Hertz 8.57622 oct MIDI: 66.91467 G
15: 411.215880 Hertz 8.65239 oct MIDI: 67.82871 G# / Ab
16: 426.782762 Hertz 8.70600 oct MIDI: 68.47198 Aƀ
17: 435.396398 Hertz 8.73483 oct MIDI: 68.81791 Ad
18: 440.000000 Hertz 8.75000 oct MIDI: 69.00000 A
19: 463.539095 Hertz 8.82519 oct MIDI: 69.90225 A# / Bb
20: 476.442539 Hertz 8.86480 oct MIDI: 70.37758 Bƀ
21: 484.300087 Hertz 8.88840 oct MIDI: 70.66077 Bd
22: 488.106667 Hertz 8.89969 oct MIDI: 70.79632 B
23: 499.298606 Hertz 8.93240 oct MIDI: 71.18879 B‡
24: 521.481481 Hertz 8.99511 oct MIDI: 71.94135 c
>> Exhausting the notational venues of Arel-Ezgi-Uzdilek under the Yarman-24 cast by prolonging the 695.2801937769087317 cents sized fifths up perde hisar through an auxiliary array of F‡, C‡, G‡, D‡, A‡, brings us to E‡ (perde buselik) and produces yet another complete cycle. Adding to this mixture a link to Fd and Cd starting from Gd down, we attain Yarman-31c:
>>
>>
>> Yarman24c extended to 31 notes using missing "comma" flats and sharps
>> 31
>> !
>> 34.18384
>> 85.05893
>> 143.62345
>> 191.77076
>> 9/8
>> 224.74423
>> 292.41297
>> 348.34326
>> 362.50268
>> 156/125
>> 415.30462
>> 477.00616
>> 4/3
>> 538.90365
>> 581.38190
>> 634.18384
>> 695.88538
>> 3/2
>> 729.46403
>> 788.73595
>> 853.06306
>> 887.65614
>> 27/16
>> 920.02442
>> 16/9
>> 1043.62345
>> 1071.94229
>> 234/125
>> 1124.74423
>> 1186.44577
>> 2/1
>>
>> Rationalized and made fretting-friendly:
>>
>> 51/50
>> 21/20
>> 88/81
>> 19/17
>> 9/8
>> 33/29
>> 58/49
>> 11/9
>> 69/56
>> 156/125
>> 75/59
>> 54/41
>> 4/3
>> 86/63
>> 7/5
>> 75/52
>> 16/11 (16/11 for Gd instead of 148/99 at 648.6821 cents for practical fretting)
>> 187/125 (187/125 for G instead of 3/2 at 697.3322 cents for a single route to Dd & D)
>> 32/21
>> 41/26
>> 18/11
>> 117/70
>> 27/16
>> 17/10
>> 16/9
>> 42/23
>> 13/7
>> 234/125
>> 67/35
>> 125/63
>> 2/1
>>
>> As stated previously and directly above in between parantheses, the small 6 cent discrepency between G and Gd is modified to yield a single practicable/frettable perde neva whereby the "fazla flat" (d) could be re-used as a "dik saba / bestenigar". The keyboard mapping of this fretting-friendly variant is correctly reflected to the Chromatic Clavier window in SCALA when set to YA31.
Try the cycle of fifths in 12-tone Modified Meantone through C-G-Dd-Ad-E-B-F#-C#-G#-Eb-Bb-F-C.
Try the cycle of fifths through a 17-tone chain by traversing C-G-D-A-E‡-B‡-Gƀ-Dƀ-Aƀ-Ed-Bd-F#-C#-G#-Eb-Bb-F-C.
Cordially,
Dr. Oz.
✩ ✩ ✩
www.ozanyarman.com
Andrew McPherson
Oct 18, 2015, 6:24:12 PM10/18/15
to Ozan Yarman, TouchKeys
Very useful reference, thanks!
Andrew
Andrew
Mark Steiner
Dec 14, 2015, 1:01:06 AM12/14/15
to TouchKeys
This is so great! Thanks for putting this together!
Ozan Yarman
Dec 14, 2015, 2:50:27 AM12/14/15
to Mark Steiner, TouchKeys
You're welcome!
For easy access, I categorized them under:
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