Groove 2.0

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Najla Ondik

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Aug 4, 2024, 1:40:50 PM8/4/24
to toetiserrau
Youcould use the revolve tool buy making a sketch, creating a box the size of the circle. Then add a circle the size of the groove. I draw a line down the center as the axis. Go to the revolve tool and select the design and make the revolve.

But I can't get it to add a bevel groove weld when 2 parts "tee" into each other. If you reference the picture you can see that I had no issues with creating the edge prep for this weld. But I can't get it to create the bevel groove weld for the parts that "tee" together. Using the "location" tab I think I've selected every combination of surfaces and edges but still having problems.


The PGR device is a unique solution to address the condition of patellar luxation where the kneecap dislocates from its normal location in the patellar groove. It is the first and only device on the market to restore a functional patellar groove.


Patello-femoral degenerative joint disease is a frequent, often ignored consequence of some of the most common conditions of the canine stifle such as patellar luxation or cruciate ligament degeneration and rupture. Surgical treatments of patellar luxation, whether by tibial tuberosity transposition or by corrective osteotomies of the femur and/or tibia combined with patellar groove deepening by one of several methods, seek restoration of joint stability.


Low friction ensured by a smooth Amorphous Diamond-Like Carbon (ADLC) coated groove surface with very low friction coefficient (m=0.05 on steel), offering the possibility of maintaining heat generation below the threshold of thermal necrosis.


Ostectomy of the patellar groove just cranially to the insertion of the tendon of the long digital extensor creates a broad, well perfused cancellous bone bed onto which the base plate is secured by titanium bone screws. The groove component is then attached to the base plate by means of three conical pegs fitted into receiving conical holes. The broad area of the ostectomy of the patellar groove allows for considerable freedom in medial-lateral positioning of the base plate that can be used to improve quadriceps-to-patellar tendon alignment, thus avoiding conventional tibial tuberosity transposition. Use of trial implants during surgery aids the search for an optimal position of the final implant.


Functional loading of the implant leads to compression of its interface to the bone, which is mechanically favorable to the ill-conditioned load transfer called for by conventional tuberosity transposition, where the full force of the patellar tendon is transferred to the tibia by pins and a figure eight wire.


Significant angular deformities can be treated by concurrent corrective osteotomies in addition to patellar groove replacement should the condition of the patello-femoral joint call for it. The same is true for cruciate ligament ruptures that can be concurrently treated by, for example, Tibial Tuberosity Advancement (TTA).


We have O365 E3 subscriptions and we discovered that the Office 2016 C2R does not install groove anymore. We need to synchronize SharePoint document libraries from external organization and unfortunately the OneDrive NGSC does not support it yet (and I wonder when it will be supported).


This would require configuring an Office installation (see the table when this becomes the default with no groove installed), rather than just downloading and installing it from the portal, making sure the above reg key is in place.


Thanks for your quick answer. I have read the article as well as the Configuration options for the Office 2016 Deployment Tool. I have set the registry key, but I do not see any option I can add in the xml file to force the installation of groove.exe. Could you provide an example to force install with C2R install ?


My understanding is you would only need to specify if you didn't want groove.exe when using a configuration.xml setup, otherwise it will be included by default. If you check out the new Office Customization Tool for Click-to-Run tool you can see this in action:


That's unexpected going by the instructions Microsoft have provided. They say as long as you don't exclude Groove.exe from the configuration.xml and have the 'PreventUninstall' registry key on the appropriate PCs "the previous OneDrive for Business sync client installs and stays installed". It might be time to open a service request and get support to confirm this behaviour, as Groove.exe is still a supported scenario.


Finally groove.exe si back on my laptop. I discovered that for reason I don't know why, Visio 2016 has been uninstalled on my laptop. I guess that the different uninstall/reinstall process of Office2016 to make groove available has wiped my Visio installation.


I'm sure this is a rather simple question but the answer is eluding me at the moment. i'm trying to design a basic cutting board with a juice groove going around the board. I can create a channel but I cant make it concave, its always rectangular. Any help would be greatly appreciated. I have a model that has the channel but I don't think the way I did it is the way it should be done. Thanks!


The forum users can made a board and show you how to do what you desire but it would be better for you to supply YOUR model so the answer is more intuitive. If you do not know how, open the model in Fusion 360, select the File menu, then Export and save the file to your hard drive. Then attach it using the Attachments section of a forum post.


Brad, this a great tutorial. I'm using in my wood shop class to design their cutting boards now that students can use Fusion on their Chromebooks. I'm at the point where I want to CNC a juice groove and have followed your tutorial. I have a question on the profile you made for the groove: You went back and made a profile to fillet the top edge of the groove but when you made the toolpath this fillet did not get cut, just the groove. Was that just to model the look or did you mean to have the CNC cut that profile. Also could a box core bit be used to cut the groove?


I'm glad to hear that you and your students are finding the tutorial useful. I never noticed that I forgot to talk about the small fillet I added on the top of the groove. Thanks for pointing that out.


When I made my cutting board, I just used a box core bit and then just hand sanded the small fillet on the top edge to "break" the sharp edge. As others have replied, you could use other toolpaths to physically cut the fillet, but I did not on mine.


I can't get the Involute Spline generator to function consistently for hub grooves, I really need a good general explanation of how to meet the generator's requirements every single time, it seems completly inconsistent to me.


Another part with identical dimensions at the region of the groove will generate the hub groove every time. This part had a hub groove until an unrelated dimension was changed, and after that point even undoing to the original dimensions we cannot convince the generator to make the hub groove.


Sean, I can't recreate your problem. But one thing i see in your part is you placed all your fillets and chamfers in your sketch. That's asking for trouble. First create your basic shape, revolve that and then add fillets and chamfers.


We are also using Inventor 2010, so if there is simply a problem with the 2010 generator, that would be good to know. This is the only generator that gives us problems, and it does so on a random, but quite often, basis.


In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards). Groove is a significant feature of popular music, and can be found in many genres, including salsa, rock, soul, funk, and fusion.


From a broader ethnomusicological perspective, groove has been described as "an unspecifiable but ordered sense of something that is sustained in a distinctive, regular and attractive way, working to draw the listener in."[2] Musicologists and other scholars have analyzed the concept of "groove" since around the 1990s. They have argued that a "groove" is an "understanding of rhythmic patterning" or "feel" and "an intuitive sense" of "a cycle in motion" that emerges from "carefully aligned concurrent rhythmic patterns" that stimulates dancing or foot-tapping on the part of listeners. The concept can be linked to the sorts of ostinatos that generally accompany fusions and dance musics of African derivation (e.g. African-American, Afro-Cuban, Afro-Brazilian, etc.).[2]


The term is often applied to musical performances that make one want to move or dance, and enjoyably "groove" (a word that also has sexual connotations).[2] The expression "in the groove" (as in the jazz standard) was widely used from around 1936 to 1945, at the height of the swing era, to describe top-notch jazz performances. In the 1940s and 1950s, groove commonly came to denote musical "routine, preference, style, [or] source of pleasure."[2]


Like the term "swing", which is used to describe a cohesive rhythmic "feel" in a jazz context, the concept of "groove" can be hard to define. Marc Sabatella's article Establishing The Groove argues that "groove is a completely subjective thing." He claims that "one person may think a given drummer has a great feel, while another person may think the same drummer sounds too stiff, and another may think he is too loose."[3] Similarly, a bass educator states that while "groove is an elusive thing" it can be defined as "what makes the music breathe" and the "sense of motion in the context of a song".[4]


In a musical context, general dictionaries define a groove as "a pronounced, enjoyable rhythm" or the act of "creat[ing], danc[ing] to, or enjoy[ing] rhythmic music".[5][6] Steve Van Telejuice explains the "groove" as the point in this sense when he defines it as a point in a song or performance when "even the people who can't dance wanna feel like dancing..." due to the effect of the music.

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