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Lang Nunnally

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Jan 20, 2024, 9:24:56 PM1/20/24

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Hello ImJimmi. I work on the same project as Milos. Thank you so much for your answer ! So helpfull. At that point if we consider what you say the solution would be to find different otfs with different styles of the Bahnschrift font in it. However for the moment our search is not successfull. Do you know where we could find these otf ? Do you think we can use a font editor to split the styles ? If so, have you any recomandation on which editor we could use.

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It would be nice if you could change a selected font style by using the standard windows (MS office) shortcuts, such as CTRL-B for bold and CTRL-U for underline. This would save many mouse clicks.

Yeah, I read that. Didn't like it so much... it wouldn't save me much time. I am rarely using LV as a text editor. Usually I'm selecting all the controls on my FP and changing the font of everything, and a ctrl+b to make everything bold face would actually be useful when I'm trying to magnify a front panel for display in a presentation.

I imported Flux onto my computer. When I use MS Word it works like any other font, as you type the letters appear. However, not so in Layout 2018 - I get little boxes, and when I exit, text appears. How can I imbed the font so it works like any other?

I have been using Custom CSS. Unfortunately, anytime I tried to edit any font style, it DOES NOT OVERRIDE. Headings, Paragraphs, and even navigation links. I have tried to use "!important" but the website just never updates. I want to be using custom css to change things like the weight, color, and letter-spacing but no matter what I do, IT DOES NOT WANT TO CHANGE. I also CANNOT add any more headings beyond just Heading 4 when I should be able to and have looked at many tutorials where this change can take effect!

Examples:

the community has already uploaded some styles for Stylish at Asana Themes & Skins Userstyles.org and you will need a Chrome Extension as @Bastien_Siebman already suggested. Maybe you can create yours and increase the font size.

The best solution is for the font stack to have at least two fonts (list of fonts), so that the user can use the second font if it has not the first font. `
Simple styling options allow you to change the fonts (twitter font at fontvilla) of a web page (or type) by using CSS. The font can be set for each letter, different phrases, headlines, entire paragraphs and even whole text pages.

We have recently signed up for a Basic Asana package as an initial test to see if it will be useful for us. I have some members of my team with visual data processing disabilities and I need to find a way to make the text in tasks larger for them. This does not seem to be an option on the web version, nor does adjusting the font size in Chrome have any effect. How do can I adjust the layout to be more accessible for my users.

I created a typeface which is based on layers with four different styles and chose alternative style names (One, Two, Three and Four) to help the user when using the typeface. When used in Indesign the order gets mixed up and presents itself as Four, One, Three and Two.

I want to emphasize that this feature is totally bugged if you use custom fonts. For those of us who cannot use google fonts, this causes more headache than help. See China or recent GDPR problems with google fonts and privacy

I am trying to style an email and want to change the text color for the body copy. Applying a color in the module doesn't work (never changes). Changing text attributes in our Content Colors & Fonts settings doesn't work. Applying a custom inline style doesn't work. No matter what I do the body font color won't change. Thoughts?

For example the Victor Mono font has vastly different (ie. properly designed) Italic and Oblique styles, and I'm using it as my prefered programming font, however I can't seem to make it properly show both styles at the same time in code editors/text processors or on a webpage.

When I installed the font on my local system, both Italic and Oblique shows the Italic variant, I figured it might be an issue with the OS font system, so I tried to embed the fonts with CSS like this

both Italic and Oblique styles will show the Italic variant. So it seems font-style: italic and font-style: oblique are actually interpreted as the same rule by the render engine and the rule appears later will override the former one?

So how should I show different italic and oblique font styles? For example I'd like VSCode to show comments in Italic style while reserved keywords in Oblique style. Currently it shows Italic all the time for both comments and reserved keywords which hurts my eyes when I look through the code.

I'm not sure the designer intended for you to be able to use the three styles together like that, or how it would be done - the example code only uses the normal and italic together. IIRC, most editors have a separate bold font setting you can set to a different font - this may be how they're combining them in their editor, by setting that to the italic version.

I've been having trouble with one of our brand fonts, Raleway, since upgrading to AE 15.0.0. I'm running Windows 7 and the font is installed in the usual font folder, the family complete with all font styles - bold, extra bold, thin, regular etc.The problem I'm having is that AE will now only show Raleway Thin in the style drop down. I've never had a problem with previous versions of AE, but looking at the fonts installed, Raleway Thin is the only style that is .otf and all the others are ttf. I haven't a clue why, I've had these fonts for installed for many years so don't remember why this is the case. I've checked a few other ttf fonts installed and AE is displaying them in the font list. It seems to be a very specific issue.

I then tried to use Typekit, something I haven't even switched on before as I never needed it. I added the Raleway font family and synced it. However, the sync failed as the Creative Cloud App popped up with the error "A font with the same name is already installed". I can't uninstall Raleway from my PC as I use other applications outside of Adobe for my work.

After reading your post, I looked up Raleway in our internal databases. There I found evidence of the OpenType version of Raleway being a problematic font. Specifically, the font ID codes for the different OpenType Raleway font faces are set to be identical, which violates the OpenType standards. (They should be different, but apparently the font developer was trying to work around a different limitation in the OpenType standard.) Some applications may not be affected by bad font ID codes, but that's not the intended design; your single OpenType version of Raleway Thin is likely confusing After Effects into thinking that it's the only font face available for Raleway.

If the application you want to use does not see Typekit's Truetype version of Raleway, could you perhaps get the TrueType version of Raleway Thin from your other font vendor? Or perhaps use only the OpenType version (which I wouldn't guarantee to work correctly; however not mixing a single OpenType font face with the TrueType faces of the same font is better than the situation you're currently in).

Hi Tim, removing the Raleway Thin OpenType font did the job! AE is now showing the whole font family. Thanks so much for the help on the font issue, and the advice on using Typekit fonts with non-Adobe applications, I'll give it a try.

I've installed a font that has different styles (bold, italics, thin, medium, ultra and so on...), but I can't use them all because I can't see them in Photoshop. The fonts are installed, but seem in some way "overlapped" by windows.

The source of this problem is malformed font files. The internal names of the fonts are in conflict and the flags that indicate connections between the different font files in a typeface family (Regular, Bold, Italic, Bold Italic, etc.) are missing.

The terminology is awkward. Technically and historically "Foo" is a typeface and "18 pt Foo Bold Condensed" is a font, but in the era of personal computers the definitions have blurred: a typeface is now often referred to as a "font" (even though you'll buy a particular style of that typeface as a "font" in any online store), particularly among non-typographers. The variations tend to be called "styles." People coming newly (last 25 years or so) into design are so used to scaling a font in software that they forget every size of every style of a typeface was once drawn and made individually.

For a regular application (non-professional) to give you the usual "Regular, Bold, Italic, Bold Italic" choices, the font files themselves must be individually named internally and the fact that they are associated is a specific internal flag. It's these internal flags that allow you to create bold or italic text with a keyboard shortcut or style dropdown -- the Foo Bold font file tells the OS "I am the Bold version of Foo," and so on.

You have a situation where all the individual font files have the same internal name, so Windows can't differentiate them. You see exactly one font (style) in a family; delete it, and you see another one, and so on. In Word, Open Office, etc., that's probably all you'll see. (Arial Narrow famously suffered from this problem because of an error in creating the files -- it just wouldn't show up at all, or would never show up as an available style for Arial.)

More sophisticated applications such as Photoshop or InDesign know how to read the association flags in a set of font files and can display all the variations in a single dropdown. Garamond Premier Pro, as an example, has 39 font files in four optical sizes -- caption, regular, subhead and display -- that all show up in a single dropdown if and only if the files themselves contain the correct internal information. The ones you are having trouble with do not.