Janet Jackson, Rhythm Nation 1814 Full Album Zip
Cinty Bolner
Janet Jackson's Rhythm Nation 1814 (also simply known as Rhythm Nation 1814) is the fourth studio album by American singer Janet Jackson, released on September 19, 1989, by A&M Records. Although label executives wanted material similar to her previous album, Control (1986), Jackson insisted on creating a concept album addressing social issues. Collaborating with songwriters and record producers Jimmy Jam and Terry Lewis, she drew inspiration from various tragedies reported through news media, exploring racism, poverty, and substance abuse, in addition to themes of romance. Although its primary concept of a sociopolitical utopia was met with mixed reactions, its composition received critical acclaim. Jackson came to be considered a role model for youth because of her socially conscious lyrics.
As with Control, recording for Rhythm Nation 1814 took place at Lewis and Jam's Flyte Tyme Studios in Minneapolis, Minnesota where they worked in seclusion with Jackson to complete the album. Noted for its use of sampling and utilizing heavily swung synthesized percussion throughout its production, the record encompasses a variety of musical styles, such as new jack swing, hard rock, pop, dance and industrial music. Songs range from mechanized dance rhythms to soft balladry, giving it appeal across multiple radio formats. It is the only album in the history of the US Billboard Hot 100 singles chart to have seven commercial singles peak within the top five positions. It is also the first album to produce number one hits on the chart in three separate calendar years, beginning with "Miss You Much" in 1989, "Escapade" and "Black Cat" in 1990, and culminating with "Love Will Never Do (Without You)" in 1991.
Rhythm Nation 1814 became Jackson's second consecutive album to top the Billboard 200 and was certified 6 Platinum by the Recording Industry Association of America (RIAA). It became the best-selling album of 1990 in the United States and has sold an estimated 12 million copies worldwide.[2][3] Due to its innovative production and lyrical exploration, critics have come to regard it as the pinnacle of Jackson's artistic achievement. Music scholars note the record garnered her a level of cross-cultural appeal unmatched by industry peers. Considered a "landmark" album, it has also been cited as an influence in the works of numerous music artists, setting stylistic trends in the years following its release.
Visuals in music videos and live performances further elevated Jackson's superstardom. The 30-minute Rhythm Nation 1814 film, a film depicting two aspiring musicians whose lives are disrupted by substance abuse, aired on MTV to promote the album. Jackson's Rhythm Nation World Tour 1990 became the most successful debut concert tour by a recording artist at the time. She was regarded as a fashion icon, with various attire from the album's promotional tour and music videos being emulated by youth. Jackson received nine Grammy Award nominations, becoming the first woman to be nominated for Producer of the Year and winning Best Long Form Music Video for Rhythm Nation 1814. Jackson received the MTV Video Vanguard Award and a star on the Hollywood Walk of Fame for her significant contributions to popular culture. Her handwritten lyrics to the album's title track "Rhythm Nation" as well as her militaristic uniform for its music video have been preserved by the Rock and Roll Hall of Fame. In 2021, the Library of Congress announced it selected the album for preservation in the National Recording Registry as part of the class of 2020, deeming it "culturally, historically, or aesthetically significant."
Following the critical and commercial breakthrough of her third studio album Control (1986), Jackson was motivated to take a larger role in her album's creative process.[4] According to Billboard's Hottest Hot 100 Hits (2002), A&M Records requested she record an album similar to Control. It was rumored that label executives suggested a concept album titled Scandal, which would have centered on her personal and family life.[5] However, Jam later denied the claim that Scandal was ever suggested, although he confirmed there was encouragement to produce a "Control II".[6] Jackson opposed the idea of a direct sequel to Control, stating "that's what I didn't want to do. I wanted to do something that I really believed in and that I really felt strong about."[7] She was initially criticized for choosing to dedicate the album's theme to social consciousness, but remained committed.[8] Jam stated that her inspiration came primarily from watching CNN and other news sources. In particular, her reaction to the Stockton playground murders led to recording "Livin' in a World (They Didn't Make)", "Rhythm Nation" and "State of the World".[5]
While discussing the origin of the title "Rhythm Nation", Jackson stated she first uttered the phrase during a conversation with her producers. "I thought it would be great if we could create our own nation" adding that it would be "one that would have a positive message and that everyone would be free to join."[5] She based the idea on the prevalence of various youth groups and organizations that are formed as a means of creating a common identity. The usage of the number "1814" represents the year the national anthem "The Star-Spangled Banner" was written.[9][10] Rolling Stone emphasized the core concept is further explored in the album's opening pledge (the first track of the recording), which states: "We are a nation with no geographic boundaries, bound together through our beliefs. We are like-minded individuals, sharing a common vision, pushing toward a world rid of color-lines."[11] Several critics noted that "R" (Rhythm) and "N" (Nation) are the eighteenth and fourteenth letters of the alphabet, though Jackson said this was coincidental.[5]
Rhythm Nation 1814 was recorded over a period of seven months.[13] Its production took place at Flyte Tyme studios in Minneapolis, Minnesota, with majority of the album being recorded in the winter of 1988. According to Jam, he, Lewis and Jackson chose to isolate themselves to compose the record. No one from A&M Records was invited to the studio to observe and label executives complied with their request.[14] The trio co-authored six of the album's songs: "Rhythm Nation", "State of the World", "Alright", "Escapade", "Come Back to Me" and "Someday Is Tonight". Five of the six remaining songs for the record, "The Knowledge", "Miss You Much", "Love Will Never Do (Without You)", "Livin' in a World (They Didn't Make)" and "Lonely" were penned by Jam and Lewis, while "Black Cat" was written solely by Jackson. She co-produced the album with Jam and Lewis, while John McClain served as executive producer; the song "Black Cat" was produced by Jellybean Johnson.
The LP was produced primarily through use of synthesizers and drum machines.[15] Prior its recording, Jam and Lewis had begun to update their equipment for Flyte Tyme studios, experimenting with different types of drum machines and keyboards. While Control had been recorded primarily using the LinnDrum machine, songs for Rhythm Nation 1814 were mostly recorded using the E-mu SP-1200, which was more commonplace for hip hop music at the time. The Oberheim OB-8 analog synthesizer, as well as those made by Sequential Circuits, were also used for mixing and recording. The only equipment utilized for the recording of Control that was also used for producing Rhythm Nation 1814 was the Ensoniq Mirage keyboard.[14] The instrumental tracks for "Miss You Much", "Love Will Never Do (Without You)" and "Escapade" were among the first to be recorded, considered to be follow-ups to the "beat-heavy, catchy songs" that Jackson, Jam and Lewis crafted on Control which "defined the punch and power of 1980s dance and pop music."[14][16]
Upon the release of the album's lead single "Miss You Much", A&M Records issued a press release for the record, announcing social themes to "run throughout much of the material".[23] Jackson performed "Rhythm Nation" on several television shows internationally, including Top of the Pops and a Royal Variety Performance.[24] She also performed a controversial rendition of "Black Cat" at the 1990 MTV Video Music Awards in which she tore open her snapped blouse; although this was routine for performances of the song in concert, it was considered to have "ushered in a new age of sexual spontaneity" for the singer and viewed as the first "shocking" performance of her career.[25][26]
A thirty-minute short film, Rhythm Nation 1814, was produced as a visual companion for the album. Referred to as a "telemusical", the storyline incorporates three separate music videos: "Miss You Much", "The Knowledge", and "Rhythm Nation".[27] Jackson and director Dominic Sena developed the screenplay, which centers around two boys whose dreams of pursuing music careers are destroyed through substance abuse and drug trafficking.[28] Sena referred to the film as the "1814 Project", attempting to keep the public unaware that Jackson was filming on the streets of Los Angeles.[28] The project had a budget of $1.6 million, and was aired on MTV prior to the album's release.[27][29] A&M co-founder Jerry Moss stated that the decision to film the composite videos all at once for Rhythm Nation 1814 regardless of budget was "a brilliant way to go" allotting Jackson more time to focus her attention elsewhere.[30]
Parallel Lines: Media Representations of Dance (1993) observed that in Rhythm Nation 1814, Jackson represents a "modern good fairy" attempting to guide troubled youth to a more positive way of life. Each of the three segments serve a different purpose, beginning with affinity and companionship in "Miss You Much", followed by anger and frustration in her rooftop solo and ending with "Rhythm Nation", in which Jackson and her dancers "have become a uniformed, formidable army, whose controlled energetic moves and shouts project a disciplined resolution to inspire others through dance and music."[31] Their group dynamic visually depicts a gender neutral equality, with Jackson "performing asexually and anonymously in front of, but as one of the members of the group."[32] It is also noted that the success of the film is not only the final product, but in the commercial and social implications of its development. In selecting an unknown street dancer, Anthony Thomas, to develop her choreography, "Janet Jackson secures a threefold achievement: she satisfies the dictates of the commercial pop music industry by creating a dance image which is significantly different from her earlier work; she demonstrates that, despite fame, she is still in touch with contemporary youth pop culture and its fashions; and finally, she [utilizes], not the dance traditions of Hollywood musical ... but the work of a young black man whose training is outside the institutions of Western theatre and clearly an Afro-American cultural expression of the late 1980s."[31] The film received positive reception. Jefferson Graham in USA Today commented that "she dances up a storm in the moody black-and-white video's three songs ... and plays the role of a mystical figure to young kids."[29] Jon Pareles remarked that "[it] juxtaposes her dance routines with grim urban imagery and a plot line about drugs versus dreams."[20] It was also released on VHS and LaserDisc. Jackson received two MTV Music Video Award nominations for "Best Dance Video" and "Best Choreography" for "Rhythm Nation", winning the latter.[33]
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