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But the real fact is that , It is ripped off from the theme music of a german video game Myst IV: Revelation which is the fourth installment in the Myst computer game series, developed and published by Ubisoft and released on September 28,2004.
P.S: The interesting story about this lift is that it hasn't been revealed until 2008(movie was released in 2005). One more interesting aspect is that This song is the root for the revealing of many other copycat songs in tollywood from other languages i.e(people started doubting our composers and started exposing the copycatworks )
The release dates of both the game and the movie are so close, either of them could have copied the other....like an inside job....someone could have sold the music to the other.
One things for sure, someone copied the other.
The fight scenes are brutal and gory, leaving nothing to the imagination. The violence is cartoonish and unreal but still seriously dark. He takes to kidnapping, extortion, bombs and guns with no hesitation. The shocking end to a confrontation with his brother Ashok then propels the story into a final escalation of score-settling.
The fight scenes are beautifully choreographed and filmed, but may be too bloody for some tastes. The same care was given to the songs but Prabhas is not as comfortable dancing as he is in stunts and fights. The camera work in all the action sequences was excellent and really conveyed a sense of an epic struggle between heroic and villainous forces.
The soundtrack worked really well and suited both the drama and the performers. In particular, the Mumaith Khan item number was great fun and was tailor made for her. The backing cast and dancers all seemed to throw themselves into it with enthusiasm. The Chatrapathi chant that accompanied Shivaji added that element of mythical heroism, and suited the epic nature of the underlying themes.
This is my least favorite Rajamouli movie. Other than the Pre-Intermission scenes, this movie has nothing going for it and it feels so hollow and stretched. It was too melodramatic for my liking. And the Shark scene is so bad that it is good. Btw Good Review. ?
My main issue I think was that I saw the much older Tamil film Nayagan/Nayakan at around the same time (Nayakudu is the Telugu dub) which is basically a similar story (no lost mother though) but I think that film was far superior to Chatrapathi in terms of both acting (Kamal Hassan) and powerful story telling/direction (Mani Ratnam). Although sadly there was no CGI shark fight in that one.
Impressed that you were able to work Mahesh Babu in a lungi into a review about a film in which he does not appear, Temple. Whilst arguably not his best look there is no giggling here. Just short sharp breaths of appreciation. But while we are on the thorny question of stylish lungi wearing, my carefully considered objective votes do go to Vikram and Bunny rather than Prabhas (or much as it pains me to say it, Mahesh).
There is no Sri Lankan angle in Nayagan. A boy flees from strife in Andhra Pradesh to Tamil Nadu. The events he has left have impacted his sense of self, and he proceeds to work his way from a poor young outsider to a powerful goonda. I can enthusiastically recommend it as a classic in the genre.
The lovely Gauri from My Big Red Bag chatted with us about films and friendship. As we reminded her, you'll never feel alone sitting with a Telugu film audience, especially the friendly crew in Melbourne.Lots of good reading on that site too so do take a look at
My Big Red Bag
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