Following the withdrawal of funding by EMI Films just days before production was scheduled to begin, musician George Harrison and his business partner Denis O'Brien arranged financing for Life of Brian through the formation of their HandMade Films company.[4]
The film's themes of religious satire were controversial at the time of its release, drawing accusations of blasphemy and protests from some religious groups. Thirty-nine local authorities in the United Kingdom imposed either an outright ban or an X (18 years) certificate.[5] Some countries, including Ireland and Norway, banned its showing, and in a few of these, such as Italy, bans lasted over a decade.[6][7] The filmmakers used the notoriety to promote the film, with posters in Sweden reading, "So funny it was banned in Norway!"[8]
Brian Cohen is born in a stable next door to the one in which Jesus is born, which initially confuses the three wise men who come to praise the future King of the Jews. Brian later grows up into an idealistic young man who resents the continuing Roman occupation of Judea. While listening to Jesus's Sermon on the Mount, Brian becomes infatuated with an attractive young rebel named Judith. His desire for her and hatred of the Romans, further exacerbated by his mother revealing that Brian himself is half-Roman, inspire him to join the "People's Front of Judea" (PFJ), one of many fractious and bickering independence movements that spend more time fighting each other than they do the Romans.
The PFJ task Brian to paint slogans overnight on Roman governor Pilate's palace, but a Roman officer catches him in the act. The officer shows more concern with Brian's appalling Latin grammar and, after correcting the slogan to "Romani ite domum", orders him to write it one hundred times. Brian finishes after sunrise and is chased away by the guards, and rescued by Judith. He then participates in an abortive attempt by the PFJ to kidnap Pilate's wife, but is captured by the palace guards.
The guards bring Brian before Pilate, but his questioning is cut short when the guards began laughing at the names of Pilate's friend Biggus Dickus and his wife Incontinentia Buttocks. Escaping, Brian is scooped up by a passing extraterrestrial spaceship that crashes back to earth. Brian tries to blend in among prophets who are preaching in a busy plaza, repeating fragments of Jesus' sermons. He stops his sermon mid-sentence when some Roman soldiers depart, leaving his small but intrigued audience demanding to know more. Brian grows frantic when people chase him to the mountains, and there they declare him to be the Messiah. After spending the night with Judith, a naked Brian discovers an enormous crowd assembled outside his mother's house. Her attempts at dispersing the crowd are rebuffed, so she consents to Brian addressing them. He urges them to think for themselves, but they parrot his words as doctrine.
The PFJ seek to exploit Brian's celebrity status by having him minister to a thronging crowd of followers demanding miracle cures. Brian sneaks out the back, only to be captured by the Romans and sentenced to crucifixion. In celebration of Passover, a crowd has assembled outside the palace of Pilate, who offers to pardon a prisoner of their choice. The crowd shout out names containing the letter "r", mocking Pilate's speech impediment, and are further amused by his friend Biggus's lisp. Eventually, Judith appears in the crowd and calls for the release of Brian, which they echo, and Pilate agrees to "welease Bwian".
The guards eventually catch up to Brian, who is already crucified. But in a scene that parodies the climax of the film Spartacus, various crucified people all claim to be Brian so they can be freed, and the wrong man is released.[11] Brian is successively approached and then abandoned by the PFJ, a suicide squad of the "Judean People's Front", Judith, and his scolding mother. As he despairs, the convict next to him leads the rest in a cheerful song, which Brian joins in ("Always Look on the Bright Side of Life").[12]
Several characters remained unnamed during the film but do have names that are used in the soundtrack album track listing and elsewhere. There is no mention in the film that Eric Idle's ever-cheerful joker is called "Mr Cheeky", or that the Roman guard played by Michael Palin is named "Nisus Wettus".
Spike Milligan appears as a prophet, ignored because his acolytes are chasing after Brian. By coincidence Milligan was visiting his old World War II battlefields in Tunisia where the film was being made. The Pythons were alerted to this and he was included in the scene being filmed that morning. He left in the afternoon before he could be included in any of the close-up or publicity shots for the film.[13]
There are various stories about the origins of Life of Brian. Shortly after the release of Monty Python and the Holy Grail (1975), Eric Idle flippantly suggested that the title of the Pythons' forthcoming feature would be Jesus Christ: Lust for Glory (a play on the UK title for the 1970 American film Patton, Patton: Ordeal and Triumph).[14] This was after he had become frustrated at repeatedly being asked what it would be called, despite the troupe not having given the matter of a third film any consideration. However, they shared a distrust of organised religion, and, after witnessing the critically acclaimed Holy Grail's enormous financial turnover, confirming an appetite among the fans for more cinematic endeavours, they began to seriously consider a film lampooning the New Testament era in the same way that Holy Grail had lampooned Arthurian legend. All they needed was an idea for a plot. Eric Idle and Terry Gilliam, while promoting Holy Grail in Amsterdam, had come up with a sketch in which Jesus' cross is falling apart because of the idiotic carpenters who built it and he angrily tells them how to do it correctly. However, after an early brainstorming stage, and despite being non-believers, they agreed that Jesus was "definitely a good guy" and found nothing to mock in his actual teachings: "He's not particularly funny, what he's saying isn't mockable, it's very decent stuff", said Idle later.[15] After settling on the name Brian for their new protagonist, one idea considered was that of "the 13th disciple".[14] The focus eventually shifted to a separate individual born at a similar time and location who would be mistaken for the Messiah, but had no desire to be followed as such.[16]
The first draft of the screenplay, provisionally titled The Gospel According to St. Brian, was ready by Christmas 1976.[17] The final pre-production draft was ready in January 1978, following "a concentrated two-week writing and water-skiing period in Barbados".[18]
Terry Jones was solely responsible for directing, having amicably agreed with Gilliam (who co-directed Holy Grail) to do so, with Gilliam concentrating on the look of the film.[23] Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. However, this did not put an absolute end to their feuding. On the DVD commentary, Gilliam expresses pride in one set in particular, the main hall of Pilate's fortress, which had been designed so that it looked like an ancient synagogue that the Romans had converted by dumping their structural artefacts (such as marble floors and columns) on top. He reveals his consternation at Jones for not paying enough attention to it in the cinematography. Gilliam also worked on the matte paintings, useful in particular for the very first shot of the three wise men against a star-scape and in giving the illusion of the whole of the outside of the fortress being covered in graffiti. Perhaps the most significant contribution from Gilliam was the scene in which Brian accidentally leaps off a high building and lands inside a starship about to engage in an interstellar war. This was done "in camera" using a hand-built model starship and miniature pyrotechnics. Gilliam recounted in an interview: "Well, we didn't know what to do with Brian. He got himself to the top of the tower and we had to rescue him somehow, so I said, 'OK, spaceship for that.' That was purely it."[24]
The film was shot on location in Monastir, Tunisia, which allowed the production to reuse sets from Franco Zeffirelli's Jesus of Nazareth (1977).[25] The Tunisian shoot was documented by Iain Johnstone for his BBC film The Pythons. Many locals were employed as extras on Life of Brian. Director Jones noted, "They were all very knowing because they'd all worked for Franco Zeffirelli on Jesus of Nazareth, so I had these elderly Tunisians telling me, 'Well, Mr Zeffirelli wouldn't have done it like that, you know.'"[21] Further location shooting also took place in Tunisia, at Sousse (Jerusalem outer walls and gateway), Carthage (Roman theatre) and Matmata (Sermon on the Mount and Crucifixion).[26]
Following shooting between 16 September and 12 November 1978,[18] a two-hour rough cut of the film was put together for its first private showing in January 1979. Over the next few months Life of Brian was re-edited and re-screened a number of times for different preview audiences, losing a number of entire filmed sequences.[14]
A number of scenes were cut during the editing process. Five deleted scenes, a total of 13 minutes, including the controversial "Otto", were first made available in 1997 on the Criterion Collection Laserdisc.[27] An unknown amount of raw footage was destroyed in 1998 by the company that bought Handmade Films. However, a number of them (of varying quality) were shown the following year on the Paramount Comedy Channel in the UK. The scenes shown included three shepherds discussing sheep and completely missing the arrival of the angel heralding Jesus's birth, which would have been at the very start of the film; a segment showing the attempted kidnap of Pilate's wife (a large woman played by John Case) whose escape results in a fistfight; a scene introducing hardline Zionist Otto, leader of the Judean People's Front (played by Eric Idle), and his men who practise a suicide run in the courtyard; and a brief scene in which Judith releases some birds into the air in an attempt to summon help. The shepherds' scene has badly distorted sound, and the kidnap scene has poor colour quality.[28] The same scenes that were on the Criterion laserdisc can now be found on the Criterion Collection DVD.
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