Kodak Capture Pro Serial Number
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This is the latest version of Kodak Capture Pro Software. If you have an active Service and Support Contract as part of your installation of Capture Pro Software, you can upgrade to and run this release as part of your Software Assurance at no additional charge. The latest version download is for stand-alone or Network Edition client workstation installations. Note:
This is the latest version of Kodak Capture Pro Network Edition Software. If you have an active Service and Support Contract as part of your installation of Capture Pro Software, you can upgrade to and run this release as part of your Software Assurance at no additional charge.
NOTE:
If the computer on which you are installing Capture Pro Software does not have Internet access, you will also need to download and install License Manager on a computer with internet access.
Download and run this installer on a Windows Server operating system to enable your Auto Import installation to run as a service. You must first install Capture Pro Software Version 5.5, or higher, on the server and configure it as an Auto Import workstation. Please refer to the Auto Import chapter of the Capture Pro Software Administrator's Guide for further instructions.
System Output Destinations are available to help you extend the capability of your Capture Pro Software by providing the ability to output batches to a number of different industry-standard formats. These formatted output batches can then be easily imported and/or used by applications that expect these formats. Read complete instructions and download System Output Destination files.
The integration of non-Kodak/Alaris scanners is done using ISIS. Capture Pro Software also supports VRS and will support scanners on the supported list that have been certified with VRS 4.1 or higher.
Capture Pro Software comes with several Application Programming Interfaces (APIs) that provide an ability to extend the indexing and output capabilities of the software and to customize the end user experience. The Integration/APIs page has full instructions, downloads, and documentation. The Index Data API document provides a summary of the capabilities of one of these APIs.
If you need a previous version of Capture Pro Software, please contact our Service and Support organization for assistance. The Capture Pro Archived Versions Release Notes zip file contains the release notes (new features and bug fixes) for each release of Capture Pro Software.
Kodak Alaris is a leading provider of information capture and intelligent document processing solutions that simplify business processes. We exist to help the world make sense of information with smart, connected solutions powered by decades of image science innovation. Our award-winning software, scanners, and professional services are available worldwide and through our network of channel partners.
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The great majority of early snapshots were made for personal reasons: to commemorate important events (weddings, graduations, parades); to document travels and seaside holidays (2000.298.3); to record parties, picnics, or simple family get-togethers; to capture the appearance of children, pets, cars, and houses (2000.298.2). The earliest Kodak photographs were printed in a circular format (1997.54), but later models produced a rectangular image, usually printed small enough to be held in the palm of the hand. Most snapshots produced between the 1890s and the 1950s were destined for placement in the family album, itself an important form of vernacular expression (1990.1181; 1996.438.2). The compilers of family albums often arranged the photographs in narrative sequences, providing factual captions along with witty commentary; some albums contain artfully elaborate collages of cut-and-pasted photographs and text, often combining personal snapshots with commercial images clipped from magazines (1998.103).
During the first decade of the twentieth century, a number of serious amateur photographers reacted to the snapshot craze by forming organizations dedicated to promoting photography as a fine art, rather than as a popular pastime or commercial pursuit. The most prominent of these organizations in the United States was the Photo-Secession, founded in 1902 by the photographer, publisher, and gallerist Alfred Stieglitz. To the Pictorialist photographers associated with the Photo-Secession movement, snapshot photography lacked the aesthetic sensibility and technical expertise necessary to qualify as fine art. By staking out a position in opposition to both amateur and commercial photographers, Stieglitz and his compatriots succeeded in winning a place for photography in the hallowed halls of high art.
CineStill is a film manufacturer based in Hollywood. They convert motion picture film into still picture film. They are quite a new name on the film scene compared to some of the other more historic brands. CineStill were established in 2012 by the Brothers Wright, and have quickly built themselves a fantastic reputation world wide for their innovative approach for fulfilling our analogue needs!
CineStill specialise in converting rolls of cinema film (designed for movies, hence their name CineStill FIlm), into batches of 35mm and medium format film. Their passion is for everyday photographers who buy CineStill film to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers!
CineStill 800t is arguably what the film brand is most well known for. Beta testing for the film began in 2012, after shooting Kodak Vision 3 for their own photography and loving the results. The Wright brothers did this by shooting a roll of bulk vision 3 film after establishing a relationship with a local motion picture lab. Other photographers began contacting them saying they loved the film and would also love to shoot it, so the brothers set out to find a way to make it usable in standard 35mm canisters and with standard C41 developing.
In order to do this, the brothers needed to find a way to remove the remjet layer. A remjet layer is a protective layer on motion picture film that protects from light piping, scratches, static and halation of lights in exposure. It was needed for movie films that would be shot under big artificial lights, to prevent any of these effects showing up in the final movie. Films with a remjet layer also require a special ECN-2 chemical processing, which is difficult to do with the short lengths of film used for still photography processing.
This is where CineStill 800t was born! A movie film with the remjet layer removed and it is consistently one of our best selling films. It has high light sensitivity and is balanced for natural colours and skin tones under artificial light (tungsten). It is the perfect roll of film for capturing your world at night. Due to the remjet layer being removed, it creates gorgeous soft glows around artificial lighting. Photographers lean into these halations and you will often see it being used to shoot neon signs which amplify this effect.
With 50D you can achieve beautiful photographs by rating it anywhere between 12-100 ISO, without the need for push processing. So it is a great film to experiment with on sunny days. No matter how you meter, you will see almost no grain, but incredible colour, shadow detail and great rendering in the highlights. If you expose at a lower ISO you will get warmer images with greater halation in the highlights. (If you want to learn more about shooting at different ISO then check out our article "Film Speed Explained")
CineStill 400Dynamic is a daylight-balanced colour film. It is a fine grain film promising to deliver a soft colour palette with natural saturated colour, and warm, rich skin tones. The film has a wide dynamic range, with a box speed of 400 ISO but it can be rated from 200-800 and pushed up to 3200! It is a highly versatile film, suitable for virtually any lighting situation or event and can be used either outdoors or indoors under studio lighting.
Lomography is another wonderful company producing lots of different colour and experimental films. They are a great brand to try for the creative and experimental photographers amongst you! Lomography is an Austrian company that has been producing films for years, but are also very well known for their cameras such as the Diana F+ and LCA camera.
Lomography produces a range of colour negative films in 100, 400 and 800 speeds. You can expect vibrant colours and great sharpness. Choose their faster films for moderate grain and great low light performance, or opt for their color negative ISO 100 for fine grain and crisp detail.
Redscale film is a fun and creative way to experiment with colour photography. Normal colour negative film is loaded back to front in the canister, so you shoot through the back of the negative. This creates an atmospheric red glow to your images, as you shoot through the colour negative which picks up the orange-red tint of the plastic film backing. You can vary the intensity of the red hue depending what ISO you shoot it at.
Lomochrome Metropolis brings a unique grungy look to your photos. It produces destaurated, high contrast photos that have been fine tuned to mimic the colour of old-time movie theatres and photobooks- very different to the fresh colour emulsions on the market today.
Finally, Lomochrome Turquoise- this film was reintroduced earlier this year and should be arriving with us to Analogue Wonderland very soon! This film offers beautiful turquoise tones across your photographs. This was a much loved film and there was a huge amount of excitement when Lomography promised to bring it back this year!
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