Stone Sour First Album

[Macedonio Heninger]

StoneSour is the debut studio album by American rock band Stone Sour. It was recorded and produced by the band and Tom Tatman at Catamount Studios in Cedar Falls, Iowa, and was released on August 27, 2002, through Roadrunner Records.

Writing for the album began in 2000 while vocalist Corey Taylor and guitarist Jim Root were still actively involved in their other band, Slipknot. Work began on the album after Slipknot had gone on hiatus following touring in support of their second album Iowa.

Following the release of the album, Stone Sour went on to promote it for almost a year; releasing three singles and touring in several regions, including the United States and several countries in Europe. The album received generally positive reviews. It was praised for showing a diversity in Taylor's vocals, which was not presented in Slipknot's early albums. It was also certified Gold in the United States and two singles from the album received Grammy Award nominations for Best Metal Performance in consecutive years.

In 2000, Josh Rand contacted Corey Taylor after Taylor had returned from touring in Japan with his other band Slipknot about material he had been working on.[1] Speaking about the experience, Taylor said, "we just started writing stuff and it started to happen".[2] The duo wrote 14 songs and began working in a studio on some demos.[2] Taylor added that it got to a point where he said to Rand, "I think we're going to have to put a real band together, because this is just too serious!"[2] After further enlisting the help of Joel Ekman and previous Stone Sour members Shawn Economaki and Jim Root, the band began working on the album at Catamount Studios in Cedar Falls, Iowa.[3] Before the release of the album, the band went through several different names, most notably Superego,[3] before later announcing that they would use their original name Stone Sour.[4]

Prior to the release of the album, the track "Bother" was featured on the soundtrack for the film Spider-Man; however, it was only credited to Corey Taylor.[5] In support of the album, Stone Sour released two singles in quick succession; "Get Inside" was the band's first music video and it included live footage.[6] Released shortly after, "Bother" also featured a music video.[7]

Throughout October and November 2002, Stone Sour toured the United States in support of the album with Chevelle and Sinch.[8] In 2003, the band continued to tour in support of the album; including a European tour with Saliva,[9] an American tour with Powerman 5000,[10] several appearances at European festivals,[11] a UK tour with Murderdolls, amongst others.[12]

The third single from the album, "Inhale," was released in early 2003,[13] shortly after the previously unreleased track "Inside the Cynic" was featured on the soundtrack for Freddy vs. Jason.[14] On October 21, 2003, a special edition version of Stone Sour was released which included "Inside the Cynic", four additional unreleased tracks, a DVD which featured all three music videos and alternative cover artwork.[15]

Corey Taylor touted Stone Sour as "melodic hard rock with content and initiative."[16] Jason D. Taylor of Allmusic noted that although it is not displayed on early Slipknot releases, "[Corey] Taylor has the ability to actually sing," citing Alice in Chains and Soundgarden as influences.[17] Jason Taylor went on to state the album gets better after multiple listens.[17] Jeff Modzelewski of 411mania wrote the album mixed "hostility, reservation, brutality and melody."[18] According to Modzelewski, the album has a "mainstream sound" with each of the band's members standing out during one song or another.[18] Don Kaye of Blabbermouth.net felt the message of "Bother" did not differ from Slipknot tracks, but was "presented in an utterly different musical vein". Kaye also felt the album "holds its own ... in terms of heaviness and power."[19] "The band knows how to put together an energetic rocker," wrote NY Rock; elements such as the "melodic twist to the songs ... will please hardcore and metal fans."[16]

Stone Sour received generally positive reviews. Most reviewers offered some comparison to that of vocalist Taylor and guitarist Root's other band Slipknot. While reviewing the album, Don Kaye wrote that "it's rare that a musician offers up another venue for their talents that proves to be equal to their fulltime outfit," stating that Stone Sour is one such case.[19] Rowan Shaeffer of Counterculture stated that "Get Inside" is "the closest to Slipknot that Stone Sour get," even comparing it to the Slipknot single "Left Behind". He cited "the chugging rhythm, manic kick-drums and shout-along vocals" as specific elements that are reminiscent of Slipknot, adding that it was "an obvious choice for a single" as it would not alienate their potential audience of Slipknot fans.[20] Jason D. Taylor noted the similarity in lyrical content to that of Slipknot's; however, he stated that vocalist Taylor comes across as less infuriated which "allows the songs themselves to settle smoothly, yet motivate the listener to feel the emotion".[17] NY Rock stated that the album has a "more balanced feel to it" than that of Slipknot's most recent release at that time, Iowa.[16]

Reviewers also noted upon the album's versatility, specifically that of Taylor's vocal range and abilities. Jeff Modzelewski praised the opening track "Get Inside" explaining, "the scorching speed-metal verse and screaming chorus are played off pretty well against the melodic pre-chorus".[18] Jason D. Taylor cited "Orchids" and "Take a Number" as songs which stand out because they "strike with surprising force for an alternative rock group".[17] On a similar note, Don Kaye said the album includes some "sinister, groove-oriented metal gems that refreshingly stay away from nu metal cliches".[19] The most melodic track on the album, "Bother", received specific attention from most reviewers. Modzelewski said that the track "seems to be the song that the album has been preparing everyone for", further adding that Taylor proves "that he is a legitimate vocalist who doesn't need to rely on destroying his vocal cords to make a good song".[18] In his review, Rowan Shaeffer stated the track was a specific highlight, but said that the change in style was "at odds with the rest of the material" on the album.[20]

In 2003, Stone Sour's first single from the album, "Get Inside", was nominated for the Best Metal performance at the 45th Grammy Awards.[22] On March 20, 2003, Stone Sour was certified Gold in the United States.[23] The following year, the album's third single, "Inhale", was also nominated for Best Metal Performance at the 46th Grammy Awards.[24]

Stone Sour earned the group two Grammy Award nominations, both for Best Metal Performance, for the singles "Get Inside", in 2003,[3] and "Inhale", in 2004.[4] From their album Come What(ever) May, the group received another Grammy Award nomination for Best Metal Performance for the single "30/30-150", in 2007.[5] The band has sold 2.1 million albums in the United States as of April 2017.[6]

Stone Sour was founded by Corey Taylor, who later became the vocalist of Slipknot, and former drummer Joel Ekman. The band's name comes from a cocktail menu at a local bar.[7] Taylor's longtime friend Shawn Economaki joined shortly after, and filled in as the bass player. During these formative years, Stone Sour recorded two demo tapes,[8] in 1993 and 1994. In 1995, Jim Root, who is now part of Slipknot with Taylor, joined the band. In 1996, this lineup recorded another demo tape, songs from which would be used in 2002 on their self-titled debut album. In 1997, the band went on hiatus, during which Taylor and Root spent most of their time with Slipknot, who were another up-and-coming act in Des Moines and would soon earn a record deal.

After Josh Rand joined the band, the band recorded their debut self-titled album in Cedar Falls. Upon release, the album charted at number 46 on the Billboard 200.[9] The song "Bother", which was featured on the Spider-Man soundtrack (credited only to Taylor),[8] peaked at number 2 on the Mainstream Rock Chart as well as number 4 on the Modern Rock Tracks and 56 on the Billboard Hot 100.[10] The next single, "Inhale", peaked at 18 on the Mainstream Rock chart.[10] The group received two Grammy Award nominations for Best Metal Performance for the singles "Get Inside"[3] and "Inhale"[4] in 2003 and 2004 respectively. The album went on to achieve Gold certification.[8] The band toured for six months with label mates Sinch and Chevelle before going on a temporary hiatus as Taylor and Root went back to join Slipknot for another album and tour.[8]

The band came back in 2006 to release their second studio album, Come What(ever) May. They parted ways with drummer Joel Ekman, currently drumming for Isaac James, who left to take care of his cancer-stricken son, and later recruited current drummer, Roy Mayorga (Soulfly, and later Amebix and Hellyeah). The track "30/30-150" was recorded with Godsmack drummer Shannon Larkin.[11] The album was released on August 1, 2006. It was met with positive reviews from critics, and sold 80,000 copies in the first week, allowing it to debut at number four on the Billboard 200.[9] The band toured for the next year and a half, releasing the Live in Moscow album exclusively to iTunes on August 14, 2007.[8]

The single "Sillyworld" peaked at number 2 on the Mainstream Rock charts in 2006. "Through Glass" proved to be successful peaking at number 1 on the Mainstream Rock Chart,[10] 2 on the Modern Rock Tracks,[10] 12 on the Adult Top 40[10] and 39 on the Billboard Hot 100 also in 2006.[10] They released two more singles in 2007, "Made of Scars" and "Zzyzx Rd.", which managed to peak at numbers 21 and 29 on the Mainstream Rock charts respectively.[10] In 2006 they received a Grammy Award for Best Metal Performance nomination for the single "30/30-150".[5]

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