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A 44-minute anime film with the same title was produced in 2011 at the anime studio Brain's Base and directed by Takahiro Omori. The film starred Japanese voice actors Ayane Sakura and Kōki Uchiyama, and its soundtrack included music by Makoto Yoshimori. The film maintained a strong following for months in Japan after its opening on September 17, 2011. The European premiere of Hotarubi no Mori e was on October 8, 2011, at the Scotland Loves Animation festival, where it won the Jury Prize. It was screened at the Leeds International Film Festival, Anime Contents Expo and Anime Expo convention, and also won the Animation Film Award at the 66th Annual Mainichi Film Awards.
The original Hotarubi no Mori e shōjo manga[2] and subsequent film tell the story of a six-year-old girl named Hotaru Takegawa, who gets lost in a forest inhabited by a mountain spirit, as well as yōkai (strange apparitions from Japanese folklore). She is found by a mask-wearing, human-like entity named Gin, who informs Hotaru that he will disappear forever if he is touched by a human. Gin then leads Hotaru out of the forest. Hotaru returns to visit Gin in the forest over the next few days and they become friends despite the limitations on their interactions. Although at summer's end she must leave Gin to return to the city and her studies, Hotaru promises to return to visit him every summer holiday.
As the years go by, Gin hardly ages while Hotaru physically matures and grows closer to his apparent age. Upon reaching adolescence, Hotaru begins to struggle with their budding romance and their uncertain future together, while Gin wishes he could touch and hold the young woman that Hotaru has become. When Hotaru reaches high school, Gin takes her on a date to a festival in the forest hosted by the spirits. The night ends in tragedy when Gin mistakenly touches a young boy who snuck into the spirit festival, though before he disappears, he and Hotaru embrace and confess their love for one another. The story ends with Hotaru accepting her pain and moving on with her life, though she will always treasure the memories of her time with Gin.[3][4][5] The 2011 anime film adaptation of the story[1] follows all of the events from the manga, adding only a few additional scenes.[6]
The author, Yuki Midorikawa, explained in the postscript of the Aizoban Hotarubi no Mori e reprint that the idea for the story came to her more easily than for any other work up until that point.[7] Although she had been planning to write a story as challenging as Hotarubi no Mori e once she had gained more experience writing manga, she decided to undertake the project sooner when the idea for the story suddenly came to her. Afraid that she might lose the idea, she promptly began to draw it, and Midorikawa's writing progressed smoothly despite having numerous conflicting ideas for the development of the story.[9]
The story came from Midorikawa's desire to draw several scenes. She was interested in drawing a scene where a boy dodges a girl who is falling towards him.[10] She also wanted to draw a shadowy summertime forest,[9] which would allow her to expand the range of tones and blacks used in the manga. A third inspiration was the desire to depict a more tranquil summer festival than those she had drawn before. She was also eager to create the mask worn by Gin at the festival, which resembled the face of a fox whose typical slitted eyes were replaced by oval ones to give the mask a "creepy" hybrid fox-primate appearance.[10]
The supernatural love story between Hotaru and Gin is considered a starting point for Midorikawa's best known work, Natsume's Book of Friends, which also depicts ill-fated interactions between humans and yōkai (sometimes referred to as ayakashi).[11][12] In both stories, differences in lifespan and other insurmountable barriers mar their relationships and attempts to understand each other.[12]
Prior to the anime film's theatrical release in 2011, Midorikawa published an additional chapter to the story, Hotarubi no Mori e Tokubetsuhen. Since the original story was already complete and she initially felt uncomfortable about adding to it, she opted instead to expand on the story from Gin's perspective.[7]
In March 2011, midway through production, the 2011 Tōhoku earthquake and tsunami struck Japan. Despite the national tragedy, the production crew continued its work, and according to Omori, the team hoped that their work would help soothe the nation after it had time to recover. Omori speculated that this was part of the reason for the strong positive reception and the awards the anime later received.[13]
The setting in the manga was based on a shrine in the Kumamoto Prefecture of Japan, known as Kamishikimi Kumanoimasu Shrine, which is dedicated to Izanagi-no-Mikoto and Izanami-no-Mikoto from Japanese mythology. The animation crew spent two hours searching the location for settings on which they could base their art. Because the story was set in the forest of a mountain god, Omori intended the art to represent a "different world" where the background scenery was obscure and the blue sky was slightly brighter than normal. Omori and his crew devoted extra attention to lighting and coloring, making the forest dim with light coming through the canopy and landing on the characters with the appropriate intensity. The contrast between light and dark was also used during the festival scene to emphasize its bizarre nature, reminding the audience that Hotaru should not be there. Because of the significance of the summer season to the story, Omori deliberately loaded the film with summer scenes, such as rustling leaves and chirring of cicadas.[18]
According to the Omori, the idea for the opening scene was suggested by Yokoyama; following traditional cinematography, the images of scenes indirectly related to the main story were played while the opening credits appeared. Originally intended to show Gin's life before meeting Hotaru, Omori allowed the viewer to decide its relationship in time with the main story. Omori also opted to start Hotaru's narration from a time after the story's main events; showing Hotaru as an 18-year-old who had just graduated high school and heading back to visit her relatives near the forest. By having Hotaru tell the story in retrospect, Omori thought it provided a more human feel and gave more meaning to the final scene, where Hotaru expresses her hopes for the future by saying, "Come on, let's go."[19]
Omori shared a draft of the film with composer Makoto Yoshimori so that he could write music to match the tempo. However, there was some disagreement over the ending theme, which Omori and Yoshimori discussed at length over email. Although neither would compromise on key points, the issue was eventually settled and the ending theme was finalized.[18]
Hotaru's voice actor in the anime film, Ayane Sakura, was a fan of Midorikawa and owned the original manga. In an interview, she mentioned that she was thrilled to get an audition and ultimately the role, and also admitted that she shed tears while recording. Kōki Uchiyama, who played Gin, read the manga for the audition, and confessed that he was concerned at first about how to portray his character, though his work made him feel good. The film was initially pre-scored, where the voice acting was recorded prior to the creation of the animation, but later re-recorded for the final version.[20] According to Omori, this allowed the animation to emphasize natural pauses in the dialogue and let the cast set the rhythm and tempo.[12]
The manga was first published in the July 2002 issue of Hakusensha's LaLa DX in Japan. It was first reprinted on July 10, 2003, in the tankōbon entitled Hotarubi no Mori e,[21] which included four previously published romantic one-shot stories by Yuki Midorikawa. In addition to the titular short story, the book included "Hanauta Nagaruru" (April 2003), "Kurukuru Ochiba" (November 2002), and "Hibi Fukaku" (January 2003).[2] As part of the 2003 tankōbon short story collection, each of the four one-shot stories were set in a different season: "Hanauta Nagaruru" in spring, "Hotarubi no Mori e" in summer, "Kurukuru Ochiba" in fall, and "Hibi Fukaku" in winter. Within the tankōbon, the stories were arranged in order from spring to winter, although they were originally published in a different order.[22] As of May 15, 2012, the tankōbon was on its 19th printing.[21]
The anime film, Hotarubi no Mori e, is categorized as a drama/romance, with a running time of 44 minutes. In March 2011, the anime version was to be put on display at the Anime Contents Expo in Chiba, Japan, along with new work on Natsume's Book of Friends,[1] but the event was canceled following the 2011 Tōhoku earthquake and tsunami.[24] The opening date for the film was announced on June 4 on the film's official website.[14] On June 18, special pre-order tickets were sold along with the limited offer of a free poster.[14] Around a week later, four television commercials focused on the anime's main characters were streamed from the film's official website.[25] Sixteen days before the official release, a 96-second trailer was posted on Cinema Today, a Japanese movie website.[26]
The film opened in Japan on September 17, 2011, playing at Theater Umeda in Osaka and Ikebukuro's Cine Libre in Tokyo.[14] The European premiere of Hotarubi no Mori e was on October 8, 2011, at the Scotland Loves Animation festival in Glasgow, followed by interviews and a Q/A session with the animation director and the producer.[15][16][27] It was screened again at the Scotland Loves Animation festival in Edinburgh on October 14, along with two other short films produced by Brain's Base studio.[28] It was also a late addition to the 2011 Leeds International Film Festival and shown as a free presentation on November 18 in Leeds Town Hall.[29][30] Hotarubi no Mori e was one of 60 titles screened at the first Anime Contents Expo held at Makuhari Messe in Chiba in late March 2012.[31] It was also shown on June 30, 2012, at the Anime Expo convention at the Los Angeles Convention Center.[32]
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