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Topaz Gigapixel AI, meanwhile, occupies the opposite end of the user options spectrum. Although it can certainly do its task without user intervention, the expectation is that you're going to tweak and tune the settings for best results based on subject matter. You can choose from one of six different AI models specific to different types of imagery, and you can then adjust sliders to suppress noise, remove blur, and (for some AI models) fix compression artifacts.
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Topaz Gigapixel AI does the best job overall, rendering the text quite cleanly. It does lose a very faint diagonal banding which is actually subject detail in the shadow beneath the name, though. Also, a few of the automatically-tweaked faces look slightly unnatural.
For this crop, I'd have to say Topaz Gigapixel AI looks the best overall and it's certainly the crispest. Seen really close up close like this, though, it does feel slightly oversmoothed by default. Also some of the lower-contrast windows have nearly vanished altogether.
Gigapixel AI does by far the best job here, mostly yielding quite smooth and natural-looking ripples in the water. What little artifacting remains can be seen in the most turbulent water immediately behind the bow wave.
There's still not that much difference between Preserve Details 2.0 and Super Resolution in a JPEG image, even at a much higher source resolution. With that said, both Adobe algorithms come closest to their best in this shot. ON1's algorithms leave some speckled artifacts along the edges of the flaking paint, while Topaz Labs turns in the best result but looks a bit overly smooth.
It does depend very much where you look in the image as to what you'll note. Topaz Gigapixel again looks best overall and does quite nicely in this crop, but in other parts of the foliage Resize AI looks better.
Of that pair, if you don't have a workflow need which would make the decision for you, I'd recommend opting for Topaz Gigapixel AI. It will give you the best results most of the time, and do so while providing the maximum flexibility.
I always appreciate good comparisons as that is the best way to save hours and $ doing it myself. I can imagine a few cases where this software may be useful but I think for the majority of us we have cameras with more than enough resolution for our needs, though there will be those beginners prepared to try anything in the hopes that it will make their images look impressive, when they could rather be learning better techniques like lighting. I imagine the biggest use for the software would be when shooting with a prime in low lighting conditions and the need to crop. Even then a 4X crop of a 24 meg image should be sufficient anyway.
You really shouldn't be using ML software on old laptops without a dedicated gpu. Doesn't make sense. I use both topaz and dxo, on 42mp files and processing time is 10 to 60s on a two year old, upper midrange card. I batch process all my photos before culling - easily in the thousands due to wildlife photography, and it's fine.
PS Topaz Sharpen Ai does a very good job with camera shake, especially for repeated patterns, like texture and grass. but it is not perfect. I tried it with one shaky image, a female model on grassy meadow. It works best to remove motion blurs on the grass. When zoomed in 100%, I noticed some weird artifacts around model's fingers. One blurry finger was sharpened to a strange shape, like 1.5 finger.
For restoring old photos, the best tool is the Neural app in Photoshop CC called RESTORE. It does an incredible job, and in fact is a great tool for any newer photos with either noise, and focus problems on faces.
Adobe by far and I mean by very far is the best. The two other lag behind in a bad way. Lots of artifacts and worse of all they invent information that was not there in the first place. I would not touch with a barge pole any of those 2 contenders. They are really that bad vs Adobe.
I'd almost say that all three are good options depending on the image. In some respects, Adobe does do a better job on some subjects/scenes, but in others, particularly noisy ones, the other two (especially Gigapixel) can do a better job at removing noise. In other cases, you have to decide on less noise or more details.... so I don't think we can say for certain one is definitely better than the rest, as it likely depends a lot on the individual photo, and really, it may be helpful (and if you can afford it) to have at least Topaz and On1 both at your disposal and you can use any one of them on a case-by-case basis. Sometimes On1 will do a better job, other times Topaz might have the upper hand. Probably more rarely will Adobe be the best, but it will depend.
Gigapixel is truly amazing, and it now has six presets. In addition to the HQ and Low Res settings you tested, there is Standard, Lines, Art & CG, and Very Compressed. I find that Low Res and Very Compressed usually give the worst results, and having Face Recovery turned on when there are no faces can also degrade results. There is also a setting called Gamma Correction which may help, depending on the image. Batch processing is NOT a good idea because you'll want to check each setting first (in the preview window) to see which one looks best. I use ACR on my originals and export them as uncompressed JPGs before running Gigapixel on them. This should be a lot faster than trying to work with DNGs. The enlarged JPGs can also be saved with no compression, and you can decide how to name them, like adding '6x' before the prefix.
I'd be curious to how two year iPhone or Galaxy phone images do. Maybe upscale 12MP smartphone picks to 48MP, clean them up the best you can and downscale them to 24MP and compare to current 24MP camera stills.
Downloaded the demo of Gigapixel AI, and I get the best results by far with landscape photos taken with my 24MP dedicated camera. Portraits, and anything taken in suboptimal light with my smartphone... it doesn't really bring anything desirable to the table. The technology is interesting, but still has a ways to go.
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Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
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Each preview saves the enhancement settings used to generate it. This allows you to queue up however many previews you want, pick whichever preview you like best, then click Export to export the enhanced video. Similar to the previews queue, multiple videos may be queued for export as well.
Enhancement improves image quality using four AI model options: Proteus (fine-tune and enhance footage), Artemis (denoise and sharpen footage), Gaia (upscale footage), and Theia (improve details and clarity). If you can't decide which is best, generate previews using each to see which looks better. Here you can also delve deep into each model's settings to fine-tune output to your liking.
For optimum speed, the best practice is to run Video AI by itself with little-to-no other applications running. Encoding speeds are notably slower when other memory intensive applications like Photoshop, Premiere, DaVinci, etc are open and active. I didn't experience any stability problems using Video AI alongside other apps, but speed was definitely impacted.
I presented the RAW file (the CR3 file, or a DNG created from it) to tools that can read it. In theory, this gives them an advantage as noise is best removed as early as possible. Topaz DeNoise AI processed a 16 bit TIFF if the image.
I spent considerable time with each product, trying to get the very best out of them. Additionally, I have owned and used all of them over the years, so I am an experienced user of each. I no longer have an Adobe subscription, but had one for many years.
Topaz Photo AI 2 has launched with all-new AI powered features, including a single-slider lighting adjustment filter, a color balance filter, and other best-in-class image enhancement features powered by generative AI.
Among its best features are modern filters for noise removal, sharpening, enhancing contrast and details, and performing black and white conversions, over 200 looks for predefined styles, and more than 200 textures. Topaz Studio 2 also offers special effects that simulate brush strokes similar to paintings, add glow effect to image, and recreate vintage film effects. In addition, it works with layers and masks to give you full control over the artistic process.
For photo editing, Corel Photo-Paint is the best application of the suite. Among its best features are compatibility with more than 300 camera models, support for RAW and PSD files, non-destructive layer editing, retouching and restoration tools, special effects, and tools for drawing, adding text, and painting over images. It also provides digital asset management, export to PDF, and object-based search.
Even with great image acquisition best practices, lots of data, and a cool astronomy camera, you will likely still need to minimize the noise in your image at some point in the image processing stages of astrophotography.
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