Immerse yourself in the enchanting sounds of R. Kelly as he delivers a powerful message through his music. The sheer brilliance of this record is a testament to his unparalleled creativity and ability to connect with his audience on a profound level.
Somebody love this record
Cause I want you
To my baby, come back, 'cause I want you
Cause I need, I need right back to me
So, I want you
Whatever you take the pain
I'm the next caller on the radio
This is a radio message to my baby
I don't think this is anything to do with the ARIA-LABEL mark-up. If multiple elements are displayed on a single row (as they are in your example) NVDA reads all of them when in browse mode. If the number of words exceeds the maximum number that NVDA is set to read in a fragment, it will read the content in chunks that contain multiple elements. As you have found, you have to tab to the element you want.
JAWS does not do this - it stops reading when it encounters a new element (with some exceptions such as and ).
There are also exceptions in NVDA that I have not yet had time to investigate. In many cases it reads all the links in a horizontal menu in one go, whereas JAWS reads each link separately. However, I have seen a few exceptions where NVDA does not do this.
I suspect that if there was only one radio button per line, NVDA would read the ARIA-LABEL, although I have not tested this.
I am in the middle of a project to compare the behaviour of JAWS and NVDA on a variety of browsers, and I am finding that NVDA is far less consistent in its behaviour even on a single browser and that its behaviour is highly variable on different browsers. When you add in the differences in the behaviour in focus mode and browser mode, the variations in possible user experience are huge. JAWS' behaviour varies too, but to a lesser extent.
Steve Green
-----Original Message-----
From: = EMAIL ADDRESS REMOVED = [mailto: = EMAIL ADDRESS REMOVED = ] On Behalf Of Kelly Ford
Sent: 31 August 2013 09:01
To: 'WebAIM Discussion List'
Subject: [WebAIM] NVDA Browse Mode and ARIA-Label
Hello,
Does anyone know the story with NVDA and the ARIA-LABEL tag in HTML. When this is used as a label, NVDA seems to support it in focus mode but in browse mode with both IE and Firefox, NVDA doesn't seem to show the ARIA-Label info. In IE you get radio buttons indicated one per line. In Firefox, multiple radio buttons are run together on a single line.
An example page where this is used is at =2.
Browse mode is the mode of NVDA where you can use cursor keys as an example to move through all web content.
Kelly
Steve
This sounds like a highly relevant and fantastic project.
To the extent that you can or are allowed to share the findings with
us, please do!
Cheers
-Birkir
On 8/31/13, Steve Green < = EMAIL ADDRESS REMOVED = > wrote:
> I don't think this is anything to do with the ARIA-LABEL mark-up. If
> multiple elements are displayed on a single row (as they are in your
> example) NVDA reads all of them when in browse mode. If the number of words
> exceeds the maximum number that NVDA is set to read in a fragment, it will
> read the content in chunks that contain multiple elements. As you have
> found, you have to tab to the element you want.
>
> JAWS does not do this - it stops reading when it encounters a new element
> (with some exceptions such as and ).
>
> There are also exceptions in NVDA that I have not yet had time to
> investigate. In many cases it reads all the links in a horizontal menu in
> one go, whereas JAWS reads each link separately. However, I have seen a few
> exceptions where NVDA does not do this.
>
> I suspect that if there was only one radio button per line, NVDA would read
> the ARIA-LABEL, although I have not tested this.
>
> I am in the middle of a project to compare the behaviour of JAWS and NVDA on
> a variety of browsers, and I am finding that NVDA is far less consistent in
> its behaviour even on a single browser and that its behaviour is highly
> variable on different browsers. When you add in the differences in the
> behaviour in focus mode and browser mode, the variations in possible user
> experience are huge. JAWS' behaviour varies too, but to a lesser extent.
>
> Steve Green
>
> -----Original Message-----
> From: = EMAIL ADDRESS REMOVED =
> [mailto: = EMAIL ADDRESS REMOVED = ] On Behalf Of Kelly Ford
> Sent: 31 August 2013 09:01
> To: 'WebAIM Discussion List'
> Subject: [WebAIM] NVDA Browse Mode and ARIA-Label
>
> Hello,
>
>
>
> Does anyone know the story with NVDA and the ARIA-LABEL tag in HTML. When
> this is used as a label, NVDA seems to support it in focus mode but in
> browse mode with both IE and Firefox, NVDA doesn't seem to show the
> ARIA-Label info. In IE you get radio buttons indicated one per line. In
> Firefox, multiple radio buttons are run together on a single line.
>
>
>
> An example page where this is used is at
> =2.
>
>
>
> Browse mode is the mode of NVDA where you can use cursor keys as an example
> to move through all web content.
>
>
>
> Kelly
>
> > > messages to = EMAIL ADDRESS REMOVED =
> > > >
The situation is similiar today. Kelly called the Blues' first-round series against the Winnipeg Jets on FOX Sports Midwest, but since then, games have aired exclusively on NBC and NBC Sports Network. But thanks to a generous offer from Blues' radio broadcaster Chris Kerber, Kelly will call the second period of every game in the Stanley Cup Final on KMOX 1120 AM.
"After the Blues beat the Sharks in the Western Conference Final, I was celebrating the win with my family when Chris approached me and told me he wanted me to help him broadcast the next round," Kelly told stlouisblues.com. "At first I said 'no, that's not really my place.' But then he said 'It's really not a question, I'm insisting you do it.' I was blown away. My wife and kids were blown away, too.
"It's really an unprecedented gesture," Kelly added. "I don't know of any other broadcaster that has done something like that before. I think it is beyond amazing that Chris would think of asking me to do that. I'm so grateful and appreciative."
Kerber grew up listening to Blues broadcasters as he honed his skill to become a play-by-play man himself. John's dad, the legendary Dan Kelly, was the radio and TV voice of the Blues for 21 years and eventually was inducted into the Hockey Hall of Fame in 1989.
"When I worked for Birmingham in the ECHL, my dad sent me a cassette tape of a Blues history special that aired on KMOX during the lockout in 1994," Kerber said. "I would listen to that tape whenever I felt flat or that my broadcasting needed some work. I'd listen to how Dan Kelly, Ken Wilson and Jack Buck would capture the image of the game through the radio. After the Blues won the Western Conference Final against San Jose, I told John how that tape helped me become the broadcaster I am today and what it meant to me. It just seemed fitting with the Blues back in the Stanley Cup Final for the first time since 1970 that John should be part of this. I wanted him to work all the games with me."
Dan Kelly called 16 Stanley Cup Finals, including in 1969 and 1970 when the Blues last reached the final round. It was Dan Kelly who called arguably the most famous goal in hockey history when Boston's Bobby Orr dove through the air to score a Stanley Cup-clinching goal against Glenn Hall and the St. Louis Blues in 1970.
Now, John gets to follow in his legendary father's footsteps on the biggest stage the sport has to offer.
"Just like a player, you dream of being in a championship series, and for us broadcasters, it's a great thrill to be around a team that has accomplished so much," John said. "To call a game in the Stanley Cup Final will be an amazing experience. People can't understand how excited I am and how excited my family is.
"I'll remember this for the rest of my life."
TOUMA: People are terrified, and some - they're really terrified. I mean, we get all these messages. Luckily, there was a little bit of internet in the Gaza Strip, so one staff member said to me, I think this is going to be the end for me and my family. One staff member said, we'll be in touch tomorrow if I'm still alive. And for many, many of them, this is, like, the seventh time that they go through an escalation in violence and a conflict. But they say to us that this is unprecedented.
At Kelly's request, his label, Jive/Zomba Records is making the track available as a digital single for sale on Tuesday, May 15th in hopes of spreading the message of hope and unity. R. Kelly and Jive will donate 100% of the net proceeds from the digital single sales to the university's official fund, The Hokie Spirit Memorial Fund, and listeners who buy the track will be able to access a direct link to the memorial website. Recalling the spirit of triumph in one of Kelly's previous celebrated anthems, "I Believe I Can Fly," "Rise Up" is meant to offer encouragement and solace in the face of this senseless tragedy; " ... We'll be strong together, Stand together, Pray together, Rise up." To learn more about the Hokie Spirit Memorial Fund, visit _fund.php.
To counter those assertions, prosecutors have labored to assemble witnesses, including relatives of the alleged victim, who is now in her early 20s. The government has also assembled experts to authenticate and date the recording, based in part on the setting, as well as radio advertisements and songs by the Spice Girls and Backstreet Boys heard in the background.
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