Wasatch Softrip 6 3 Crack 4
Aleski Fenstermacher
This isn't a RIP for small desktop models nor a RIP that is best suited to photographers. Sign, poster, textile printing is its main market. I have it to do that kind of work but most of the time I'm using Qimage + the Epson driver for art and photography.
Linearising is an often overrated feature and usually means that you have to add CMYK profiling on top of it. If you want to use "RGB" profiling with the advanced menu on top of linearising on the Wasatch SoftRip (one of the few RIPs that allow it) be prepared for a steep learning curve.
It seems that wasatch have added desktop edition for inkjet printers. Their new version 6.0 is pending release coming week. I already use a RIP for monochrome and have some idea. I just want the ability to create my own profile for paper I want. Wasatch and colorburst are the only software that allow it without requiring expensive CYMK profiling capabilities. Unfortunately colorburst imposes the use of Xrite device and I already have GMB i1. this leaves me with wasatch or Imageprint.
That may not be entirely possible whne you start looking into it. In theory you can make most (if not all) colors out of CMY. If that was the only way, then a direct table would be fine. But since you are dealing with CMYK there are at least two ways to make many colors (with or without black). That's explained best by looking into GCR and UCR techniques.
One thing you can do with most RIPs is to make a large enough generic CMYK output space to cover all your papers. Then you use RGB profiles to actually do the work. This is far from ideal, but it does work on some of them, especially if the RIP allows a conversion through a proof profile. Then you will still send your RGB images through a "standard" working space, convert through the RGB custom profile for that paper, and finally through the generic CMYK space to put the ink on the paper. If you convert your images into the custom RGB profile, you can do the same without needing the proofing conversion inside the RIP. Again, this is less than ideal, but it will work. The key is getting a CMYK space that is at least as wide as your widest gamut paper. Any RIP that allows custom RGB paper profiles, and prints to a CMYK space is doing something similiar. As usual, there is no magic involved, just compromise.
If you were going to do this method of color management, then you would want to get a CMYK profile for your widest gamut paper (probably a glossy paper), and maybe a really good matte paper. Then use those as your base CMYK and profile additional papers in RGB. It normally doesn't work as well this way, but it might fit your needs. Alternately, just buy the CMYK module for your i1, or buy a RIP that offers profile creation in the package.
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