Philips Car Stereo

[Ronald Gruzinsky]

Thetwo high-quality stereo microphones deliver crystal-clear sound quality. Their higher recording sensitivity captures more signal without compromising on sound quality. This allows you to achieve excellent recording results, even in noisy environments.

Capture your recordings in stereo MP3 or PCM format. The popular MP3 file format allows you to play back your files virtually anywhere and simply share them with others. The PCM (WAV) format allows stereo recording of lossless, uncompressed sound in CD-like audio quality.

The high-capacity Li-ion polymer battery can be easily charged through a standard USB C jack. This guarantees extended battery life for extra-long recording up to 36 hours, ensuring that your recorder will always be ready to work when you are.

The large color display offers sharp images, making it easier to see and read everything at first glance. The clear user interface supports seven languages and is optimized for easy, intuitive operation.

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Hi, guys!

My screeneo just arrived 4 days ago, I tried connecting the 3.5 mm jack audio output of the projector to an RCA CABLE with the working TRS stereo connection standard connected in to my home audio system but no audio signal comes out of the projector and with other optoma projectors used in the past or televisions I have never had any audio connection problems.

I do not know whether this is a specific choice in the projector construction process or whether it is a real technical problem. Having said that, it certainly does not conform to what is stated both on the packaging and in the Philips product sheet.

Update with respect to this morning is that I succeeded to get permanent out out from my stereo system using HDMI instead of the 3.5 mm jack. These are the connections I set up: HDMI connection between my laptop and the projector (HDMI 1 port) + HDMI connection between the projector and my stereo system (HDMI 2 port, since this is the only one that supports ARC feature!).

Hi Daniele! Thank you for your message. I read your thread Screeneo U4 Compact Ultra Short Throw - #180 by danbo and had the same problem. I connected my Apple TV via HDMI to the projector at the HDMI 1 input ( the input at the back of the projector, next to the 3.mm jack input ) and when I connect my RCA cable connected to a pjoneer apmlifier , the sound for 3/4 seconds can be heard and then it disappears and goes back to sound from inside the projector amp.

But the strange thing is that if I connect a pair of headphones and another pair of speakers the problem does not persist. I have also written to support but they have not replied yet. I then sent a PEC email to phi...@legalmail.it to request an official solution from them.

>Want to know when did Philips firstly record their

>music in stereo (successful to release

>commercially)? And, where was their base to make

>those stereo recordings?

>

>I have gotten a Philips CD which was recorded on

>October 1958 in Vienna, it is well balanced,

>dynamic and natural sound. Any recording was

>recorded earlier than it?

Some negative evidence: Philips did the recordings of Beecham and the

RPO in Delius that were issued by Columbia, and these were AFAIK done

entirely in mono, even though some have recording dates as late as (I

think) 1957.Inference: Philips adopted stereo techniques quite late.--

Rodger Whitlock

Victoria, British Columbia, Canada

I know that they recorded several items in stereo in 1957 with the

Concertgebouw Orchestra in Amsterdam, with Szell ("Midsummer Night's Dream"

suite and "Rosamunde" selections) and van Beinum (Beethoven and Brahms Violin

Concertos, both with Grumiaux) conducting.Mark Obert-Thorn

In keeping with the old Dutch proverb that the nail that sticks up

gets hammered, Philips refused for the longest time to credit

production staff - this ended only recently.Jaap van Ginneken was the producer/balance engineer, or tonmeister,

who was responsible for the characteristic early Philips stereo sound

- sharp focus on the violins and everybody else blurrier, with less

immediacy and more hall reverb. Philips would spot the contrabasses

not with one mike directly in front of the section leader (a la Decca/

London), or half way between players one and two, but with two mikes

between players one and two and between three and four, which made for

a very pleasant little buzzing sensation indeed. Lots of rosin. Once having set the balance it was rarely adjusted during a take, and

that remained Philips' philosophy until the early days of digital,

when the company lost its compass completely. Working in familiar

halls like the Concertgebouw and Walthamstow, Philips came up with

glassy, spotlit unblended orchestras, and thunderous 25-foot pianos.

It was a while before they returned to their senses.Other Philips producers included Erik Smith, son of Hans

Schmidt-Isserstedt and formerly of Decca/London, and Vittorio Negri,

who also conducted quite a bit of Vivaldi for the label.Now of course, we can look forward to a steady diet of Nana Mouskouri

Sings Snoop Doggy Dog.Alrod

Again IIRC, Strauss said (in a Gramophone interview) that he'd made

>his first stereo recording (Bartok's Concerto for Orchestra) in 1960;

>Haitink's Concertgebouw recording is dated September 1960 in the CD

>booklet. Same recording?

I've never heard

>the Concertgebouw Orchestra in the flesh, alas; can somebody tell me which

>recordings best emulate(d) their sound? (Please, no Chailly.) I will add

>that I often preferred the sound of their live concerts on Netherlands

>Radio to that of their commercial discs! (Haitink is on record as saying

>that the hall sounds best with an audience.)

>

>One thing more: apropos early digital recordings: one of the Penguin guides

>states (re Dorati's Bartok MSPC) that for a time in the early 80s, Philips

>experimented with making purist two-mike recordings of the Concertgebouw,

>of which this is one. Anyone know which others were so recorded? Haitink's

>Bruckner 9?

>The "characteristic early Philips stereo sound" you describe may be

>"characteristic", but was not the only type of sound to be heard in this

>period. In listening to Concertgebouw Orchestra recordings of the 50s and

>early 60s (made with van Beinum, Haitink, Fournet, Jochum, etc.) one hears

The early 70s stuff is often superb. The Haitink Zarathustra was

wonderful on LP, though I understand the CD transfer was

disappointing.OTOH, a lot of the London-based Philips recording of the period is

dull and fairly opaque - Haitink's 3 Stravinsky ballets, for instance.

>I've never heard

>the Concertgebouw Orchestra in the flesh, alas; can somebody tell me which

>recordings best emulate(d) their sound? (Please, no Chailly.) I will add

>that I often preferred the sound of their live concerts on Netherlands

>Radio to that of their commercial discs! (Haitink is on record as saying

>that the hall sounds best with an audience.)

It's very busy, and the hall amplifies audience participation,

"coughing" being a major Dutch winter sport, so the broadcasts tend to

be close-in (Klemperer's Das Lied). I found the early Haitink Mahler

6th very evocative of the hall's personality.

>One thing more: apropos early digital recordings: one of the Penguin guides

>states (re Dorati's Bartok MSPC) that for a time in the early 80s, Philips

>experimented with making purist two-mike recordings of the Concertgebouw,

>of which this is one.

When digital tape came in, the first machines could only record

two-track, quite a jolt for recording teams used to 16-32 track analog

tapes. A number of labels experimented briefly with 2-mike recordings,

the DG Sinopoli/VPO Schumann 2nd, a few of the Sony Maazel Mahler

symphonies, but eventually digital hardware for recording a zillion

tracks became available and they all returned to their wicked old

"fix-it-in-the-mix" ways.Alrod

Losing the will to live here. I Have Sonos Beam Gen2 and I cannot have any sound other than stereo pcm. My tv is PHILIPS - 50PUS7855 50" 4K . I have a hdmi 4k cable. I am using both the standard TV, Netflix and 4k blu Ray player and they're all playing stereo pcm only. I have set the audio to multichannel (bypass). Why is this happening?

Multichannel bypass is fine. Presumably you have enabled EasyLink (CEC) control too. Have you disabled the internal TV speakers and set the sound-out to Auto or Dolby Audio - Also (importantly), are you playing a Dolby audio source. Eg. A movie or show from Apps such as Netflix/Amazon Movies/Disney+ etc?

Hi, thanks for your reply. I can confirm yes to all of the above except tv speakers off. The options are hdmi sound system or TV speakers off, it only works if I have hdmi sound system selected. What else could it be?

Tried on Netflix, sky, and 4k blu Ray player with dolby selected within the settings of the blu Ray player. All has the same result. When I initially setup a few weeks ago I did see dolby 5 in the sonos app but I can't for the life of me get it to return. I would be happy with that even if I can't get dolby atmos. I didn't pay this money to listen to stereo

I have the same kind of phillips tv The sound personal modes are for the Tv speakers. When the TV speakers are off they will naturally be greyed out due to HDMI sound system being connected because now yr tv is outputting sound to an external audio system

multichannel option does is encode audio to common format like 5.1 or ac3.. watever yr soundbar understands

Multichannel ( bypass) does not re encode the source audio but sends out the bitstream to the soundbar or receiver. If u choose DD+ or atmos and u choose bypass option but yr soundbar do not have DD+ or atmos , u will have no sound because the Receiver in yr soundbar does not understand these formats when its sent the bitstream

the last option stereo uncompressed sends 2 channel PCM to the soundbar ( i am not sure if the tv somehow re encodes or downmixes dolby to stereo ect>)

Since HDMI ARC cant do 5.1 /7.1 uncompressed multichannel PCM ( LPCM) ony stereo uncompressed is possible

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