Thefilm follows Schindler's transformation from greedy war profiteer to humanitarian who eventually saves the lives of 1,100 people destined for death at Auschwitz. He learns and demonstrates compassion, integrity, and perseverance.
A few scenes of nakedness associated with sex (bare female breasts, thrusting and moaning), but many other scenes show concentration camp members naked in non-sexual contexts (full-frontal nudity of Jewish prisoners in the shower, when they are being stripped and examined, etc.).
Parents need to know that Schindler's List is a brutal, emotionally devastating three-hour drama that won several Oscars and has a powerful message about the human spirit -- but it pulls absolutely no punches when depicting the Holocaust. There are arbitrary murders and mass killings, Nazi commanders compare Jews to rats, children are killed, and there are scenes of shocking, grisly violence. There's also plenty of smoking and drinking, and several scenes of nakedness. In two of them, a woman is naked from the waist up in bed and in sexual situations. But in the rest, nakedness is used to humiliate and harass Jewish residents of concentration camps. There's full-frontal nudity of Jewish prisoners in the shower, when they are being stripped and examined, etc. There are anti-Semitic epithets as well as words such as "f--k," "s--t," "bitch," "damn," and "ass." To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.
In SCHINDLER'S LIST, Steven Spielberg displays the virtuosity of a great documentary film maker: The Holocaust, in which six million Jews, political prisoners, Jehovah's Witnesses, and gays were killed, is too vast and too atrocious to fathom. So Spielberg searches history for the one true story that will make it comprehensible. He gives us Czechoslovakian businessman Oskar Schindler (Liam Neeson), a grandiose, insinuating businessman bent on making a successful business on the backs of Jews who are robbed of their homes, jobs, property, and, many, their lives. The film follows Schindler's transformation from greedy war profiteer to humanitarian who eventually saves the lives of 1,100 people destined for death at Auschwitz. But there are two main characters in this film. If one is Schindler, the other, undoubtedly, is the Holocaust itself. Spielberg gives us the Holocaust in the names of the Schindler Jews, and uses real-life stories to make it real. We get Ihtzak Stern (played with quiet rage and dignity by Ben Kingsley), the Jewish accountant who runs Schindler's manufacturing plant. We get Helen Hirsch (Embeth Davidtz), the Jewish woman who serves as a Nazi commander's (played with icy sadism by Ralph Fiennes) maid and the object of his twisted adoration. We get, as the title implies, a list of people, of faces, of stories that make the atrocities of World War II real.
There are few films more powerful and important than this 1993 winner of the Academy Award for Best Picture, but that's not why you should watch this film. Watch it for the brilliant storytelling, great acting, and its message that one person can make a difference in the face of evil.
While Schindler's List is a brilliant film, its three-plus hour running time and true-to-life grisly violence make it mostly a film for adults. If you have a particularly mature teen, share this film with him and talk about it afterward. Families that watch the film may want to watch the bonus features on the real-life experiences of the Schindler Jews and on the Survivors of the Shoah Foundation. The film may prompt a discussion of genocide elsewhere in the world and what individuals can do to help put an end to it. It may also prompt a visit to a museum of tolerance or the Holocaust Museum.
William John Neeson OBE (born 7 June 1952) is an actor from Northern Ireland.[3] He has received several accolades, including nominations for an Academy Award, a BAFTA Award, three Golden Globe Awards, and two Tony Awards. In 2020, he was placed seventh on The Irish Times list of Ireland's 50 Greatest Film Actors.[4] Neeson was appointed Officer of the Order of the British Empire (OBE) in 2000.[5]
Neeson[6] was born in Ballymena, County Antrim,[6] the son of primary school caretaker Bernard "Barney" Neeson and cook Katherine "Kitty" Neeson (ne Brown).[7] His mother was born and raised in Waterford in the south-east of Ireland.[8] Brought up Catholic,[9] he was named Liam after a local priest.[10] He has three sisters, Elizabeth, Bernadette, and Rosaleen.[11] He attended St Patrick's College, Ballymena, from 1963 to 1967, and later recalled that his love of drama began there.[12]
At age nine, Neeson began boxing lessons at the All Saints Youth Club, and went on to win a number of regional titles before quitting at 17.[19] He acted in school productions during his teens.[20] His interest in acting and decision to become an actor were also influenced by Ian Paisley, founder of the Democratic Unionist Party (DUP), into whose Free Presbyterian Church of Ulster he sneaked. He said, "[Paisley] had a magnificent presence and it was incredible to watch him just Bible-thumping away... it was acting, but it was also great acting and stirring too."[21] In 1971, he joined a physics and computer science course at Queen's University Belfast before leaving to work for the Guinness Brewery.[22] At Queen's, he discovered a talent for football and was spotted by Sen Thomas at Bohemian FC. There was a club trial in Dublin and Neeson played one game as a substitute against Shamrock Rovers FC, but was not offered a contract.[23]
After leaving university, Neeson returned to Ballymena, where he worked in a variety of casual jobs, such as a forklift operator at Guinness and a lorry driver.[24][25] He also attended teacher training college for two years in Newcastle upon Tyne before again returning to his hometown. In 1976, he joined the Lyric Players' Theatre in Belfast, where he performed for two years. He got his first film experience in 1977, playing Jesus Christ and The Evangelist in the religious film Pilgrim's Progress (1978). He moved to Dublin in 1978 when he was offered a part in Ron Hutchinson's Says I, Says He, a drama about The Troubles, at the Project Arts Centre. He acted in several other Project productions and joined the Abbey Theatre (the National Theatre of Ireland).[26] In 1980, he performed with Stephen Rea, Ray McAnally and Mick Lally, playing Doalty in Brian Friel's play Translations, the first production of Friel's and Rea's Field Day Theatre Company, first presented in the Guildhall in Derry on 23 September 1980.[27]
In 1980, filmmaker John Boorman saw him on stage as Lennie Small in Of Mice and Men and offered him the role of Sir Gawain in the Arthurian film Excalibur. After the role, Neeson moved to London, where he continued working on stage, and in small-budget films and television. He lived with actress Helen Mirren, whom he met working on Excalibur.[28] Between 1982 and 1987, he starred in five films, most notably with Mel Gibson and Anthony Hopkins in 1984's The Bounty and Robert De Niro and Jeremy Irons in 1986's The Mission. Neeson guest-starred in the third season of the television series Miami Vice in 1986, and moved to Hollywood the next year to take higher-profile roles.[28] He starred with Cher and Dennis Quaid in Suspect, which brought him critical acclaim. In 1988, he starred with Clint Eastwood in the fifth Dirty Harry film, The Dead Pool, as Peter Swan, a horror film director. In 1990, he had a starring role in Sam Raimi's Darkman. Although the film was successful, Neeson's subsequent years did not bring him the same recognition.
Steven Spielberg offered Neeson the role of Oskar Schindler in his holocaust film Schindler's List[29] after seeing him in Anna Christie on Broadway. Kevin Costner, Mel Gibson and Warren Beatty all expressed interest in the part[30][31] (Beatty even auditioned),[30] but Neeson was cast in December 1992 after auditioning for the role.[31] He read the Keneally book and concluded that his character "enjoyed fookin' [sic] with the Nazis. In Keneally's book, it says he was regarded as a kind of a buffoon by them... if the Nazis were New Yorkers, he was from Arkansas. They don't quite take him seriously, and he used that to full effect."[32] His critically acclaimed performance earned him a nomination for a Best Actor Oscar, and helped the film earn Best Picture of 1993. He also received BAFTA and Golden Globes nominations for the performance. He soon became an in-demand leading actor.
In 1993, Neeson made his Broadway debut playing Mat Burke in the revival of the Eugene O'Neill play Anna Christie starring opposite his Ellis Island co-star and future wife Natasha Richardson. For his performance he was nominated for the Tony Award for Best Actor in a Play[33] The following year they also worked together in Nell (1994) starring Jodie Foster. He then took leading roles in the period piece drama films including playing the lead role of Rob Roy MacGregor in the historical drama Rob Roy (1995) opposite Jessica Lange, Brian Cox, and Tim Roth. Critic Roger Ebert of The Chicago Sun-Times praised his ability to be a leading man writing, "Neeson, tall and grand, makes an effortless hero as Rob Roy".[34]
Neeson portrayed Jean Valjean in the 1998 adaptation of Victor Hugo's Les Misrables directed by Bille August. He starred alongside Uma Thurman, Geoffrey Rush, and Claire Danes. Writing of Neeson's performance, Janet Maslin of The New York Times wrote, "[He] plays the role with the sure physical authority and profound decency that are fundamental to Valjean's character" adding, "With a first-rate cast and a venerable storytelling style, it fluently condenses Victor Hugo's epic novel and retrieves some of its suspenseful momentum."[38] That same year he returned to the stage in the David Hare play The Judas Kiss (1998) portraying Oscar Wilde which ran at both the Almeida Theatre in the West End and the Broadhurst Theatre on Broadway.[39] He acted alongside Tom Hollander and Peter Capaldi.[40] In 1999 he acted in the supernatural horror film The Haunting (1999) opposite Catherine Zeta-Jones.
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