Critical Deconstruction

[Kerby Reynolds]

Deconstructionis a loosely-defined set of approaches to understanding the relationship between text and meaning. The concept of deconstruction was introduced by the philosopher Jacques Derrida, who described it as a turn away from Platonism's ideas of "true" forms and essences which are valued above appearances.[additional citation(s) needed][1]

Derrida's theories on deconstruction were themselves influenced by the work of linguists such as Ferdinand de Saussure (whose writings on semiotics also became a cornerstone of structuralism in the mid-20th century) and literary theorists such as Roland Barthes (whose works were an investigation of the logical ends of structuralist thought). Derrida's views on deconstruction stood in opposition to the theories of structuralists such as psychoanalytic theorist Jacques Lacan, and anthropologist Claude Lvi-Strauss. However, Derrida resisted attempts to label his work as "post-structuralist".

Derrida's motivation for developing deconstructive criticism, suggesting the fluidity of language over static forms, was largely inspired by Friedrich Nietzsche's philosophy, beginning with his interpretation of Trophonius. In Daybreak, Nietzsche announces that "All things that live long are gradually so saturated with reason that their origin in unreason thereby becomes improbable. Does not almost every precise history of an origination impress our feelings as paradoxical and wantonly offensive? Does the good historian not, at bottom, constantly contradict?".[21]

Nietzsche's point in Daybreak is that standing at the end of modern history, modern thinkers know too much to continue to be deceived by an illusory grasp of satisfactorily complete reason. Mere proposals of heightened reasoning, logic, philosophizing and science are no longer solely sufficient as the royal roads to truth. Nietzsche disregards Platonism to revisualize the history of the West as the self-perpetuating history of a series of political moves, that is, a manifestation of the will to power, that at bottom have no greater or lesser claim to truth in any noumenal (absolute) sense. By calling attention to the fact that he has assumed the role of a subterranean Trophonius, in dialectical opposition to Plato, Nietzsche hopes to sensitize readers to the political and cultural context, and the political influences that impact authorship.

Where Nietzsche did not achieve deconstruction, as Derrida sees it, is that he missed the opportunity to further explore the will to power as more than a manifestation of the sociopolitically effective operation of writing that Plato characterized, stepping beyond Nietzsche's penultimate revaluation of all Western values, to the ultimate, which is the emphasis on "the role of writing in the production of knowledge".[22]

Derrida approaches all texts as constructed around elemental oppositions which all discourse has to articulate if it intends to make any sense whatsoever. This is so because identity is viewed in non-essentialist terms as a construct, and because constructs only produce meaning through the interplay of difference inside a "system of distinct signs". This approach to text is influenced by the semiology of Ferdinand de Saussure.[23][24]

In language there are only differences. Even more important: a difference generally implies positive terms between which the difference is set up; but in language there are only differences without positive terms. Whether we take the signified or the signifier, language has neither ideas nor sounds that existed before the linguistic system, but only conceptual and phonic differences that have issued from the system. The idea or phonic substance that a sign contains is of less importance than the other signs that surround it. [...] A linguistic system is a series of differences of sound combined with a series of differences of ideas; but the pairing of a certain number of acoustical signs with as many cuts made from the mass thought engenders a system of values.[17]

Derrida's original use of the word deconstruction was a translation of Destruktion, a concept from the work of Martin Heidegger that Derrida sought to apply to textual reading. Heidegger's term referred to a process of exploring the categories and concepts that tradition has imposed on a word, and the history behind them.[25]

To this end, Derrida follows a long line of modern philosophers, who look backwards to Plato and his influence on the Western metaphysical tradition.[22][page needed] Like Nietzsche, Derrida suspects Plato of dissimulation in the service of a political project, namely the education, through critical reflections, of a class of citizens more strategically positioned to influence the polis. However, unlike Nietzsche, Derrida is not satisfied with such a merely political interpretation of Plato, because of the particular dilemma in which modern humans find themselves. His Platonic reflections are inseparably part of his critique of modernity, hence his attempt to be something beyond the modern, because of his Nietzschean sense that the modern has lost its way and become mired in nihilism.

Diffrance is the observation that the meanings of words come from their synchrony with other words within the language and their diachrony between contemporary and historical definitions of a word. Understanding language, according to Derrida, requires an understanding of both viewpoints of linguistic analysis. The focus on diachrony has led to accusations against Derrida of engaging in the etymological fallacy.[26]

For example, the word house derives its meaning more as a function of how it differs from shed, mansion, hotel, building, etc. (form of content, which Louis Hjelmslev distinguished from form of expression) than how the word house may be tied to a certain image of a traditional house (i.e., the relationship between signified and signifier), with each term being established in reciprocal determination with the other terms than by an ostensive description or definition: when can one talk about a house or a mansion or a shed? The same can be said about verbs in all languages: when should one stop saying walk and start saying run? The same happens, of course, with adjectives: when must one stop saying yellow and start saying orange, or exchange past for present? Not only are the topological differences between the words relevant here, but the differentials between what is signified is also covered by diffrance.

Thus, complete meaning is always "differential" and postponed in language; there is never a moment when meaning is complete and total. A simple example would consist of looking up a given word in a dictionary, then proceeding to look up the words found in that word's definition, etc., also comparing with older dictionaries. Such a process would never end.

Derrida describes the task of deconstruction as the identification of metaphysics of presence, or logocentrism in western philosophy. Metaphysics of presence is the desire for immediate access to meaning, the privileging of presence over absence. This means that there is an assumed bias in certain binary oppositions where one side is placed in a position over another, such as good over bad, speech over the written word, male over female. Derrida writes,

To Derrida, the central bias of logocentrism was the now being placed as more important than the future or past. This argument is largely based on the earlier work of Heidegger, who, in Being and Time, claimed that the theoretical attitude of pure presence is parasitical upon a more originary involvement with the world in concepts such as ready-to-hand and being-with.[29]

Derrida is careful to avoid this term [method] because it carries connotations of a procedural form of judgement. A thinker with a method has already decided how to proceed, is unable to give him or herself up to the matter of thought in hand, is a functionary of the criteria which structure his or her conceptual gestures. For Derrida [...] this is irresponsibility itself. Thus, to talk of a method in relation to deconstruction, especially regarding its ethico-political implications, would appear to go directly against the current of Derrida's philosophical adventure.[31]

Beardsworth here explains that it would be irresponsible to undertake a deconstruction with a complete set of rules that need only be applied as a method to the object of deconstruction, because this understanding would reduce deconstruction to a thesis of the reader that the text is then made to fit. This would be an irresponsible act of reading, because it becomes a prejudicial procedure that only finds what it sets out to find.

The popularity of the term deconstruction, combined with the technical difficulty of Derrida's primary material on deconstruction and his reluctance to elaborate his understanding of the term, has meant that many secondary sources have attempted to give a more straightforward explanation than Derrida himself ever attempted. Secondary definitions are therefore an interpretation of deconstruction by the person offering them rather than a summary of Derrida's actual position.

"to show that things - texts, institutions, traditions, societies, beliefs, and practices of whatever size and sort you need - do not have definable meanings and determinable missions, that they are always more than any mission would impose, that they exceed the boundaries they currently occupy"[36]

"While in a sense it is impossibly difficult to define, the impossibility has less to do with the adoption of a position or the assertion of a choice on deconstruction's part than with the impossibility of every 'is' as such. Deconstruction begins, as it were, from a refusal of the authority or determining power of every 'is', or simply from a refusal of authority in general. While such refusal may indeed count as a position, it is not the case that deconstruction holds this as a sort of 'preference' ".[37][page needed]

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