Milton Opus 3

[Athenasby Regalado]

Miltonachieved fame and recognition during his lifetime; his celebrated Areopagitica (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words (coined from Latin and Ancient Greek) to the English language. He was the first modern writer to employ unrhymed verse outside of the theatre or translations.

Milton is described as the "greatest English author" by his biographer William Hayley,[3] and he remains generally regarded "as one of the preeminent writers in the English language",[4] though critical reception has oscillated in the centuries since his death, often on account of his republicanism. Samuel Johnson praised Paradise Lost as "a poem which ... with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind", though he (a Tory) described Milton's politics as those of an "acrimonious and surly republican".[5] Milton was revered by poets such as William Blake, William Wordsworth, and Thomas Hardy.

Phases of Milton's life parallel the major historical and political divisions in Stuart England at the time. In his early years, Milton studied at Christ's College, Cambridge, and then travelled, wrote poetry mostly for private circulation, and launched a career as pamphleteer and publicist under Charles I's increasingly autocratic rule and Britain's breakdown into constitutional confusion and ultimately civil war. While once considered dangerously radical and heretical, Milton contributed to a seismic shift in accepted public opinions during his life that ultimately elevated him to public office in England. The Restoration of 1660 and his loss of vision later deprived Milton much of his public platform, but he used the period to develop many of his major works.

Milton's views developed from extensive reading, travel, and experience that began with his days as a student at Cambridge in the 1620s and continued through the English Civil War, which started in 1642 and continued until 1651.[6] By the time of his death in 1674, Milton was impoverished and on the margins of English intellectual life but famous throughout Europe and unrepentant for political choices that placed him at odds with governing authorities.

The prosperity of Milton's father allowed his eldest son to obtain a private tutor, Thomas Young, a Scottish Presbyterian with an MA from the University of St Andrews. Young's influence also served as the poet's introduction to religious radicalism.[10] After Young's tutorship, Milton attended St Paul's School in London, where he began the study of Latin and Greek; the classical languages left an imprint on both his poetry and prose in English (he also wrote in Latin and Italian).

In 1625, Milton gained entry to Christ's College at the University of Cambridge, where he graduated with a BA in 1629,[12] ranking fourth of 24 honours graduates that year in the University of Cambridge.[13] Preparing, at that time, to become an Anglican priest, he stayed on at Cambridge where he received his MA on 3 July 1632.

Milton may have been rusticated (suspended) in his first year at Cambridge for quarrelling with his tutor, Bishop William Chappell. He was certainly at home in London in the Lent Term 1626; there he wrote Elegia Prima, his first Latin elegy, to Charles Diodati, a friend from St Paul's. Based on remarks of John Aubrey, Chappell "whipt" Milton.[11] This story is now disputed, though certainly Milton disliked Chappell.[14] Historian Christopher Hill notes that Milton was apparently rusticated, and that the differences between Chappell and Milton may have been either religious or personal.[15] It is also possible that, like Isaac Newton four decades later, Milton was sent home from Cambridge because of the plague, which impacted Cambridge significantly in 1625.

At Cambridge, Milton was on good terms with Edward King; he later dedicated "Lycidas" to him. Milton also befriended theologian Roger Williams, tutoring Williams in Hebrew in exchange for lessons in Dutch.[16] Despite developing a reputation for poetic skill and general erudition, Milton suffered from alienation among his peers during his time at Cambridge. Having once watched his fellow students attempting comedy upon the college stage, he later observed, "they thought themselves gallant men, and I thought them fools".[17]

Milton also was disdainful of the university curriculum, which consisted of stilted formal debates conducted in Latin on abstruse topics. His own corpus is not devoid of humour, notably his sixth prolusion and his epitaphs on the death of Thomas Hobson. While at Cambridge, he wrote a number of his well-known shorter English poems, including "On the Morning of Christ's Nativity", "Epitaph on the admirable Dramaticke Poet, W. Shakespeare" (his first poem to appear in print), L'Allegro, and Il Penseroso.

It appears in all his writings that he had the usual concomitant of great abilities, a lofty and steady confidence in himself, perhaps not without some contempt of others; for scarcely any man ever wrote so much, and praised so few. Of his praise he was very frugal; as he set its value high, and considered his mention of a name as a security against the waste of time, and a certain preservative from oblivion.[18]

After receiving his MA, Milton moved to Hammersmith, his father's new home since the previous year. He also lived at Horton, Berkshire, from 1635 and undertook six years of self-directed private study. Hill argues that this was not retreat into a rural idyll; Hammersmith was then a "suburban village" falling into the orbit of London, and even Horton was becoming deforested and suffered from the plague.[19] He read both ancient and modern works of theology, philosophy, history, politics, literature, and science in preparation for a prospective poetical career. Milton's intellectual development can be charted via entries in his commonplace book (like a scrapbook), now in the British Library. As a result of such intensive study, Milton is considered to be among the most learned of all English poets. In addition to his years of private study, Milton had command of Latin, Greek, Hebrew, French, Spanish, and Italian from his school and undergraduate days; he also added Old English to his linguistic repertoire in the 1650s while researching his History of Britain, and probably acquired proficiency in Dutch soon after.[20]

Milton continued to write poetry during this period of study; his Arcades and Comus were both commissioned for masques composed for noble patrons, connections of the Egerton family, and performed in 1632 and 1634 respectively. Comus argues for the virtuousness of temperance and chastity. He contributed his pastoral elegy Lycidas to a memorial collection for one of his fellow-students at Cambridge. Drafts of these poems are preserved in Milton's poetry notebook, known as the Trinity Manuscript, because it is now kept at Trinity College, Cambridge.

In May 1638, accompanied by a manservant, Milton embarked upon a tour of France and Italy for 15 months that lasted until July or August 1639.[21] His travels supplemented his study with new and direct experience of artistic and religious traditions, especially Roman Catholicism. He met famous theorists and intellectuals of the time and was able to display his poetic skills. For specific details of what happened within Milton's "grand tour", there appears to be just one primary source: Milton's own Defensio Secunda. There are other records, including some letters and some references in his other prose tracts, but the bulk of the information about the tour comes from a work that, according to Barbara Lewalski, "was not intended as autobiography but as rhetoric, designed to emphasise his sterling reputation with the learned of Europe."[22]

He first went to Calais and then on to Paris, riding horseback, with a letter from diplomat Henry Wotton to ambassador John Scudamore. Through Scudamore, Milton met Hugo Grotius, a Dutch law philosopher, playwright, and poet. Milton left France soon after this meeting. He travelled south from Nice to Genoa, and then to Livorno and Pisa. He reached Florence in July 1638. While there, Milton enjoyed many of the sites and structures of the city. His candour of manner and erudite neo-Latin poetry earned him friends in Florentine intellectual circles, and he met the astronomer Galileo who was under house arrest at Arcetri, as well as others.[23] Milton probably visited the Florentine Academy and the Accademia della Crusca along with smaller academies in the area, including the Apatisti and the Svogliati.

Originally, Milton wanted to leave Naples in order to travel to Sicily and then on to Greece, but he returned to England during the summer of 1639 because of what he claimed in Defensio Secunda[28] were "sad tidings of civil war in England."[29] Matters became more complicated when Milton received word that his childhood friend Diodati had died. Milton in fact stayed another seven months on the continent and spent time at Geneva with Diodati's uncle after he returned to Rome. In Defensio Secunda, Milton proclaimed that he was warned against a return to Rome because of his frankness about religion, but he stayed in the city for two months and was able to experience Carnival and meet Lukas Holste, a Vatican librarian who guided Milton through its collection. He was introduced to Cardinal Francesco Barberini who invited Milton to an opera hosted by the Cardinal. Around March, Milton travelled once again to Florence, staying there for two months, attending further meetings of the academies, and spending time with friends. After leaving Florence, he travelled through Lucca, Bologna, and Ferrara before coming to Venice. In Venice, Milton was exposed to a model of Republicanism, later important in his political writings, but he soon found another model when he travelled to Geneva. From Switzerland, Milton travelled to Paris and then to Calais before finally arriving back in England in either July or August 1639.[30]

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