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Honestly if fit correctly a standard E6 (Single Ear) should be pretty dang stable with just standard wire clips/tape behind the ear. I despise taping ot the face and if fit correctly it shouldn't be needed. In rare circumstances I use a little spirit gum on particularly sweaty dancers or people that go through intense fight choreography, but that is as close as I get usually. The same holds true for most ear rig mics I have used.If this mic is dedicated to a single person though, make sure you get the standard E6 and not the E6i (Flexible) as the latter will bend out of shape much easier.
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I have tried several single-sided "ear-set" mics over the years (E6, Shure MX153, Point Source Audio, Microphone Madness, cheap Amazon stuff) and I have *never* been able to find a fitment I regarded as secure for use in musical theater. They're either uncomfortable for the actor, so they fiddle with them, and then they fall off, or they just fall off anyway.I guess I'm just doing it wrong... :(Loose B3s or PSM-Ls on the cheekbone and three pieces of Transpore for the win.
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I have both e6s and MM-PSMs in my inventory, and there's no comparison when it comes to stability or rigidity. The ear loop and the boom of the e6 is much more rigid than the PSM and makes for a much more comfortable and reliable fit.My student performers get the MM-PSMs, but my boss gets an e6 ;)
But with just a careless touch, it loosened right up.