All Media Fixer 2008 Pro Crack
Osoulo Lejeune
Fixers may primarily use legal means, such as lawsuits and payoffs, to accomplish their ends, or they may carry out unlawful activities. The White House Plumbers have been described as fixers for Richard Nixon; their methods included break-ins and burglary.[3] Fixers who specialize in disposing of evidence or bodies are called "cleaners",[4] like the character of Victor "The Cleaner" in the film La Femme Nikita, or the fictional Jonathan Quinn, subject of the Brett Battles novel The Cleaner.[5]
In Britain, a fixer is a commercial consultant for business improvement, whereas in an American context a fixer is often an associate of a powerful person who carries out difficult, undercover, or stealth actions, or extricates a client out of personal or legal trouble.[1][6] A fixer may freelance, like Judy Smith, a well-known American public relations "crisis consultant" whose career provided inspiration for the popular 2012 television series Scandal.[7] More commonly a fixer works for a single employer, under a title such as "attorney" or "bodyguard", which does not typically describe the kinds of services that they provide.
In sport, when a match fixer arranges a preordained outcome of a sporting or athletic contest, the motivation is often gambling, and the fixer is often employed by organized crime. In the Black Sox Scandal, for instance, Major League Baseball players became involved with a gambling syndicate and agreed to lose the 1919 World Series in exchange for payoffs.[8] In another example, in 1975, Boston mobster Anthony "Fat Tony" Ciulla of the Winter Hill Gang was identified as the fixer who routinely bribed jockeys to throw horse races.[9][10] Other insiders may also be fixers, as in the case of veterinarian Mark Gerard, who, in September 1978, was convicted of fraud for "masterminding a horse-racing scandal that involved switching two thoroughbreds" so that he could cash in on a long-shot bet.[9]
In journalism, a fixer is someone, often a local journalist, hired by a foreign correspondent or a media company to help arrange a story. Fixers will most often act as translators and guides, and will help to arrange local interviews that the correspondent would not otherwise have access to. They help to collect information for the story and sometimes play a crucial role in the outcome.[11] Fixers are rarely credited, and often put themselves in danger, especially in regimes where they might face consequences from an oppressive government for exposing iniquities the state may want to censor.[12][13]
A map based on publicly accessible research data shows a visual representation of data collected from various studies conducted on both fixers and their journalist counterparts from over 70 countries. Gathered from the Global Reporting Centre, the survey demographic map had 132 respondents from North America, 101 from Europe, 23 from South America, Africa and Eurasia, 63 from Asia and 9 from Australia.[15]
We both worked for the same news outlet. She, as a staff journalist based in Europe, me as a freelance correspondent and occasional fixer, based in the Philippines. We were both reporters but why was the way she said fixer loaded with rebuke and condescension?
"Fixer: In journalism, a fixer is a local person who helps a journalist working in a foreign country, often arranging interviews, translating documents, interpreting interviews, offering in-country expertise, and serving as a go-between or cultural ambassador to a community. Some consider the term demeaning or not properly respectful of the skills required for the job. The Pulitzer Center, for example, now uses the term local reporting partner. Other media outlets use terms like local correspondent or local journalist."
Heavily influenced by US and Israeli diplomatic efforts, Latin American media predominantly aligns with and amplifies the Israeli perspective. This divergence between political actions and media representation highlights the complex dynamics shaping Latin American coverage of the Gaza conflict.
The German media's coverage of the Gaza conflict has been criticized for being biased, presenting a distorted view of the conflict, focusing only on the Israeli perspective, and downplaying the suffering of Palestinians. This biased reporting undermines the media's role as an objective source of information and fails to provide a balanced view of the conflict.
"I didn't decide to become a fixer," smiles Roman Sumko, "the profession decided for me." Sumko is one of countless media workers in Ukraine who, without journalism training, play an integral and irreplaceable role in war reporting.
"I worked as a producer for 15 years before the war," Sumko told DW Akademie. In his career, he was mainly responsible for technical operations behind media productions. Yet Russia's invasion a year ago turned his life, like that of most Ukrainians, upside down.
"Fixer" is a term used in the media industry to describe local media workers who are hired by foreign journalists to help them with their work. They usually speak English well (or another foreign language) but are not trained journalists, meaning they have not learned research techniques, professional ethics or journalistic formats, for example. Thus, fixers always work in tandem and rarely produce their own content.
In the war in Ukraine, they are often the ones who make reporting possible for foreign media in the first place. Their local knowledge of the language and locations is vital in a conflict of this complexity.
"To be honest, I didn't even know what a fixer was, much less how they worked," said Boris Shelagurov, who now also works as a fixer. "I speak English well and have basic military training. I wanted to serve my country as best I could and help in the information war against Russian aggression," he explained.
"The work is very mentally demanding. The most difficult thing for me is the responsibility I bear. It's not only my own life that's at stake but also that of the international media professionals I'm traveling with within the region. It's a big burden," Sumko said.
It is difficult to say how many people are currently working as fixers in Ukraine, according to Natalia Kurdiukova, an employee of the Kharkiv Media Hub, a partner of DW Akademie. "The number of fixers has increased sharply since the beginning of the active phase of the Russian war of aggression," Kurdiukova said. Yet she went on to explain that despite all the risks, the profession offers an opportunity to enter the media industry. She added that the possibility of working with foreign journalists is also attractive.
DW Akademie has recognized the importance of fixers in reporting on the war in Ukraine and, together with the Kharkiv Media Hub, has developed a project to specifically support them. It aims to help fixers work more effectively while developing professionally into media workers who will also be in demand after the war.
Kurdiukova and her team want to move away from the idea that fixers merely assist media professionals. She believes that fixers should also be able to produce stories themselves from the field on request. To do this, they need, among other things, a clear understanding of the rules of journalism and professional ethics, tools for risk assessment and knowledge of the national, social and historical characteristics of certain areas.
The fixer training consists of a total of two training blocks, held online and face-to-face. Participants learn media skills and crisis information policy in war zones, along with the basics, ethics and standards of journalism. Beyond producing and searching for topics and stories, the legal aspects of a reporter's work in Ukraine are of particular importance for the participants.
The plan, she says, is to hold the next module with several participants outside Kharkiv. "At the moment we are thinking about how to organize it. We have planned a lot of practical exercises, and first aid and medical care in particular are difficult to practice in an online seminar," Kurdiukova says. So far, 15 fixers have completed the program; the goal is to have 28-30 in total.
DW Akademie supports qualification measures for fixers in Ukraine with funds from the German Federal Ministry for Economic Cooperation and Development (BMZ) from the Global Crisis Initiative II (GKI II) program. DW Akademie also helped the Kharkiv Media Hub conceptually in close exchange to prepare and implement the training measures. This helps to improve reporting on the war in Ukraine and to develop Ukrainian media workers professionally.
Shelagurov and Sumko are optimistic about their positions as fixers. "The work is very emotional and often swings from one extreme to the other. When things go bad for me, the people who firmly believe in Ukraine and in its victory always motivate me to keep going," says Sumko. "For me, it's not about money or prestige from a job in the media. It's important for me to honestly reflect on what the reality of the war in Ukraine is."
While safety was foremost for correspondents, a larger concern for fixers was money. Our survey found the rate for fixers ranges from $50 to $400 per day, with far more correspondents than fixers saying payment amounts and policies were fair.
Only one of the fixers we interviewed acknowledged working for the government, and apart from addressing language, most did not reference their ethnic affiliations. However, interviews with reporters indicated that many correspondents are keenly aware of those affiliations.
Dr. Shayna Plaut is the research manager for the Global Reporting Centre and teaches at the University of Winnipeg. Her area of research focuses on media, human rights, power and social change, with a focus on people who do not fit well within the traditional nation-state.
A fixer is someone who offers assistance to foreign journalists who are trying to get a story. Fixers use their local experience and contacts to smooth the way for their employers, and many receive a high rate of pay, especially when compared to locally available wages. For traveling journalists, fixers are crucial, because without a fixer, it can be very difficult to get a story or to connect with the people of a country.
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