Contemporary Literature Book
Narcisa Flierl
Contemporary literature is literature which is generally set after World War II and coincident with contemporary history.[citation needed] Subgenres of contemporary literature include contemporary romance and others.
Literary movements are always contemporary to the writer discussing the work of their day. Here what have been recently "contemporary" are listed by decade. The list should not be assumed to be comprehensive.
Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. Contemporary Literature published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; it also helped to introduce Kazuo Ishiguro, Eavan Boland, and J. M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, Contemporary Literature features the full diversity of critical practices. The editors seek articles that frame their analysis of texts within larger literary historical, theoretical, or cultural debates.
Some back issues of Contemporary Literature are available online as part of a paid subscription. Anyone may view TOC's, abstracts, and a sample issue for free at cl.uwpress.org. Access may also be purchased on a limited term basis for a specific article or issue.
Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. Contemporary Literature published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; it also helped to introduce Kazuo Ishiguro, Eavan Boland, and J. M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, Contemporary Literature features the full diversity of critical practices. The editors seek articles that frame their analysis of texts within larger literary historical, theoretical, or cultural debates.
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Throughout my ten years at Parker, I have been exposed to many great voices in literature, but the ones from which I have found the most personal growth are works of contemporary literature. They are a reflection of our current world and, therefore, provide for a multidisciplinary study of the text. Contemporary literature often begs for a discourse that is sociological in nature. In contemporary literature, the words truly transcend the page, leaving the reader with a practical use for the text and room to reflect on its current-day impact.
Classic literature illuminates our past and present and paves the way to our future. Without it, we would lose valuable aspects of literature, such as deciphering language, applying archetypes and tropes, and exploring societal shifts throughout time.
Contemporary literature is a vast group of written works produced from a specific time in history through the current age. This literary era defines a time period, but it also describes a particular style and quality of writing. Some see this period as an extension of postmodern literature, but most refer to it as a literary era of its own.
Although there are a few disagreements about the beginning of this literary period, the biggest dispute surrounds what qualifies a written work as literature. The word refers to both poetry and prose, where prose includes works of fiction such as novels and novellas, essays, and dramatic works. This term also refers to the quality of writing. In order to be considered literature, a written work must uphold the highest writing standards and contain a particular beauty and style. Many literary works become socially relevant and have the power to influence the public.
Much of contemporary literature comes from Western authors; however, the term is not synonymous with English or American literature, and this literary period can apply to written works from anywhere in the world. In fact, globalization opened the door to include contemporary works written by many literary figures in the Middle East, Africa, and Asia.
Genres included in this literary period span a variety of writing forms in addition to novels and poetry. Flash fiction, short stories, slam poetry, plays, memoirs, and autobiographies can all be included in this category. Nonfiction is usually not classified as literature, but this era sometimes includes works of creative nonfiction, which tell a true story using literary techniques.
Typical characteristics of the contemporary period include reality-based stories with strong characters and a believable story. Settings usually keep to the current or modern era, so futuristic and science fiction novels are rarely included in this category. Well-defined, realistic, and highly developed characters are important in classifying a written work as contemporary, and most writing in this category features stories that are more character driven than plot driven.
Contemporary literature features a somewhat modern narrative, but it also contains a harsher reality. Contemporary written works tend to be influenced by the prosperous lifestyle that followed WWII, but this literary class is rooted in the devastation that war brought to the world. A new reality blossomed in the post-war mind, and it included a personal cynicism, disillusionment, and frustration that is common to this literary period.
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Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. Contemporary Literature published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; it also helped to introduce Kazuo Ishiguro, Eavan Boland, and J. M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, Contemporary Literature features the full diversity of critical practices. The editors seek articles that frame their analysis of texts within larger literary historical, theoretical, or cultural debates.
In contrast to the predictable plot, I now need to see a chiropractor from the amount of whiplash I experienced in regard to the whirlwind characters and their motives. Even Violet, the first-person narrator of the novel, swiftly changes from one attitude to another with very little reasoning.
I have just recently finished reading this. I stumbled upon it without knowing the popularity of it caused on Tik Tok. I found it to be a fun read, and I am on the wait-list for the second book in the series. Yes, very predictable plots but I generally liked it. Nice story with a good girls win vibe. When I want unpredictable I will go back to some Koontz.
I, too, agree. Not every reader has a lit degree and for those new to reading, this book is a fantastic door-opener to more dense reads that require depth and understanding at this level. I have a lit degree and while I love books like that, I loved the escape I had with Fourth Wing. Not every book we enjoy has to be from the Canon or at a level that all ages cannot enjoy.
Clearly, you possess intelligence aplenty. Imagine the positive impact you could make if you redirected your energy away from hurling frustrations and negative opinions, and instead channeled it towards something constructive for the world.
Why not write a book infused with the depth you believe is lacking? Lift up an author whose work you genuinely admire. Offer shoutouts and recommendations for others to discover and enjoy great literature
I have yet to read the series but it sounds like your just not into this type of book. I mean not every genre is everyones cip of tea. However instead of dragging the book you could have given a different type of criticism im sure they are plenty as is with any book. I personally dont mi d the cliches in romance type books i like to get lost in the story most books have some level of cliches and predictability especially with romance ya types
While I agree that the book is predictable and the writing can be subpar, it was still fun. Which is, for me as a fan of fantasy, the whole point of reading. And if books like this are a gateway to a lifelong love of reading, then I am all about it. My hope is that it eventually leads them to better reads that have more depth, but in their own time.
While I disliked a lot in the first book, the only one I read so far, the main problem i have is the author could only make the MC and love interest seem smart by reducing every other person to a sub sentient drooling imbecile.
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