I Frankenstein 2 Trailer

[Janita Locklin]

Ourtrailer hitch works on all Harley Davidson models with a short stock rear fender except FatBoy, Heritage, Deluxe, FLT/FLH Touring models. The trailer hitch would be behind the stock FL rear fender.

There are a lot of genre movies we're already looking forward to in 2024, and at the moment, Lisa Frankenstein is near the top of the list. With a great roster of talent behind it, a wonderful dark comedy concept, and a blend of warmth and irreverence, it's exactly the kind of movie we're ready to see. Oh, and if you love nostalgia vibes, it's also got that '80s movie feeling, and lots of it.

Written by Diablo Cody (Juno, Jennifer's Body) and directed by Zelda Williams in her feature directorial debut, the film follows Lisa (Kathryn Newton), a weird teenager who doesn't fit in for a lot of reasons, including her taste in men. See, Lisa has a crush, but her crush happens to be on a Victorian man who's buried in a local cemetery. She visits him, talks to the handsome statue that marks his grave, and dreams of what their life might be like together. Then, a lightning strike unexpectedly reanimates the man (Cole Sprouse), making Lisa's dreams seemingly come true.

But as the trailer below points out, there's a big problem: He's still, you know, a dead body, with all the rot and smell and missing body parts that go along with that condition. So, to try to build the romance she really wants, Lisa sets out with her boyfriend to collect all the missing parts he needs... even if they have to kill a few classmates along the way.

Like we said, it's a delightfully wicked concept, and it's enhanced by the 1980s setting, which the new trailer really embraces with shots that call to mind everything from Stand by Me to Sixteen Candles to Beetlejuice.

The movie's overall hook and the promise of watching Newton and Sprouse play out an unconventional romance is reason enough to be excited about this movie, but it'll also be very interesting to see how Cody's script, and Williams' direction, play with the '80s movie as a kind of tonal linchpin here. Speaking to Empire about the film, Williams said that the '80s tones were always not just part of the story, but very integral to it.

"It absolutely started on the page," Williams said. "I remember [Diablo] put in the script how many seashells were in [Lisa's] house. So I embarked on it that way. A lot of movies don't go full kitsch; they tend to hold back and be based on our reality of the '80s. I was like 'No. The things that people have one of? I want ten of them.' I fell down a rabbit hole on eBay finding those silly fiber optic lamps. So that was the starting point. Seashells and fiber optic lamps."

It's clear that there's a vibe at work that's distinctly a part of the irreverent teen comedies of that period, and something about it seems to go hand in hand with the more morbid notes in the story. Plus, you know it's gonna have a killer soundtrack.

"She's slaying, He's decaying." Arriving in theaters for Valentine's Day. Focus Features has unveiled their main official trailer for a dark horror comedy titled Lisa Frankenstein. The first teaser from last October was pretty good, this full trailer is even better with more jokes. This is from a new script written by Diablo Cody, directed by the newcomer Zelda Williams. Set in 1989, an unpopular high school girl named Lisa accidentally re-animates a handsome Victorian corpse during a lightning storm and starts to rebuild him into the man of her dreams by using the broken tanning bed in her garage. Yet another spunky new take on Frankenstein, after Birth/Rebirth and The Angry Black Girl & Her Monster last year. Kathryn Newton co-stars as Lisa, with Cole Sprouse as her monster, plus Carla Gugino, Liza Soberano, Joe Chrest, and Henry Eikenberry. This looks like wicked, twisted fun! I really dig the neon colors and vintage vibe.

A coming of RAGE love story from the acclaimed writer Diablo Cody about a misunderstood teenager (Kathryn Newton) and her high school crush, who just so happens to be a handsome corpse. After a set of playfully horrific circumstances bring him back to life, they embark on a murderous journey to find love, happiness... and a few missing body parts along the way. Lisa Frankenstein is directed by the producer / actress / filmmaker Zelda Williams, daughter of actor Robin Williams, now making her feature directorial debut with this film after many short films & other projects previously. The screenplay is written by Diablo Cody (Juno, Jennifer's Body, Young Adult, Paradise, Ricki and the Flash, Tully). Produced by Diablo Cody and Mason Novick. Focus Features will debut Williams & Cody's Lisa Frankenstein in theaters nationwide starting February 9th, 2024, just before Valentine's Day, coming up soon. Who's planning to watch this?

Three-time Oscar-nominated filmmaker Yorgos Lanthimos (The Lobster and The Favourite) puts an idiosyncratic spin on the story of Frankenstein's monster in Poor Things, a Victorian fantasy in which Emma Stone (herself a three-time Oscar nominee who won Best Actress for her performance in La La Land) plays a young woman brought back to life and unleashed upon the world.

In Poor Things, Bella Baxter (Stone) is reanimated by a mad scientist, Dr. Godwin Baxter (Willem Dafoe). Newly re-alive, Bella runs off with the debauched Duncan Wedderburn (Mark Ruffalo) to discover her purpose in life, along the way meeting a color cast of characters played by Ramy Youssef, Jerrod Carmichael, Christopher Abbott, and Margaret Qualley.

Searchlight Pictures also released an extended look trailer in which Stone says, "I wanted to play Bella because it felt like acceptance of what it is to be a woman, to be free, to be scared and brave."

The new trailer for Lisa Frankenstein offers up all you could want from the comedy-leaning romance horror: splashes of blood, resurrected, rotting Romeos, and a first look at Carla Gugino's character.

Described as a "coming of rage story" that puts a kooky teenage spin on Mary Shelley's 1818 novel and Universal's 1931 adaptation, it centers on Lisa (Marvel's Kathryn Newton), who spends her days journaling and daydreaming about the young man whose anonymous tombstone takes pride of place in her local cemetery.

Lisa's lackluster life gets turned upside down, though, when her cadaver crush inexplicably returns from the dead, and she sets about trying to teach him how to be the perfect boyfriend. Soon, the lovers embark on a twisted joint mission: to rid Lisa's town of all its "bad people", all while collecting fresh body parts to restore The Creature (Cole Sprouse) back to his former glory.

Gugino, who most recently appeared in Mike Flanagan's Netflix series The Fall of the House, shows up around the 1:20 mark in the flick's latest featurette, which you can watch above. It seems as if she's playing Lisa's aerobics-loving stepmother, who isn't so fond of the ghoulish guy her partner's "psycho" daughter keeps having over.

"I have something called aphantasia [the inability to create mental imagery] so I need visual references," Williams told Total Film in a recent interview, when asked about her genre and '80s influences. That meant creating a lookbook when she was initially approached about the project, which wound up being crammed with references to A Nightmare on Elm Street, Tie Me Up! Tie Me Down!, and An American Werewolf in London. "I loved how they played such gory horror visual effects for comedy," she says of John Landis' 1981 hit. "I wanted to approach that with Creature where you could make something gruesome without it being scary."

Lisa Frankenstein releases on February 9, just in time for Valentine's Day. Meanwhile in the UK, it will hit cinemas on 1 March. For more, check out our guide to the most exciting upcoming horror movies heading our way.

Daniel Radcliffe has done a lot to distance himself from Harry Potter since the movies wrapped in 2011. In the upcoming film Victor Frankenstein, both Radcliffe and his hair have grown. In fact, when watching the Victor Frankenstein movie trailer, that hair was basically all I could focus on around, you know, the awesomeness of the movie. It was just such a new and different look for Radcliffe that it did a lot to help me see past the Harry Potter of it all and submerge me in his latest film role.

While it looks like a sensitive, impassioned performance by Radcliffe as Igor Strausman, from the top of my head I can think of only one thing that popped out to me: the top of his head. Check out the trailer, and the moments that his hair stood out.

Script and Images:

After having the initial script, I gave the story a boost to make the storytelling cooler and more engaging. Then, I used ChatGPT again to give me ideas for images for the trailer. I adjusted the suggestions to make everything more cohesive and creative.

Creating the imagery:

To generate the images in Midjourney , I needed to create detailed descriptions of each scene. Once again, ChatGPT gave me a hand, but I had to get my hands dirty to define camera angles, language and visual inspirations, all so that the images would match each other and to create a impactful storytelling.

Editing and Post:

In Adobe Premiere, I put all the pieces together, adjusted the pace, added music and sound effects from Envato Elements and finalized with some post-production details, such as camera movements, lighting effects and credits.

Thoughts:

AI tools are still in their infancy in terms of movement options, (waiting for SORA) but even so the final result of the trailer made me happy. I was able to achieve the impact I wanted and was satisfied with the final work.

AI Experience:

I have been working with artificial intelligence tools for over a year, always testing new possibilities and seeking to bring projects like this to life. This trailer is an example of the potential of AI for visual content creation.

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