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Dignity is the fourth studio album by American recording artist Hilary Duff. It was released on March 21, 2007, by Hollywood Records. After launching her third studio album Hilary Duff (2004), she experienced an eventful personal life, including a stalking incident, her parents getting divorced and her breakup with her boyfriend Joel Madden after two years of dating. Consequently, Duff assumed an integral position in its production, co-writing almost every track with longtime collaborator Kara DioGuardi instead of her previously-limited involvement.
In contrast to the pop-rock themes of her prior releases, Dignity takes on more of a dance and electropop sound, which she said was not her intention while writing the album. The lyrics reference the events Duff experienced in the years leading to the album's release, and the album's songs contain influences of rock and hip-hop music.
Critical response was mostly positive; the album was praised for its songwriting and her new musical direction. Upon release, Dignity debuted at number three on the US Billboard 200. This was a lower peak than Duff's previous albums and the album had lower sales, which Billboard attributed to the loss of fans during her musical evolution. Despite this, it produced Duff's highest-peaking single on the US Billboard Hot 100 to date, "With Love", which peaked at number twenty-four. The song also topped the US Dance Club Songs chart, as did her subsequent single from the album, "Stranger". The album reached the top ten in several countries and was certified Gold in the United States by the Recording Industry Association of America (RIAA). To promote the album, Duff embarked on her fourth concert tour, the Dignity Tour, between July 2007 and February 2008.
Duff's previous studio album, the self-titled Hilary Duff (2004), received generally negative reviews.[1][2] The album peaked at number two on the Billboard 200, and its commercial performance was still successful: it exited the chart after 33 weeks and sold 1.8 million copies in the United States.[3][4]
Between the releases of Hilary Duff and Dignity, Duff's personal life was eventful. In October 2006, she and her boyfriend at the time, Joel Madden of punk rock band Good Charlotte, claimed that they were being stalked by Russian emigre Maksim Miakovsky and his roommate, paparazzo David Joseph Klein.[5] According to a restraining order filed by Duff, Miakovsky came to the United States solely to pursue a relationship with her. He was later arrested after threatening to kill her.[6] In November, she ended her two-year relationship with Madden.[7] Around the same time, her parents Robert and Susan separated after 22 years of marriage following an affair between Robert and another woman.[7][8]
Duff explained of the album's title, "I'm older and more mature now than I was when I made my last record, but I don't think I know it all. Having dignity is something you work on your whole life, in how you treat people and how you treat yourself. I hope I always strive to have it."[9] She continued, "It's not something that you can be given or that you can just get or that you're born with. It's something that you have to work on."[10]She stated that with Dignity, her increased songwriting output was a breakthrough for her. "That hadn't really been part of my process on previous records, except here and there. It was important this time," she said.[9] She co-wrote all of the album's songs, with the exception of "Outside of You", written by Pink, Chantal Kreviazuk and Raine Maida. In an interview, Maida stated that the song was written for a Pink album but did not make the final cut. When Duff expressed interest in the song, she recorded it.[11] Duff explained of her writing process:[12]
Much of Dignity was written in Duff's own home, as she felt "comfortable and free" there.[13] She said that she knew from the beginning that she wanted to write the album with the assistance of songwriter and producer Kara DioGuardi, due to their previous work history on songs such as "Come Clean" and "Fly".[13] Another reason that Duff wished to work with her was that she found her lyrics were complemented by DioGuardi's melodies. She added, "I helped with the melodies, but that's not my strongest suit. Coming up with the lyrics was mainly [what I did]. I'd tell her this is how I want it to go, and she would help with the lyrics, too, sometimes. She'd say, 'This doesn't really fit,' and if I was adamant, we'd make it work."[9]
As inspiration for the album, Duff cited indie rock band the Faint and pop singers such as Gwen Stefani and Beyonc,[9] while critics compared her musical style with Stefani, Janet Jackson, Depeche Mode, Madonna and Justin Timberlake.[4][14][15] Duff felt that the album's dance-pop themes were a deviation from the pop rock of her previous albums. "I didn't necessarily plan the album to sound like this, but it was so easy to write to," she said.[16] Critics have noted that Dignity's musical style is dance-pop and electropop, with influences of hip hop, rock and roll and Middle Eastern music.[17][18][19][20] According to Duff, the album is a combination of dance, electro and rock music.[10]
To promote the album's release, Duff "worked tirelessly with the whole Hollywood Records staff to market [the] record."[28] On the day of the album's release, April 3, MTV began airing the two-part documentary special, Hilary Duff: This Is Now. The documentary followed Duff as she prepared for the release of Dignity by attending photoshoots, interviews, wardrobe fittings, rehearsals and a trip to Europe.[29] In addition, Duff hosted Total Request Live for the week of March 26, made several appearances at retail outlets and on television, and was given massive online coverage on MySpace and Yahoo!.[28]
Accompanying Duff's new musical style, the record label began promoting her with a more mature image.[28] Duff dyed her hair dark and "sexed-up" her image. According to Duff, she wanted to "try new things", but the image change "just happened. It is not like a conscious change. People think it is so different because they have watched me grow up but that is just what happens in life."[30] Entertainment Weekly described Duff's new look as comprising "dark mane, dental veneers, luxe and vampy fashions".[31] In mid-2007, concurrent to the preparation of the radio release of "Stranger", Duff was featured on the July covers of the magazines Us Weekly and Shape in a bikini, and on the August cover of Maxim accompanied by the declaration that she had gone "from the queen of teen to breakout sex symbol".[32] The Associated Press wrote that Duff's more provocative image would help her singles to garner mainstream radio play. Guy Zapoleon, a radio consultant and former programmer for Top 40 radio, explained that "radio has a stigma about playing [Disney] acts, considering them teen and preteen in their appeal", and that Duff's provocative image would "definitely have a positive effect on the attitude of programmers, who are mostly male, as Disney tries to mature her image".[32] A bonus EP containing five bonus remixes was released exclusively to US Walmart stores as a package with the album.[33]
Three singles were released from the album. "Play with Fire" was released as the first single on August 21, 2006 which Duff considered to be a "tease" of Dignity's musical sound. Although she felt it was different from the album's other songs, she saw it as embodying the dance/electro/rock combination of the album, which influenced her decision to release it. Duff opted to release the song well in advance of the album "to give listeners a chance to get into my new sound".[34] Though it failed to chart on the Billboard Hot 100, it charted on the magazine's Hot Dance Club Play chart, peaking at number 34. It was later released as a digital-only single on May 15, 2007 in a remixed form of the original version, with production by Richard Vission.[35][36][37] The second single, "With Love" became her highest-peaking single on the Hot 100 when it reached number 24. The single reached number one on the Hot Dance Club Play chart.[35][38][39][40] The third and final single, "Stranger", peaked at 97 on the Hot 100 and also reached the top of the dance charts.[35]
To further promote the album, Duff embarked on her fourth concert tour, the Dignity Tour. Tickets for most of the leg sold out prior to the show. The tour began in Los Angeles, California on July 28, 2007, and closed in Melbourne, Australia on February 3, 2008. During the tour, Duff premiered a new song, "Reach Out", which was originally intended to be featured on a planned re-release of Dignity. The re-release never came to be, but the song was ultimately released on Duff's greatest hits album Best of Hilary Duff (2008).
Critical response to Dignity was generally positive. The album holds a score of 61/100 on music review website Metacritic, signifying generally favorable reviews.[42] Rolling Stone gave a positive review of the album, feeling that Duff's attempt to make an adult-oriented dance-pop album was successful.[17] About.com gave the album four out of five stars, called Duff "as likeable as ever" and praised the songwriting and production contributions of Richard Vission and will.i.am.[45] Allmusic noted that the album was firmly based on "sturdy, hooky, and memorable" songwriting. The review claimed similarities between Dignity and Justin Timberlake's FutureSex/LoveSounds (2006), noting that Duff was musically fashionable but not a trendsetter.[15] Entertainment Weekly noted that Duff's break-up with Madden brought out her personality, which the magazine felt was lacking in her previous work. The review noted: "She's never sounded less eager to please or more messily human."[19]
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