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Margurite Vizarro

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Aug 2, 2024, 10:45:38 AM8/2/24
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Stranger Things is an American horror television series created by the Duffer Brothers for Netflix. Produced by Monkey Massacre Productions and 21 Laps Entertainment, the first season was released on Netflix on July 15, 2016. The second and third seasons followed in October 2017 and July 2019 respectively, and the fourth season was released in two parts in May and July 2022. The fifth and final season of Stranger Things is expected to be released in 2025.

Set in the 1980s, the series centers around the residents of the fictional small town of Hawkins, Indiana, as they are plagued by a hostile alternate dimension known as the Upside Down, after a nearby human experimentation facility opens a gateway between Earth and the Upside Down. The ensemble cast includes Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine, Noah Schnapp, Sadie Sink, Joe Keery, Dacre Montgomery, Sean Astin, Paul Reiser, Maya Hawke, Priah Ferguson, Brett Gelman, Jamie Campbell Bower, Eduardo Franco, Joseph Quinn, and Amybeth McNulty.

The Duffer Brothers developed Stranger Things as a mix of investigative drama and supernatural elements portrayed with horror and childlike sensibilities, while infusing references to the popular culture of the 1980s. Several thematic and directorial elements were inspired by the works of Steven Spielberg, John Carpenter, David Lynch, Stephen King, Wes Craven and H. P. Lovecraft. They also took inspiration from experiments conducted during the Cold War and conspiracy theories involving secret government programs.

One of Netflix's flagship series, Stranger Things has attracted record viewership on the streaming platform. It has been received positively for its characterization, atmosphere, acting, soundtrack, directing, writing, and homages to 1980s films. It has received numerous nominations and awards. An animated spin-off series, developed by Eric Robles and produced by Flying Bark Productions, is in development.[6]

Stranger Things is set in the fictional rural town of Hawkins, Indiana, in the 1980s. The nearby Hawkins National Laboratory ostensibly performs scientific research for the United States Department of Energy but also secretly experiments with the paranormal and supernatural, sometimes with human test subjects. They have inadvertently created a portal to an alternate dimension they refer to as the Upside Down, whose presence begins to affect the residents of Hawkins in unusual ways.[7][8]

The first season begins in November 1983. Will Byers is abducted by a creature from the Upside Down. His mother, Joyce; the town's police chief, Jim Hopper; and a group of volunteers search for him. A young psychokinetic girl named Eleven escapes from the laboratory and is found by friends of Will. Eleven befriends and assists them in their efforts to find Will.[9]

The second season is set eleven months later, in October 1984. Will has been rescued, but he begins having premonitions of the fall of Hawkins caused by a creature in the Upside Down. When it is discovered that Will is still being possessed by an entity from the Upside Down, his friends and family learn that there is a larger threat to their world.[10]

The third season is set nine months later, in the days leading up to the Fourth of July celebration in 1985. The new Starcourt Mall has become the center of attention for Hawkins residents, putting the majority of other local stores out of business due to the mall's popularity. Hopper becomes increasingly concerned about Eleven and Mike's relationship and becomes very protective of his daughter. Unbeknownst to the town, a secret Soviet laboratory underneath Starcourt seeks to open the gateway to the Upside Down. Meanwhile, the Mind Flayer uses mind control to make Billy do his bidding.[11][12]

Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers,[27] who also serve as showrunners and head writers and direct many of the episodes. They wrote and produced their 2015 film Hidden, in which they emulated the style of M. Night Shyamalan. However, due to changes at Warner Bros., its distributor, it did not see wide release and the Duffers were unsure of their future.[28] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines with Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[29]

The Duffers prepared a script[when?] similar to the series' eventual pilot episode, along with a 20-page pitch book to help shop the series to networks.[30] They pitched the story to about 15[31] cable networks, all of whom felt a plot with children as leading characters wouldn't work and asked the brothers to either make it a children's series or drop the children and focus on Hopper's investigation into the paranormal.[29]

In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited the Duffer Brothers to their office and purchased the rights for the series, giving the brothers full authorship. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed sum,[32] and in April of the same year, the series was announced for a 2016 release.[33]

The Duffer Brothers stated that at the time they pitched to Netflix the company had already been recognized for its original programming in shows such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[30] The brothers started casting and brought Levy and Cohen in as the other executive producers to discuss storylines, with Levy also directing for the show.[34]

The series was originally known as Montauk. The setting was then Montauk, New York, and nearby Long Island locations. Montauk figured into a number of real world conspiracy theories involving secret government experiments.[33][36] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[37] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[37]

With the change in location, they had to come up with a new title for the series under direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance, and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[38]

The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer, and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever".[29]

To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[29] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade in which they were born, as elements of the series,[29][39] crafting it in the realm of science fiction and horror.[40]

Other influences cited by the Duffer Brothers include: Stephen King novels; films produced by Steven Spielberg, John Carpenter, David Lynch, Wes Craven,[41][42][43][44] and Guillermo del Toro;[38] films such as Star Wars, Alien, and Stand by Me;[38][42][45] Japanese anime such as Akira and Elfen Lied;[38][41] and several video games including Silent Hill, Dark Souls and The Last of Us.[46][47][41] The Duffer Brothers believe that they may have brought influences from other works unintentionally, including Beyond the Black Rainbow and D.A.R.Y.L., discovered by reviewing fan feedback on the series.[37] Several websites and publications have found other pop culture references in the series, particularly references to 1980s pop culture.[48][49][50][51] The main villain for the last seasons was inspired by the villains that scared the brothers when they watched the movies and miniseries as children: Freddy Krueger, Pinhead and Pennywise.[52]

With Netflix as the platform, the Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[30] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[53]

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