Beach Party Songs

[Athina Dollison]

Whetheryour happy place is in Kokomo, or on a beach somewhere under the sun, heat things up with our beach party playlist for a little sax on the beach, featuring this Beach Boys classic, and much more.

Muppet Beach Party is a music and comedy record released by The Jim Henson Company through BMG Kidz in 1993. The album consisted of the Muppets having an all-day beach party and performing popular songs, mostly from the 1960s. Similar to The Muppet Show albums from the late 1970s, the album divides song tracks with Muppet dialogue. It was released in CD and cassette form, with the latter including a poster with lyrics on the opposite side.

Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience.[5] This film is often credited with creating the beach party film genre.[6][7][8][9]

Frankie and Dolores are two young lovebirds heading to the beach for what Frankie assumes is a private romantic getaway. However, dissatisfied with her relationship and unwilling to be alone with Frankie, Dolores has invited several of the couple's friends to stay at the beach house with them. Frankie is intensely upset at finding other people at the beach house and feels betrayed that Dolores misled him. Meanwhile, an anthropologist, Professor Robert Orville Sutwell, is staying at the beach house next door, secretly studying the "wild mating habits" of Southern California teenagers who hang out at the beach and speak in strange surfing jargon.

Frankie, on the advice of his friends, decides to begin flirting with Ava, a Hungarian waitress at the local restaurant. Upset by his flirting, Dolores accidentally stumbles into the lap of Eric Von Zipper, the leader of the local outlaw motorcycle club, The Rats. Eric refuses to let Dolores go, despite her repeated direct demands to release her, until professor Sutwell intervenes. Eric threatens Sutwell, but Sutwell uses a secret finger technique to paralyze him, he and Dolores escape.

Dolores develops a crush on the professor. Frankie becomes jealous and escalates the flirting with Ava. Sutwell attempts to develop a professional relationship with Dolores to help him understand the culture of the young surfers; she in turn interprets his professional interest in a sexual and romantic way. Ava develops sincere feelings for Frankie, who is merely using her to make Dolores jealous. Frankie tires of the games, and decides to confess his love to Dolores, who accepts and kisses him; however, when Ava intervenes and says that Frankie also told her that he loves her, Dolores breaks things off with him. Meanwhile, Sutwell's assistant Marianne also has romantic interest in the Professor, who is oblivious to her hints.

Dolores introduces Sutwell to her friends, who tease him and mock him but also inadvertently help him learn to surf. One evening, Frankie goes off alone with Ava, but refuses her physical advances. Meanwhile, Sutwell shaves his beard off at Dolores's request in an attempt to appear younger, and once again remains oblivious to Dolores's romantic advances, instead focusing on his research. Von Zipper and his gang plot to bring down Sutwell, but accidentally sneak into Dolores's room where she is home alone. By chance, Sutwell hears Dolores screaming and again disables Von Zipper. He hugs Dolores to console her, only to be confronted by the surfing teenagers who were also running in to check on the screaming Dolores. They, like his assistant Marianne, assume that there has been sexual contact between Sutwell and Dolores.

After returning to his office, Sutwell finally realizes the feelings that Dolores has for him and realizes both that Marianne has feelings for him and that he in turn has feelings for her. He kisses Marianne just as Dolores visits him, ending Dolores's attraction to him. After Dolores storms off, heartbroken, Frankie becomes angry, and brings his friends with him to confront Sutwell. They discover Sutwell's notes that he has been taking as he studies them, and are infuriated at being the subjects of his research. Sutwell escapes to the very restaurant where Ava works, but is discovered there by Frankie, Dolores, and all the other surfers. Frankie accuses Sutwell of playing with Dolores's heart. Sutwell then declares that Dolores was only using him in the same way that Frankie was using Ava, merely as a scheme to make the other jealous. Dolores, catching on to Sutwell's ruse, agrees.

Just as a peace is being made, Eric and his biker gang enter and attack Sutwell. The surfers protect him, and a large-scale fight breaks out. After the surfers win, Sutwell offers to take Marianne with him to study in the North Pacific, and Frankie and Dolores reaffirm their love for one another.

In the summer of 1962 Samuel Arkoff and Jim Nicholson were watching films in Italy with a view to purchasing some for release in the US. They saw one about a middle-aged man who falls in love with a young woman who spends all her time at a beach resort. They did not like the movie but were attracted by the setting, and commissioned Lou Rusoff to write a film set at the beach.[10] The film was announced in July 1962.[11] It was part of AIP's policy of "mass entertainment on a frankly escapist level."[12]

Rusoff's script was apparently more in line with AIP's traditional fare of children getting in trouble with their parents. It was shown to William Asher who agreed to make the movie if it became more of a musical comedy about teenagers having a good time and not getting in trouble.[13] Arkoff and Nicholson agreed so Asher rewrote the script with Robert Dillon. He was asked not to take credit by Samuel Arkoff who told them that Lou Rusoff was dying of brain cancer. Asher agreed and Rusoff has sole credit; he died in June 1963.[13]

We had thirty pages of material. Disney had to approve it. Not having all the material, he was concerned about Annette's image. I told him that there wouldn't be anything that would offend, that it wasn't that type of a picture. They were a little wary because it was AIP.[14]

Funicello says other producers had tried to hire her before but Disney had said no. However "something about Beach Party appealed to him," she later wrote.[15] She says Disney told her the film was "good, clean fun" but asked her not to expose her navel.[15]

Arkoff says that AIP tried to get Fabian Forte to play opposite her but he was under contract to 20th Century Fox so Frankie Avalon was cast instead.[10] In July 1962 it was announced Avalon would play the lead with Funicello "probably" appearing alongside him.[12]

Avalon had made Panic in the Year Zero for AIP and was friendly with Lou Rousoff. He says they would talk about doing a picture about young people, then Rousoff wrote Beach Party. "It was about young guys on a beach with their girls," Avalon says. "The next thing I knew, they cast this girl on loan from Disney called Annette Funicello. The director was Bill Asher. I had worked with Bill when he was doing a lot of specials for television. We talked about the project, and sooner or later we were on the set doing it. And it just worked."[16]

"We were constantly filming," says Avalon. "We were doing 28 setups a day. I would say to Bill Asher ... 'I don't think my character Frankie would say this.' And he'd say, 'What are you talking about? Just say the line. Let's have fun with it.'"[16]

We all had to wear body make up because nobody had a tan. One day Frankie and I had some dialogue to do on our way to the water with our surfboards. It was colder than hell that day and the water was freezing. We had our backs to the camera and Frankie said, "Man, can you believe us? Two thirty year old guys in body make up playing teenagers."[14]

Funicello says she had constant pressure during the film to show her navel. She refused and later argued she felt audiences responded positively to her character because they could sense her determination.[19]

Although Mickey Dora was Bob Cummings' stunt surfer for long-shots, Cummings was already a competent surfer himself by the time he starred in Beach Party as the ungainly Professor. Films of him surfing in Hawaii on the Ken Murray's Hollywood television show feature a muscular young Bob cruising along comfortably on an old style long board.[20]

William Asher had directed Robert Cummings earlier in his career but says during Beach Party he noticed the actor "had changed". Asher attributed this later to Cummings' addiction to methamphetamine (although he was unaware of this during the shoot.)[21]

Gary Usher and Roger Christian wrote three songs that appear in the film: the title track, performed by Avalon and Funicello; and "Swingin' and a-Surfin'" and "Secret Surfing Spot", both performed by Dick Dale and the Del Tones.

Guy Hemric and Jerry Styner wrote two songs for Funicello featured in the film: "Treat Him Nicely", which Funicello performs while harmonizing with herself; and "Promise Me Anything (But Give Me Love)" performed off-screen and presented as source music.

The Rat Pack motorcycle gang is largely a parody of The Wild One (1953); Harvey Lembeck's "Eric Von Zipper" spoofs Marlon Brando's performance as the leader of the gang; however, unlike the Brando character he is generally clumsy and inept.

Big Daddy's club in this film (and Cappy's Place in Muscle Beach Party) is a reference to Southern California beach coffeehouses in general and Cafe Frankenstein in particular.[citation needed]

Variety described the film as "a bouncy bit of lightweight fluff" with "the kind of direct, simple-minded cheeriness which should prove well nigh irresistible to those teenagers who have no desire to escape the emptiness of their lives."[27]

Philip K. Scheuer of the Los Angeles Times called it "a rather harmless little effort, really, which may amuse the stomp set which it is about, while the older folks do a sit-along that isn't too painful."[28]

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