You can say "Alexa, I want pizza" and it can even decide if you want to call out to Dominos or want a recipe to make it yourself. The consumer electronics industry is already streaks ahead of the pro audio industry. U2 or the Stones play in a circle. Sound engineers hate this. But most modern music from Taylor Swift, etc, are using these separate audio files with no consciousness.
He blamed us for some of it. The "tyranny of Moore's Law". We're dealing with 8-bit and soon it will be 16 and 32. This has been the guiding principle behind pro-audio design. It needs to change, he said.
Nikola Tesla worked for Edison who promised him a $40K bonus if he developed a DC generator. He did. Edison said "you don't understand the American sense of humor" and Tesla left, founded his own company, and invented a famously huge amount of things.
Thomas left school at 16, in an era when electronic music was very expensive. In a dumpster he found a circuit board to "build your own synthesizer". So he did. He sait in his bedsit all night, aged 17, creating songs with the bleeps and bloops. He got a stereo tape-recorder and discovered he could use left and right channels to multi-track, but each pass added noise. But he created his first demo, Pedestrian Walkway. This is the 2009 remastered version, the version he played us was more amateur:
He went from there to 4 channels with a 4-channel mixer that could record on both sides of a cassette at the same time. Information for anyone too young to have used cassette tapes: normally you would turn the cassette over to get to the "second side", which was two tracks since it was stereo, but there was no physical reason you couldn't record all 4 at once, two backwards. That was how pre-recorded cassettes were made, after all.
The next big break was when a guy called Mick Jones called him up from Foreigner, who were making Foreigner 4. He invited Thomas to NY to record some stuff for their next track. He didn't want to go since he was hoping to establish himself in Britain. His girlfriend at the time said to quote the "F-off" price, so he did. They accepted. That became Waiting for a Girl Like You. Today it sounds ordinary, but in that era all the synthesizers were unique.
They gave him a Mellotron, that each key was connected to a sound sample. But he'd only ever heard a monophonic, one sound-at-a-time, synthesizer. Foreigner wanted an intro for a ballad. One of the group described it as "massage music" but it turned out to be a big hit for Foreigner.
MTV was just taking off so he decided to make a video about scientists. He showed the company his storyboard and they said "where's the song?". Oops, he'd forgotten that bit. He said he'd deliver it on Monday morning, which he did. He decided to hire a bona fide scientist to be in the video. If you are from Britain and old enough, you'll know who Magnus Pike is. But he was a "bit of a diva." He didn't want to say "blinded me with science" since he was a scientist and wouldn't expect a woman to blind him with science. But he said "science" in lots of intense ways, and that became She Blinded Me with Science. I can't find a full version of the video online, the one he played in the keynote, but this has lots of stills:
He took the profits from that to buy a Fairline Computer that cost $80K and he was considered a pioneer...because only a handful of people could afford one. It came with a box of floppy disk with about 80 sounds. But Thomas, Peter Gabriel, Kate Bush, and others used it, although they weren't exactly a large target market.
Thomas decided Silicon Valley wasn't moving fast enough so he created Beatnik. The worldwide web was just starting with links and browsers. They created a software synthesizer that would ship in the Netscape browser and then took it back to the music industry. You could remix tracks just on the regular keyboard, and then send it to your friends. It didn't attempt to send the actual sound files, just the cuts. They made "zero billion dollars". But one big client asked if they could port the technology to their device. Nokia. Selling in the millions. They were seeing phones coming out of Asia with musical ringtones. But they didn't want to build a dedicated soundchip. So Thomas put the software synthesizer on it and they did polyphonic ringtones. Including the Nokia ringtone. Didi dada didi dada didi da ding dong." Half a billion phones shipped with it. Then they got deeper into the phones and licensed the technology to Arm and Texas Instruments.
But Thomas decided to take a step back and retired from Silicon Valley and the tech entrepreneurial world and moved to a little village in England. He started to make another album. But people weren't buying albums any more, the were downloading stuff and playing video games. So the came up with a multi-user online game (I guess we'd call it a MMPG, although maybe not that massive at first).
Five years ago he decided to go into teaching and show other people this stuff. He started at the Conservatory at John Hopkins University, with super-smart kids interested in composing for films, games, and everything else. As he put it
Following the death of electronic musician and ringtone composer Ryuichi Sakamoto, a Nokia sound compilation was shared on YouTube to honour the late artist. Created in the mid-2000s, Sakamoto composed the ringtones and alarms for the Nokia 8800 model.
The video was released by a YouTube channel called "Tech Product Bangers" and features a range of well-known ringtones and alerts. Among them is the probably best-known 'Nokia Tune', which quickly became the unmistakable Nokia ringtone.
The Japanese composer Sakamoto, who died on March 28th at the age of 71, was an electronic pioneer as a solo artist and member of the Yellow Magic Orchestra. He has also collaborated with many musicians from the genre, such as Kraftwerk.
"We would like to express out deepest gratitude to his fans and all those who have supported his activities, as well as medical professionals in Japan and the United States who did everything in their power to cure him," it continues.
Remember the Pacman theme tune? The SHHHHCRRRRRRGHHHH! of a dial-up modem? The electronic twang of the original Nokia 3210 ringtone? Alas, they're the aural equivalent of the white rhino tragically endangered, if not extinct. There's even an online museum devoted to its preservation. It's all pretty poignant and fascinating looking at the evolution of some sounds, from birth to death
In the words of the founder, these old sounds take us back to a time when our lives were simpler, we could move about freely in society way before the corona virus lockdown and life was much different. How many of these almost extinct sounds do you remember?
Remember tapes? The clack of the play, pause and stop/eject buttons, the hiss and whir of the spindles, the flat, low-quality audio (that's what happens when you try to fit lots of music onto magnetic ribbon an eighth of an inch wide). If that brings back fond memories, you were clearly a teenager sometime between the sixties and the early nineties. Alas, the cassette came to its crackly end with the advent of CDs. Naturally though, this almost extinct sound is now being revived by nostalgic hipsters.
HISS! HISSSHH! Commonly referred to as white noise, TV static was a mainstay of the analogue broadcast era. Caused by electromagnetic interference accidentally picked up by the antenna while no other transmission was being received, "noise" looked like snow and sounded like well - noise. In Australia, it came to a hissy end in 2013 when the analogue signal was switched off for good.
If you had a mobile phone around the turn of the millennium, you probably had a Nokia, and if you had a Nokia, you probably had Grande Valse as your ringtone. Written in 1902 by Spanish composer Francisco Tarrega, the tune was purchased ninety-one years later by Nokia executives and trimmed into a 4-bar phrase that became instantly recognisable pretty much immediately.
Long before the advent of the lightweight world of mobile computing (or in fact, computing at all), writing used to sound like real physical work. The clack of keys, the little bell to warn you of the line break, the rough clunk as you moved the carriage back to the starting point... It was as if the typewriter generated its own soundtrack as you went. Now, of course, you can download an app to give you the same effect but it's not quite the same, really, is it?
Remember those heady days of yesteryear, when you spent your bus, train or tram trip eavesdropping - whether you wanted to or not - on dozens of not-so-juicy chats? No longer, alas. With everyone plugged into a device, playing Candy Crush or silently streaming last night's episode of Married At First Sight, you'd better hope nobody talks to you. You can be assured everyone else will be listening, if so. Shh!
Think back to the early days of modern electronics. Remember when carrying your laptop was an instant workout, the iconic Nokia ringtone was everywhere, and Blackberry dominated the market?
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A collection of Nokia ringtones composed by Ryuichi Sakamoto have been shared online. The composer, actor and electronic pioneer passed away on April 2nd, aged 71. His death prompted tributes from Massive Attack, the David Bowie estate, Johnny Marr, Questlove and countless others.
Sakamoto rose to fame as a founding member of the pioneering Japanese electronic outfit Yellow Magic Orchestra. He went on to establish himself as a revered composer for the big screen, earning numerous awards for his work on such films as The Last Emporer, The Revenant, The Sheltering Sky and Merry Christmas, Mr Lawrence, the latter of which saw him act alongside David Bowie.
Sakamoto was first diagnosed with cancer in 2014, which returned in 2021. He released his final album, 12, earlier this year. He spent two years working on the project, with each track named after the date it was written.
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