> > lylayer [lylayfl@...] Mon 6/23/2008 6:38 PM
> > 'You know who' may want to answer it.:-)
I love it 'when you know who' answers it. I can anticipate a juicy
fight and read some good stuff in the process. I enjoyed the
suggested reading material. What do we do next:-)
> I actually did not want to answer it as I thought, after our
exchange on eemaata, there's not much point.
I did not understand this part. Like to elaborate? H!
> But then I came across something today which actually throws more
light on what I said. For those who need context, here's my reply to
Lyla gAru on eemaata: http://www.eemaata.com/em/recentcomments?
page=9 .
I liked your విసురు on me . "లైలా.. శ్రీశ్రీపై విసిరిన విసురులో
వేడెక్కువ, వెలుగు శూన్యం" I loved it as applied to the field of
Medicine i worked in. The physics humor must have been wasted on the
hundreds of eemaaTa readers who know nothing about me, but I still
laugh when ever i think about it. It is very very good.
The వైరాగ్యపు, remark you made ఇలాంటి పోలికల వల్ల
ఒరిగేదేముంది, సాహిత్య చర్చల విలువలు దిగ జార్చటం తప్పించి -
అన్నది is neither scientific, nor literary. It is a lay person's
comment and unsuitable particularly, for a current essayist on
scientists. ( You are doing very well in the essays though. The
essays are very readable for all age groups i think. I like them. I
like the edited out parts too.)
Comparitive studies are legit within literature and across different
fields. You know it. You do not want to say, the departments of
comparitive literature will pull down the literary debate, would you?
That you brought up an essay of Rorty a professor emeritus
in 'comparitive studies' is interesting. That You want me to give
credit to his views on comparitve merits of philosophy and poetry
(which of the two offers better comfort, and for what reasons, when
one is dying of pancreatic cancer,) while you try to discount my
short but legitimate, scientific comparison between two or more
writers' writings, is interestingly parodoxical. That I happen to be
an oncologist is immaterial and irrelevant in this circumstance. i
suppose Auden can throw more light than me, on this subject even.
I read about Rorty on net. I enjoyed his essay. God bless his soul,
he appears to be my twin, in his pragmatic views, on any number
of topics. If he had been my patient, we would have been
discussing 'Persephone' roasting marshmellows in my marble fire
place, lying on a Jaipur carpet in front of a crackling fire.
> Teaching or learning techniques were not what was on my mind when I
said great poetry is worth memorizing.
>
>గొప్ప కవిత్వం అంతా కంఠస్థం చెయ్యదగ్గది అని నేనన్నప్పుడు ఇదీ
నా మనసులో లేదు. మరెందుకు కంఠస్థం చెయ్యాలి? అంటే, అవసరానికి
>అక్కరకొస్తుందని! దానినే ఇంకాస్త మంచిగా రోర్టీ మాటల్లో:>
I guess people who already memorized vEmana and Sumati probably
still find some comfort in those poems, on their good and bad days.
But Why should kids of today memorize Vemana's poems? Should they do
it for rhyme and rhythm. Not these poems i think. Some of these poems
lost their luster.
ఉప్పు కప్పురంబు ఒక్క పోలిక నుండు
చూడ చూడ రుచుల జాడ వేరు
పురుషులందు పుణ్య పురుషులు వేరయా
విశ్వ దాభిరామ వినుర వేమ
Is this poem elementary school chemistry ? Appears so. The poem :-)
is 'comparing' Salt and Camphor. The physical appearence of these
two substances are similar. But if you analyze them, by subjecting
them to other tests, you will find they are disimilar in several
ways - says Vemana.
However, i get confused, when it comes to పురుషులందు పుణ్య
పురుషులు వేరయా Are పుణ్యపురుషులు being compared to camphor
or salt. If Camphor, why? Isn't salt more valuble than camphor to
humans? Isn't poet Vemana's knowledge quite limited? Is there over
simplification of truths? Aren't poems as అల్పుడెపుడు పల్కు
ఆడంబరముగాను,... మిరపగింజ చూడ మీద నల్లగ నుండు... create a
bias and are misleading.
There - Rorty's pragmatism should kick in. There are no solid
truths, that philosophy can hand to you, he says. Don't look to phil
to manage your life, to solve your daily problems, he says. Sure.
Got it. Agree. So, when some trendy philosophy comes in the shape of
catchy rhythmic rhymes, whether it is Sri Sri's, Vemana's or
Sumati's poetry, should i not be on the Rorty philosophy alert?:-)
What is the moral of your post, H? I will get it by heart, if you
give it in a nut shell.
Regards
lyla
PS: The poetry you mentioned is fantastic. Persephone made me hit
Edith Hamilton's mythology again. That small book of Edith's is pure
magic. There is a woman writer who wrote an incomparable book on
myth.
Back to poetry - I would say The poem I wrote 'Boon To Be A Lotos
Eater' 3,4 years back out of my love for Tennyson is not bad either.
You may like it. It is on rb somewhere. Do not hesitate to memorize
it, so you can recite it, or quote it, :-)in your dark hot nights.
rb poets in the last two, three days did not do so badly with telugu
poetry either.:-) I am singing గంగా గంగా ఉత్తుంగ తరంగా..
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--- On Fri, 7/18/08, lylayer <lyl...@aol.com> wrote:
From: lylayer <lyl...@aol.com>
Subject: [racchabanda] Re: "The Fire of Life"
To: racch...@yahoogroups.com
Date: Friday, July 18, 2008, 8:17 PM
--- In racchabanda@ yahoogroups. com, "Satyanarayana Pamarty"
<pamarty@... > wrote:
(about poetry, smileys and :-) spouses)
> Hi Lyla:
> Not to impress any wife if the wife were like mine. So, why did I
> memorize them?
Where is the need for a man to impress a woman, Satya? From what
i hear, men supress, oppress and depress them. (satire please.) <snip>
> In my infinite innocence, I surely exposed my lack of RQ (romance
> quotient) here, but who am I, a theoretical guru, before practical
> stalwarts like you and Lyla?
I want that certificate to hang on my wall.
Why is the word 'stalwart' so popular with rbites? As Ramarao is
likely to wonder in such situations - Are you misinterpreting this
word's meaning? Or has the usage of the word changed? I don't hear
this word anywhere, except on rb. I think this word is dead.
But! Romance is alive. i got to go write some love poetry now. See
you later.
Regards
lyla
PS: Where is the gentleman who started this thread? Looks like he
gave one end of the thread to you to hold, and the other end to me
and neatly walked away.:-)
>I guess people who already memorized vEmana and Sumati probably
>still find some comfort in those poems, on their good and bad days.
>But Why should kids of today memorize Vemana's poems? Should they do
>it for rhyme and rhythm. Not these poems i think. Some of these poems
>lost their luster.
>
>ఉప్పు కప్పురంబు ఒక్క పోలిక నుండు
>చూడ చూడ రుచుల జాడ వేరు
>పురుషులందు పుణ్య పురుషులు వేరయా
>విశ్వ దాభిరామ వినుర వేమ
>
It is the genius of వేమన that brought out an important philosophical
distinction between appearance and reality using the fast clip of phrases
that ఆటవెలది permits. Sometimes things appear as they are,
sometimes not; sometimes appearances are deceptive, sometimes not.
The essence of this thought is stated pithily using a colorful metaphor
that remains implanted in one's mind.
There is hardly any need to require children or anyone else to memorize
the poem since it makes an effortless entry into the human psyche. The
latter already knows that the appearance of the world is but a poor
guide to the world's reality and is merely awaiting the arrival of the poetic
expression to picture that thought. Far from losing luster, the poem
highlights the perennial need to distinguish true from illusory perceptions.
Udaya
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