The World Unseen Ebook 15
Kasey Finkenbinder
Our world has innumerable boundaries, ranging from the obvious - like an ocean - to subtle differences in language or climate. Most of us cross invisible lines all the time, but don't stop to consider them.
In Invisible Lines, geographer Maxim Samson presents 30 such unseen boundaries, intriguing and unexpected examples of the myriad ways in which we collectively engage with and experience the world. From football fans in Buenos Aires to air quality in China, Paris' banlieues to sub-Saharan Africa's Malaria Belt, the existence - or perceived existence - of dividing lines has manifold implications for people, wildlife, and places.
Fully illustrated with maps of each location, Invisible Lines reveals the extraordinary ways in which we try to render the planet more liveable and legible; a compelling guide to seeing and understanding our world in all its consistency - and all its messiness, too.
Maxim Samson is a geographer with specific interests in religion, education and cities. Originally from England, where he earned a PhD in Geography at the University of Leeds, Maxim now teaches at DePaul University in Chicago and chairs an international research group specialising in the geographies of religions and belief systems. In his spare time, he enjoys long-distance running, maintaining his Duolingo streak and gradually adding to his kaleidoscopic flag collection. Invisible Lines is his first book.
In The Unseen Realm, Dr. Michael Heiser examines the ancient context of Scripture, explaining how its supernatural worldview can help us grow in our understanding of God. He illuminates intriguing and amazing passages of the Bible that have been hiding in plain sight. You'll find yourself engaged in an enthusiastic pursuit of the truth, resulting in a new appreciation for God's Word.
Why wasn't Eve surprised when the serpent spoke to her?
How did descendants of the Nephilim survive the flood?
Why did Jacob fuse Yahweh and his Angel together in his prayer?
Who are the assembly of divine beings that God presides over?
In what way do those beings participate in God's decisions?
Why do Peter and Jude promote belief in imprisoned spirits?
Why does Paul describe evil spirits in terms of geographical rulership?
Who are the "glorious ones" that even angels dare not rebuke?
"There is a world referred to in the Scripture that is quite unseen, but also quite present and active. Michael Heiser's The Unseen Realm seeks to unmask this world. Heiser shows how important it is to understand this world and appreciate how its contribution helps to make sense of Scripture. The book is clear and well done, treating many ideas and themes that often go unseen themselves. With this book, such themes will no longer be neglected, so read it and discover a new realm for reflection about what Scripture teaches."
"'How was it possible that I had never seen that before?' Dr. Heiser's survey of the complex reality of the supernatural world as the Scriptures portray it covers a subject that is strangely sidestepped. No one is going to agree with everything in his book, but the subject deserves careful study, and so does this book."
"This is a 'big' book in the best sense of the term. It is big in its scope and in its depth of analysis. Michael Heiser is a scholar who knows Scripture intimately in its ancient cultural context. All--scholars, clergy, and laypeople--who read this profound and accessible book will grow in their understanding of both the Old and New Testaments, particularly as their eyes are opened to the Bible's 'unseen world.'"
Michael Heiser is a scholar in the fields of biblical studies and the ancient Near East, and he is a Scholar-in-Residence at Faithlife, the makers of Logos Bible Software. Michael has an MA in Ancient History from the University of Pennsylvania, and he has an MA in Hebrew Studies and a PhD in Hebrew Bible and Semitic Languages from the University of Wisconsin-Madison. He has published widely in scholarly journals and popular periodicals such as Bible Study Magazine, and he teaches ancient languages online at MEMRA. Learn more about Dr. Heiser and his writings at drmsh.com.
Scripture quotations marked LEB are from the Lexham English Bible (LEB), copyright 2013 by Lexham Press. Lexham is a registered trademark of Faithlife Corporation. Typographical formatting used in the Lexham English Bible, such as italics, has been removed.
Scripture quotations marked NLT are taken from the Holy Bible, New Living Translation, copyright 1996, 2004, 2007. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved.
Thanks are due to the online discussion group created soon after I decided that the divine council and the unseen world of biblical theology would be the focal points of my academic career. Not surprisingly, I called it the Divine Council Study Group. The DCSG disbanded in 2004 after I graduated from my doctoral program and started work at Logos Bible Software, but the exercise helped prepare me for writing both books.
The Unseen Realm began as a manuscript entitled The Myth That Is True that I produced for interested followers of website content and my novel, The Faade. Much of that material appeared first in a newsletter and later a blog, the idea being to make myself accountable to produce something each month. The first full draft of the Myth book, as it came to be called, was finished in 2012. The manuscript improved in the wake of reader feedback. Specific contributors are listed in the acknowledgments to The Unseen Realm.
And the angels who did not stay within their own position of authority, but left their proper dwelling, he has kept in eternal chains under gloomy darkness until the judgment of the great day. (Jude 1:6)
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Princes introduction provides an overview of the genre, contextualizing the readings that follow.
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. 'Horror and the Horror Film' conveys a mature appreciation for horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy and their cinematic power. The volume covers the horror film and its subgenres - such as the vampire movie from 1896 to the present. It covers the entire genre by considering every kind of monster in it, including the human.
This comprehensive filmography provides critical analyses and behind-the-scenes stories for 600 horror, science fiction and fantasy films from the 1960s. During those tumultuous years horror cinema flourished, proving as innovative and unpredictable as the decade itself. Representative titles include Night of the Living Dead, The Haunting, Carnival of Souls, Repulsion, The Masque of the Red Death, Targets and The Conqueror Worm. An historical overview chronicles the explosive growth of horror films during this era, as well as the emergence of such dynamic directorial talents as Roman Polanski, George Romero, Francis Ford Coppola and Peter Bogdanovich.
Addressing significant areas and eras of "transgressive" filmmaking, Cinema Inferno: Celluloid Explosions from the Cultural Margins is a collection of essays that explores many subgenres and styles that have received little critical attention. To provide a theoretical framework for transgressive cinema and its meaning, these articles discuss both contemporary films and those produced in the past fifty years. Essays examine the aesthetic of "realism," tracing it through the late Italian neorealism. Another section focuses on '70s Italian horror films and thrillers. A section on New York focuses on both radical independents and the social context from which a view of the metropolis-in-decay emerged. Other contributors explore experimental work where films and genres are idiosyncratic and disturbing to fit anywhere else. The final essays try to reconcile a mainstream flirtation with "transgressive" film and grindhouse aesthetics.
The horror film reveals as much, if not more, about the British psyche as the more respectable heritage film or the critically revered social realist drama. Yet, like a mad relative locked in the attic, British horror cinema has for too long been ignored and maligned. Frightmares is an in-depth analysis of the home-grown horror film, each chapter anchored by close studies of key titles, consisting of textual analysis, production history, marketing and reception. Although broadly chronological, attention is also paid to the thematic links, emphasizing both the wide range of the genre and highlighting some of its less-explored avenues. The result is an authoritative, comprehensive and, most importantly, entertaining survey of this most exuberant field of British cinema.
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