Carver M1.0t Manual

[Mariam Obregon]

CarverStandard Unheated Manual Presses are available in 12, 25 and 30 ton capacities. Designed for an array of different applications and processes for example; pelletizing, destructive testing, rosin and other fluid extraction, pressure forming, etc.

The Carver Manually Heated Press line with the option for manual water cooling are designed with Digital Temperature Controls for a more precise temperature read out. Available tonnage capacities of 12, 25 and 30 tons force. These presses are typically used for rosin extraction, molding, laminating, embossing, and bonding of various materials.

All Carver Manual Pellet Presses are designed to compact homogeneous power into a usable pellet sample. These presses are available in 12, 40 and even 50 ton capacities. Carver also offers a variety of pellet dies specifically made for the pellet press line. The pellet dies come in 6, 12, 13, 25, 31 and 40 mm sample sizes and may be found under the Accessories page for Testing/Processing/Dies.

Manually operated hydraulic laminating presses with stacked heating and cooling platens in bench top model. Thermostatic control, aluminum platens, heating one opening while simultaneously cooling the other results in faster production of laminated samples, plastic plaques and other R&D items. Temperature control 150-500F.

Carver reserves the right to change specifications without notice. Presses, parts, and accessories may differ from photos shown. Carver strongly recommends the use of a safety shield and personal protection equipment when operating Carver equipment.

You don't need to be intermediate in your light metering or manual exposure skills, but you do need to be at least intermediate in your understanding of shutter speed, aperture, and ISO and how to adjust them on your camera. Please see the note below under "Requirements" for more clarification.

This course teaches you how to master light metering and manual exposure control regardless of subject matter - landscapes, portraits, travel, nature, macro, cityscapes, anything - and regardless of camera type or format - 35mm, medium format, large format, rangefinder cameras, SLRs, view cameras, color print film, color reversal film, black & white, whatever. It's not restricted to any one type of photography, camera, or film. This course does not, however, cover studio lighting or flash. This course is strictly for available light photography - be it artificial or natural light.

If you are already adept at manual metering and exposure control, then this course is not for you. If you are already trained in Ansel Adams' "Zone System" and are applying it successfully, then you don't need this course. If you are currently getting great exposures with your current metering techniques, then you probably don't need this course. But if you have only done piecemeal lessons on exposure control and metering (e.g. through YouTube, blog posts, a book here and there) then this course will help connect the dots and fill in the gaps in your knowledge.

Also, this course is specifically for analog film photography. Although most of the techniques discussed in this course can be applied equally to digital cameras, this course does not address digital photography.

For this course you must have either a handheld reflected spotmeter or a camera with a built-in light meter. This course will teach you how to use all of the following light meters but the techniques you learn will likely apply equally to other light meter brands/models:

*Sekonic meters without a viewfinder for the reflected meter will not be sufficient for this course. For example, the Sekonic Flashmate L-308X technically has a reflected meter built into it, but it is not a spotmeter in the traditional sense as it has no viewfinder for aiming the meter precisely.

Please note that this course does not cover the use of incident light meters. Incident light meters are more suited to studio lighting than available light photography (the reasons why are covered in one of the lessons). Because this course does not cover studio lighting, the use of incident light meters is not addressed.

Although I prefer the Pentax Digital Spotmeter (the Pentax Spotmeter V is a close second) and cover its use extensively in this course, you are not required to have a Pentax meter. I have an entire section devoted to the Reveni Labs Spot Meter, which is another excellent choice. In lieu of a Pentax or Reveni Labs meter, any Sekonic spot meter and just about any in-camera light meter will work too. If you are unsure about your meter's compatibility, email me at .

As for camera requirements, any analog camera that allows the user to control shutter speed and aperture settings will be suitable for this course. The techniques you'll learn in this course are applicable to all types of film cameras - from SLRs to rangefinders to view cameras and everything in between. You'll also learn how to apply these techniques to any film format - from 35mm through medium format up to large format.

I've partnered with Reveni Labs to offer my students 10% off the full price of a Reveni Labs Spot Meter! Just enroll in this metering course at full price or as part of my discount packages, then contact Reveni Labs at reveni-labs.com to claim your promo code for 10% off the full price of the meter.

You do not need to have any previous training or experience in light metering or manual exposure control. You do, however, need to have at least a basic understanding of shutter speed, aperture, and ISO and how to adjust them on your camera. You need to have a good grasp of how these tools affect the image (i.e. the shutter speed affects motion blur, the aperture affects depth of field, and ISO affects grain) and what their respective measurement systems are (i.e. the shutter speed measured in time and the aperture measured in f-stops). Beyond this basic knowledge of exposure control, no further expertise is required on your part.

This is a "work at your own pace" course, which means you can take the course at whatever pace works for your schedule. All lessons will be available to you from day 1 so you can study as fast or slow as you wish. To learn more about how the course works, visit this information page.

Throughout the course, you will have unlimited email support with a direct address to Nick Carver. Emails are typically answered within 2 business days depending on my volume of emails. Phone and/or online chat support is also available for an additional charge. Drop me a line for rates at .

On June 5, 2023 the School Committee voted unanimously to approve the Carver School Policy Manual as previously approved in form over the course of the 2022-2023 school year. The policies in the manual were in effect as of the vote.

These Carver manually heated bench top lab presses have digital temperature controls and safety shields and are available in 7.5, 12, 25 and 30 ton capacities and two and four post configurations. They are used for molding, laminating, embossing and bonding of various materials in a laboratory setting.

I have a main sheet where the main project data is recorded that has 325 columns!!! with different manuals configurations ( Type, show_if, etc.). Well, now I need to insert one (or several) columns at the beginning of the sheet due to needs that arise in the project, and when I click Regenerate Scheme, most of the columns lose the manual settings (Type, Show_if, initial value, etc. ), with which I lose many hours of work.

Hello, good day. This is an issue with AppSheet because when you change the names, the configurations also change. However, I have been researching, and I have even written a book about it that is available on Apple Books, a standard guide for working with AppSheet.

But initially, your problem is that you input all configurations in the show If properties. Every time you regenerate, your configurations disappear, and the more columns you have, the more overwhelming it becomes, especially if you have to wait too long between saves, particularly if those configurations affect the app's performance. I suggest you try reading the book I wrote to improve productivity in your app. However, for now, I suggest you create a virtual column with the column property configuration, and then in the show If of each column, only put the name of the virtual column. When you regenerate, the virtual column won't disappear (perhaps only the content of the show If if you change its name), but it will be easier to input the configuration since you have it in the virtual column.

The off-line image processing workstation is available for use within the outer room (Room 006, BBE) of the Carver Center for Imaging (CCI). The workstation complements the existing confocal and multiphoton imaging systems (Leica SP5, SP8, STELLARIS 8) within the CCI to enable high-end image processing and analysis. We have also upgraded networking infrastructure to provide fast transfer of data from the SP5, SP8, and STELLARIS 8 machines to the off-line workstation. The hardware and software were purchased with a grant from the Roy J. Carver Charitable Trust and supplemented by funds from the Department of Biology.

To provide a breadth of image processing, analysis, and visualization options, we purchased two complementary software packages (Leica and Imaris). The Leica LAS-X 2D/3D software streamlines processing and analysis of image data collected by the Leica image capturing systems. Leica software also simplifies post-experiment deconvolution (Lightening) and 3D reconstruction. The Imaris 9.6 3D/4D Visualization & Analysis package adds sophisticated quantitation features, including the ability to track objects in three dimensions over time, to assess synaptic density, and to segment and quantify complex 3D structures such as neurons and glia, among many other applications. The following tables summarize the basic features of the Leica and Imaris image analysis modules.

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