[Ff Tisa Sans Free Download
Gildo Santiago
I am trying to change the font on a single page on my site using Custom CSS and the page's collection ID. I have been trying to do this by changing the font-family property in the site-wide Custom CSS (since I do not want to change the font for any other pages). I'm not using custom fonts; I am happy to use the Squarespace, but I do not know what the exact "labels" are for these various fonts. Some, like "Arial" are straightforward, but others (e.g., "Libre Baskerville" or "Omnes Pro") do not seem to be changing the font appropriately. Any advice would be helpful! Or even, more generally -- and since I am a novice to CSS -- are there helpful tips for knowing how to convert font names to acceptable arguments for the "font-family" property? The current code I am using is below:
Unfortunately, I have altered my code and it still does not work in changing the font. Below is my attempt to change the font-family property in the site-wide Custom CSS using one of the provided font codes you gave: "adobe-garamond-pro" to change the H1 heading. I've also tried this with the other codes you provided (e.g., "ff-tisa-sans-web-pro"; "brandon-grotesque", "Cabin"), to no avail. Thanks in advance.
In order to use a specific font in CSS, it has to be selected as a font for something else so that Squarespace loads the font onto the website first.
SS has thousands of fonts, by default SS only loads some popular fonts, it can't load all otherwise the website will be extremely slow. In order to use font in CSS, it has to be selected as a font for something else so that Squarespace loads the font onto the website first.
I see, thank you. My goal is to have fonts on this page ( -nick) that are not used anywhere else on the site. What are my options for doing this? How else could I make sure these fonts are "selected as a font for something else so that Squarespace loads the font" without using Design / Site Styles to change the H1 or H2 or body text for the entire rest of the site? Are there other ways to change fonts than Design / Site Styles? Am I missing a rich text editor somewhere? Thanks for your help.
Thank you! This worked. I believe this will be my final question. Your suggestion helped me change the font for the one page for Headings 1 (h1), 2 (h3), and 3 (h3). See code below. However, I was unable to change the "body" text with the same method, and I am not sure why. The code below properly changes Headings 1, 2, and 3, but not the body text. Thanks in advance.
Typography information: The type palette consists of Brioso Pro (old face) and Cronos Pro (humanistic lineal), both created by Robert Slimbach. They evoke the feeling of the mark of the human hand.
Other elements: The additional lettering was handwritten. The use of watercolor emphasizes and symbolizes the water from the Atlantic. The holding hands illustrate his loving relationship with his mother, and the ring symbolizes his engagement with Alice, which was one of the happiest days of his life.
Dunbar was in his home when he wrote this letter, which is why I chose the imagery of the wallpaper from his home in Dayton. The typefaces used in this poster are Tisa Sans designed by Mitja Miklavic and Mrs Eaves designed by Zuzana Licko.
Artist's narrative: In letter 21, Paul Laurence Dunbar is reaching out to his friend Frederick Douglass. He is sending his gratitude for all the help Douglass provided Dunbar, but also seeking some words of wisdom to deal with some backlash Dunbar is receiving back home in Dayton.
The letter has moments of self-disparaging humor or sarcasm and is plagued with a frankness and profuse apologies of wrongdoings, all to Professor Pearson. This feeling of anxiety and shame, yet high spirits amidst rough rough times, comes across as sincere to the reader. This genuine outpouring of honesty and humiliation is represented on the poster through the typographic texture pouring out of the hand-drawn whiskey bottle.
The type palette includes Alegreya (serif), by Juan Pablo del Peral from Argentina and Petala Pro (sans-serif) designed by Marconi Lima from Brazil, and were selected via direct inspiration of faces used in The Dayton Tattler, published by Dunbar.
Typography: This poster uses transitional and humanistic lineal typefaces to reflect the same transitional phase Dunbar was experiencing at this point in his life, where he was overcome with excitement and fear.
Artist's narrative: This letter takes Paul Laurence Dunbar back to when he was not proud of his work. In high school, he thought all of his writing was one big joke. He could not afford much, which led to him being forced to take a job as an elevator hopper. In the end, it was a situation that should be seen as a positive. When talking in the elevator with people, he was able to learn how they spoke and put it into his writing. When he finally finished Oak and Ivy, he began to sell his work within the elevator, allowing for additional opportunities to promote his work.
These type families captured what felt like a memory that went much deeper than what was on the outside. Lapture is an old face that represents the flashback of the memory. FreightNeo Pro captures the beauty behind everything Paul Laurence Dunbar has done.
Typography: To represent the feeling between Paul and his mother, the typeface in this piece is IvyPresto, designed by Jack Maack, a serif type family. For sans serif, the family Optima, designed by Hermann Zapf, was selected to represent the strong structure Paul had when handling his success during his recitals.
Artist's narrative: Letter 10 was written on Nov. 23, 1892. Dunbar wrote this letter from Dayton, Ohio. The reader can see two sides of Dunbar. Dunbar begins the letter by discussing how he is very thankful for his friend J.N. Matthews. As the letter goes on, Dunbar begins to undermine himself with great self-doubt. While the overall meaning of the letter is uplifting and communicates how thankful Dunbar is for Matthews, Dunbar is conflicted on the inside. The poster design aims to convey his internal conflict. Two topographic layers help describe the struggles of Dunbar. Corundum text was designed by African American designer Joshua Darden. Darden published his first typeface at the age of 15, which is similar to Dunbar being a published author around that same age. The sans serif used is Elido, which was designed by Sibylle Hajman, who was a Swedish immigrant to America.
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