This hits! Our human nature and societal pressures can really force us out of this type of ease. We are all conditioned to believe the outcome is more valuable than the process. That the process should have a timeline.
Sometimes when my clients realize that they\u2019ve been in a scenario that\u2019s not good for them they say, \u201CI don\u2019t want to stop doing it because I feel like I will have lost time.\u201D When they say this, I share with them that I don\u2019t believe time is lost until we\u2019re aware of a situation that isn\u2019t working for us. That\u2019s when the clock starts.
When we\u2019re in a bad job or a relationship that we want to end, we don\u2019t need to put so much focus on how much time we lost. We need to allow ourselves the grace to begin again. We deserve that. We get so caught up with the thought of wasting time that we will continue on with something that isn\u2019t right for us.
That fear of losing time also causes us to rush through our lives. Because we spend twelve hours on a painting, we want it to be something, but in reality it\u2019s just not what we wanted it to be. It\u2019s ok to start over, but we have this obsession with finishing stuff. Finish your food. Finish your project. Finish doing the dishes. Sometimes dishes need to soak. Sometimes food needs to be carried out or left on the plate. Sometimes there is work that will forever be in progress.
As of today, I have 4,200 notes on my phone. At least half of them are works in progress \u2013 some thought I had that hasn\u2019t come to fruition. Sometimes I\u2019ll go back to a note and I won\u2019t even know what I was trying to say. Other times I\u2019ll open a note and I\u2019ll add one line and it\u2019ll end up being that day\u2019s content. Everything doesn\u2019t have to be finished immediately. Some things take more time than others.
Some of the things we want to do with our lives require that we be in a certain place before we can do them. There are books we can\u2019t write without having had certain experiences. I remember when I was a new therapist and I worked with couples, I felt like I hadn\u2019t had enough relationship and marriage experience myself to do that work. That\u2019s not necessarily true, but that\u2019s how I felt at the time. Now, I feel like I\u2019m in a better space to say certain things because I have the experience.
This idea that we have to finish and move on to the next thing or we\u2019re wasting or losing time is not always true. Sometimes we just need to pace ourselves. Sometimes it\u2019s a matter of how far I can get. For example, when I\u2019m cleaning my house do I need to finish cleaning my house now or do I want to clean my house for one hour? I may decide to clean for one hour because that feels possible and easeful for me. If the goal is to finish cleaning the entire house, I\u2019m going to need a week off of work. That\u2019s a lot.
There are times I don\u2019t even finish a single TV episode or movie in one sitting. Sometimes it\u2019s just too long, and other times there\u2019s so much going on that I feel the need to sit with part of it before moving on to the next portion. So I may watch half in the morning and half in the evening.
I love the ease of reading a book. Sometimes I set a goal of reading just one or two pages in a day. I am not in a hurry. Some books aren\u2019t meant to be devoured. I think it was Toni Morrison who said that about her books. She didn\u2019t want people reading them all fast. She wanted us to take our time with her books. There are times when we need to really sit with the material and think about it.
When we\u2019re in a museum, the point isn\u2019t to finish or rush to get to the end of the exhibit. We want to look at all the pieces and really notice the choices the artist made and how the art makes us feel.
I have a candle on my desk and I\u2019ve been burning this candle for about three days. It might take me two weeks to get through it, and it\u2019s not a big candle. I don\u2019t leave it going all day. I\u2019m not trying to finish the candle. I\u2019m in no hurry. I\u2019m just trying to get a little bit of aromatherapy while I\u2019m working.
Last night I had a chance to talk to someone who was working on a learning project. He had started the project as a side venture to improve his programming skills on the job. But his responsibilities at work have changed, and he no longer feels the project is as relevant as when he set it up. What should he do?
The project was only going to last another month or two of part-time work. While abandoning the project might save a little time in the short-run, it also wears down the habit of finishing what you start.
When I was younger, I used to flit between interests and rarely finished what I started. Starting as a kid with half-built tree forts, it later became half-finished business ideas and half-finished products. I was great at starting things, but never finishing them.
The problem is, trying to finish everything is a recipe for stubbornness, not success. Applied too literally, a finisher would never quit his job or sell her business. A finisher would slog through dull, uninspired books, leaving countless better volumes untouched.
Instead, I believe the solution is to view all activities you undertake as being of two different types: experiments and commitments. Before you start any activity that will last more than a day, decide whether it should be mentally categorized as an experiment or commitment before going further.
Because I have these two well-defined categories, built up from years of finishing almost all of the commitments I undertake, I can also experiment with shifting different projects into different categories to see the results.
I recently wrote about doing this with book reading. Previously, reading a book for me was a commitment that I needed to finish before moving on. Recategorizing books as an experiment means I finish hard books less often, but I end up reading more.
To a multipotentialite, however, finishing looks very different. As Barbara Sher discusses in her amazing book, Refuse to Choose, finishing simply means that you got what you came for.
Great website Emilie! I am currently reading through old posts and am relieved to hear that there are more people like me in the world and can hopefully harness all my interests into a productive business for myself. Thanks!
A lot of people around me state that I rarely finish what I start (several University degrees) or tell others what my plans are and then, when I all the necessary requirements for them are here, I am not sure if I should go that way anymore.
Right now is the first time ever, that all my surroundings actually encourage me to leave my job and go for something new, I am not quite sure which direction the NEW will be, but everything seems right, so I am not concerned ?
I really like how the article encourages us to define, for ourselves, what finishing means. to some it might be mastery of a few skills while for others is proficiency at many. It encourages me to define what fulfillment means for me rather forcefully following a pre established guideline (that promises joy some time in the future when I have archived the grand goal despite the lack of meaning I feel) to only discover that joy of achievement is short lived. The key to more stable joy lies in the journey and struggles of learning a new skill or creating a project that is deeply meaningful for my self.
In this week's article and video I go over my process of capturing an image from start to finish. Everything from how I found my location, captured the photo in the field, and my entire Lightroom editing process.
For this entire article I'll be using a photo I captured recently in my excursion to the San Juan mountains in Colorado. I'll cover my thought process on why I picked this location, how I decided on my composition in the field, and dive into some editing techniques that might be considered intermediate. I'll also face two tough choices many photographers might encounter in their work: choosing between two strong compositions and how they want to edit a photo. In regards to the edit I will try to explain my process as best as possible but also link to other content that may explore each technique further otherwise this article would be far too long!
I was on a 5-day photography trip in Colorado, and the specific location of this spot was not planned or thought out at all. This section is less about trying to plan for a spot and more about using a specific spot to your advantage. That said if you are trying to plan an entire trip I highly recommend checking out how to create a map to plan every spot you are visiting. My main issue this entire trip was the haze I encountered everywhere, mostly caused by a mixture of wildfire smoke and lack of precipitation.
I was able to visually see nearly every other range or mountain around me was covered in haze so it became quite obvious this will be my spot for sunset. Above is what the light looked like on my composition and the cloud coverage behind my camera right before sunset. It might not be obvious but even though the light started out poor it was looking like there were enough gaps in the coverage to shine some red or golden light on to our scene. Thus our location was chosen, now let's take a look at compositional choices and camera settings.
The composition was relatively simple but involved a tough choice. I could position the dead tree directly in the middle of my frame or I could balance it on the left-hand side with the right-hand side being filled with colorful aspen trees. To this day I'm not entirely sure what was a better choice and it is likely subjective however I'd love to know which one you would choose between the two?
I decided the scene would likely look wonderful as a wide panorama with the tree directly in the middle of the scene. The added bonus to this choice was that I could crop the final pano into my alternative choice of having the dead aspen tree on the left of the frame balanced with the living aspens on the right. This is where creativity and decisions in photography can be difficult. On one hand, I really enjoy the contrast of old and living, each filling up the opposite sides of the frame. However, I also felt like the tree being so much closer in the scene and standing out so strongly deserved to be the absolute focus.
c80f0f1006