Re: Bitwig Studio 1.0.8 Serial Key
Carim Jennings
I watched the video you gave me very carefully, but I don't see where it explains how to configure Komplete Kontrol S-Series MK2. We see how the controller works when it is well configured in Bitwig, but we don't see anywhere how to configure the controller in Bitwig. Also, there is a nice view of the Bitwig software, but never a top view of the controller itself, which might have been helpful. Everything suggests that Komplete Kontrole Series-S is automatically recognized and integrated into Bitwig.
As far as I'm concerned, when I open Bitwig and my controller is on, Bitwig doesn't recognize it. I have to configure it manually. I tried all the possibilities, my controller always stays on MIDI mode and is absolutely not integrated into Bitwig.
2- In Bitwig studio's Controller Settings, I clicked on the + to add a controller, and instead of clicking on Generic, I clicked on Controller, and I came across a new configuration of Komplte Kontrol S49 MK2 which I had never seen until now (see attachment)
If you allow me, I would like to ask you a few more questions which I hope will help me to resolve this fascinating question once and for all. When Komplete Kontrol S49 MK2 is well integrated into Bitwig, it's a marvel !
A second feature that sets Bitwig apart is just how easy it is to modulate parameters. You can add as many modulators as you want, ranging from LFOs and envelopes to crazy randomness and audio rate modulation. You drag and drop these modulations onto any knob on a synth or FX plugin, just like you would in Massive or Serum. Other DAWs do offer some of this functionality, but none of them with the ease and low CPU use of Bitwig.
159 euros for a year of support is pricey, though what most people do is upgrade when it makes sense. Bitwig gets about 2 feature updates each year, usually adding a few new devices and workflow improvements.
This transition was very gradual and not something I really was aware of until Stimming talked about it as being a major reason for him using Bitwig in a recent video he did about his studio setup. He also mentions it in this interview.
i wish it lands one day on iOS .. i am not using desktop for music anymore, there is noway back for me, but full blown (or at least half blown lol, i am completely ok with stripped down "limited" version) Bitwig on iOS that would be SOMETHING.
@dendy said:
i wish it lands one day on iOS .. i am not using desktop for music anymore, there is noway back for me, but full blown (or at least half blown lol, i am completely ok with stripped down "limited" version) Bitwig on iOS that would be SOMETHING.
Both Nanostudio 1 and 2 were completely written in C++ including UI (using OpenGL) and it was running on win/mac/ios (ns2 just internally for our testing purposes, was not publicly released on win/mac but basically it was working, Matt did whole developement on Windows machine and just deployed it to testflight/appstore from Xcode) It was all clean pure C++ code with lots of asm for cpu sensitive parts.
Two biggest for me. Better midi routing/filtering/modulation including from VSTs (which Ableton does not support) and native modulation features without resorting to external frameworks like Max for Live.
Yes that is true and honestly quite surprising for me, all big Java coded apps i ever used were acrually pretty sluggish and especially in terms of memory needs horribly aggressive - just based on that my guess was always that garbage collector in Java is true garbage ?
I have picked this as my personal synthesizer of choice to use alongside with Bitwig Studio for numerous reasons. After shopping about for a while I settled on this synth so let me tell you why this was my weapon of choice.
In this day and age with electronic music covering somany variants of genre it is important to be able to keep up with thetechnology and times. The JD-Xi manages to offer a variety of technology whichencapsulates features used in differing genres. Let me give you a couple ofexamples:
This brings me nicely on to one of the fabulous features of this synth and that is the 16 step sequencer. Much like the Aria which Roland have recently release, there is a 16 button sequencer which can be dialled in to any of the 4 channels for the JD-Xi :
For a drum machine you can load up the 808 or 909 sound bank and use these kits to record drum patterns. Again, the offering of the classic kits is astounding for anyone who is a fan of the old gear (like me).
So my main concern as a home studio producer was that I wanted to have a midi keyboard input, audio interface, microphone input and analogue synthesizer as part of my setup. These were my basic requirements and would normally mean buying all these devices separately.
However I did think that there may be something on the market which would give me the option to be able to role everything in to one piece of kit. Or at maybe two minimum. I began to do my homework and started shopping around to find some ideas.
I ended up with a couple of choices which were the Arturia Mini Brite and Novation BassStation. Both now on their second generation versions. The other option I had was the Roland JD-Xi and started to look at what they all offered me.
Neither of the two devices had native support within Bitwig Studio with the included scripts from the control scripts library however both would be supported as Generic Midi input devices so no issue there.
One thing which was not clear to me was the Roland JD-Xi does not have 48V phantom power for condenser microphones. This was something I found out when upgrading my microphone to a newer version. I needed to buy an in line power supply in order to power the microphone.
From here you can either implement the Bitwig Midi device as a Hardware Instrument using the assigned channels shown in the JD-Xi manual (channels 1,2,3 & 10) to record midi & audio information from the device.
It allows background noise to be cancelled out when doing a record. Get the balance right and the audio is recorded beautifully. Get it wrong however and then it sounds glitch (however good for some styles of music!).
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