Sylenth1 Progressive House Presets Free Download
Kristin Klodzinski
We're back with another Sylenth instalment and this one is huge, truly massive! 'Sylenth Progressive House' delivers 102 peak time, full on presets designed exclusively for Lennar Digital's Sylenth. Don't be fooled though by the name though, these incredible presets are perfectly suited for the full on Progressive House sound but also fit in perfectly with Electro House, Complextro, Progressive Trance and Trance. Each Sylenth preset has been crafted from the ground up and is suited for all peak time, full on music productions. The progressive house leads are soaring, pads are euphoric melting, sequences are tight and beautiful, fx are right to the point and basses are deep, pushy and warm as hell. This really is a preset pack that suits producers who don't shy away from making their synth sounds blast!
'Sylenth Progressive House' presets are supplied in two versions, grouped together as a bank for instant use and quick scrolling plus individually as single elements so you can decide when and where to use the independent presets. If that wasn't enough we've even supplied the wav files to all the preview hooks, separated by type and midi files so you can alter and amend the programming as you wish! This is an epic preset pack and will be heard in loads of top music productions so get in quick and abuse these progressive house presets.
Please Note: The audio preview for 'Sylenth Progressive' contains drum loops that are not within this preset pack. Please check out our Progressive House Drummer 1 or 2 for our latest progressive house drum sounds.
Please note: This preset pack contains presets for Lennar Digital's Sylenth Synth only, it also contains wav files and midi files.
Push your tracks to new heights with our 100% royalty free sounds, loops, midi and preset packs. Designed by music producer royalty, all our sample packs are crammed with the finest drum beats, basslines, synth loops, instrumental loops, drum sounds, one shots, vocals, fx, presets, stems and midi.
We release sound packs weekly, covering all genres including House, Techno, Trance, Psytrance, Progressive House, Melodic Techno, Drum & Bass, Deep House, Downtempo, Tech House and more.
sylenth1 progressive house presets free download
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Browse our sample catalogue by genre or category for speed of use. Enjoy our sounds with key and tempo labelling, associated midi, simple folder structures and the Zenhiser seal of approval in quality.
Well I didn't mention Nexus and I wouldn't recommend it when someone asks for a synth. It's only good if you're a preset guy but definitely not if you want to do the sound design yourself in your tracks.
You can use any synth for any genre. There's no 'the best', at most there is what any individual likes best. And then there also is "what everbody uses", like Sylenth and Massive and Albino and Zebra - probably because these are (some of) "the usuals" that can be found on torrent sites (which are rarely mentioned on these fora...).
Zebra, for example, is probably one of the most versatile synths there are around. I answered to the thread by naming the most commonly used synths in Prog House, but if the answer had been about the best synths you can buy (and by best I mean either more features and/or great sound - and even though "great" is subjective, some synths are just renowned for their great sound) the answer would have been the same.
You really think Sylenth and Massive are "overused" because they can be found on torrent sites? That's a consequence, not the reason. Everyone uses them because their sound can be heard in 99% of today's tracks, so they become popular among amateurs as well. And they probably DO sound good, otherwise no one would have started using them in first place.
And so, you shouldn't get them because they're overused? Yes, you should get them. Using a different synth won't make you stand out. It's what you do with that synth that will make you stand out. At least you get a synth that's worth the money and you're sure it can produce great sounds. Now it's your job to find out which ones.
I discovered a while back that new sounds do in fact (for me) equal new approaches. Every synth has some sounds that I don't hear from the other ones and sometimes I'll gravitate towards those sounds as a way to spark inspiration. But I also believe that it's what you DO with the sounds, by which I mean, how you combine them with other sounds, especially ones that might actually be outside of the genre you're attempting.
Electo House is just one more genre that morphed from something else and will morph into something else again later on. So while you're choosing your electro house sounds, try and squeeze in a few that are outside the genre.
All that being said, I do try and tweak sounds. Some synths, like Sylenth, I find to be waaaay more straightforward than a beast like Zebra. The trick is in getting to know some basics about synthesis and how to control the sounds in real time or via automation. So understanding what a filter is, what a modulation matrix is and what an LFO is are some basic tools you should be aware of and learn about (if you haven't already).
Logic has loads of cool sounds but I've always felt the interfaces to be a bit opaque. I've worked a fair bit with the ES2 but it always frustrates me with it's Sci-Fi interface. Ditto for UltraBeat and Sculpture. They all make amazing sounds but you might get more joy, in a programing context, from some third party synths. Sylenth is actually pretty trad in it's approach but unfortunately, still 32 bit. I don't know why such a popular synth got put on the developer's back burner, in terms of that basic upgrade.
Actually I have nothing against the UI of Ultrabeat. Same with the ES2, but the problem with that is that it just can't make some types of sounds, for example you can't play chords with more than 2 voices of unison, which are quite pointless. So you have to layer more mono oscillators and that's pretty damn annoying. Of course these things you can't do can inspire you to come up with something different and interesting. But if you know what you want, you know it.
You can't make sounds in Nexus. You can only go through presets and surely you'll find something decent for all kinds of instruments, because there are thousands of them. If you find it fun, go with Nexus, I'd personally hate it.
I assume you're talking about the bass sound there. You can make it with pretty much any synth, even though I can't tell you exactly how they made it. I'd play around with a saw oscillator, another saw one octave up, or 7 semitones, add a distortion plug-in (or FX if your synth has one inside) and turn it all the way up, add a low pass filter (to the synth, not after the distortion) and turn the resonance knob up quite a lot, until it sounds good. There's probably some chorus or something in the top end of that bass, which by the way is one of the worst bass sounds I've ever heard in my opinion, despite being unoriginal.
Personally, I would never have bought Massive as a separate instrument since it gets included in NI's Komplete packages, which have a *huge* amount sounds, synths, sample libraries and the amazing Kontakt sampler.
Back before I really understood synthesis and thought Massive was the only thing that could create monster noises, I'd run the demo, quickly patch it up to create my sound, then bounce to audio before the dropout that occurs after thirty minutes. Never used these sounds commercially however, so no worries
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