Dear all,
it's been a while, and I hope you are doing well and had a good
start into 2022!
It is my great pleasure to finally announce this 5-piece
introductory course to the Ndau mbira, taught by Solomon Madhinga
from Chipinge. Each piece comes with videos, audio recordings,
lyrics + translations, and transcriptions of all variations in the
video.
http://symres.org/ndau_course
You will likely need an mbira, and Solomon is happy to make one
for you. He sells them for USD 250 (international price without
shipping; locals please inquire). Telling from many videos and the
three mbiras which I bought last year, his building style and
quality are very consistent.
The course itself is free, just comes with a request to consider a
donation. Both donations and mbira purchases support Solomon's
teaching activities at the local cultural centre, as well as our
overall objective to make this marginalised type of mbira more
popular locally and internationally.
For me as someone who spend most of my time learning the nhare
(like I guess many of us) getting started with the Ndau mbira has
been a fascinating and rewarding experience. I can only recommend
it! Most songs are harmonically simpler than the Shona mbira, but
much more varied and cunning on the rhythmic side. While the right
hand often plays the ostinato core of a song, the left thumb is
free to improvises across three octaves - which is excellent
training for someone like me who is stuck improvising mainly with
the right hand. Playing this mbira feels much closer to drumming,
it is about rhythmic sophistication, and I find it much easier to
improvise convincing lines on the spot on its hexatonic scale (at
least that's my illusion).
Latest good news is that even more material is on the way: Andrew
Tracey will publish his long postponed article on the mbira
dzaVaNdau in the upcoming issue of African
Music, and we are working on making all of his
transcriptions available on SR.
I've added samples of two hera made to order by Josam
Nyamukuvhengu for Andrew Tracey in the 1970s/early 80s. TIC 418
resembles Saini Madera's tuning; TIC 295 is slightly higher and
resembles the Zonke family's tuning.
Audio playback is still broken on recent updates of Apple's
Safari browsers (MacOs and iOs, whereas iPadOs seems to work).
According to the issue tracker audio library emploayed by SR
(howler.js) this is an Apple bug
which they fixed already, but so far it did not make it into any
new Safari releases. Until then, please use Firefox or Chrome /
Chromium-based desktop browsers.
Who does not know the beauty of hearing mbira pieces in different
ways, depending on where in the cycle you anchor your sense of
downbeat and tonal center? Yet I find it quite difficult to talk
about it with non-mbira players, and even with players I'm
sometimes not sure if we talk about exactly the same thing.
So I thought making a video about it, which then became two, one
focusing on rhythm, the other on harmony. The latter you can watch
here,
the first one I decided to redo (follow the SR
Youtube channel for updates if you're not on FB).
On a related note, have you checked out the Starting Point of the Day feature yet? You can activate it in your user preferences, where you can also set your preferred playback tunings.
Yours,
Stefan