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Pulp Fiction 1994 Hindi Dubbed Ddl
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Alexina Jurs
Dec 26, 2023, 9:20:13 PM12/26/23
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Pulp Fiction is a 1994 American crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary.[3] It tells four intertwining tales of crime and violence in Los Angeles, California. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.
Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed.
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Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; it earned Travolta, Jackson, and Thurman Academy Award nominations and boosted their careers. Its development, marketing, distribution, and profitability had a sweeping effect on independent cinema.
Some of the songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.[97] The soundtrack album was released along with the film in 1994. The album peaked on the Billboard 200 chart at number 21.[98] The single, Urge Overkill's cover of the Neil Diamond song "Girl, You'll Be a Woman Soon", reached number 59.[99]
Pulp Fiction premiered in May 1994 at the Cannes Film Festival. The Weinsteins "hit the beach like commandos", bringing the picture's entire cast over.[101] The film was unveiled at a midnight hour screening and caused a sensation[102][103] It won the Palme d'Or, the festival's top prize, generating a further wave of publicity.[104]
On October 14, 1994, Pulp Fiction went into general release in the United States. As Peter Biskind describes, "It was not platformed, that is, it did not open in a handful of theaters and roll out slowly as word of mouth built, the traditional way of releasing an indie film; it went wide immediately, into 1,100 theaters."[108] In the eyes of some cultural critics, Reservoir Dogs had given Tarantino a reputation for glamorizing violence. Miramax played with the issue in its marketing campaign: "You won't know the facts till you've seen the fiction", went one slogan.[109] Pulp Fiction was the top-grossing film at the US box office its first weekend with a gross of $9,311,882, edging out a Sylvester Stallone vehicle, The Specialist, which was in its second week and playing at more than twice as many theaters. The gross claimed by Miramax was disputed by others. Warner Bros. initially reported an estimated gross of $8.9 million for The Specialist with Bob Weinstein then reporting a gross for Pulp Fiction of $9.1 million, claiming that the film was on another 100 screens that had previously been overlooked. Warners then updated their gross to $9.3 million, claiming they had made a calculation error.[110]Early Monday morning, Miramax reported a gross of $9.3 million with Warners reporting $8.9 million for The Specialist, placing Pulp Fiction first but other industry sources did not believe Miramax's numbers. Variety estimated that Pulp Fiction grossed $8.6 to $9 million for the weekend.[111]
Against its budget of $8.5 million and about $10 million in marketing costs, Pulp Fiction grossed $107.93 million at the U.S. box office, making it the first Miramax film to surpass $100 million in the United States and Canada.[112] Worldwide, it took in nearly $213 million.[c] In terms of domestic grosses, it was the tenth biggest film of 1994, even though it played on substantially fewer screens than any other film in the top 20.[114] Popular engagement with the film, such as speculation about the contents of the precious briefcase, "indicates the kind of cult status that Pulp Fiction achieved almost immediately."[115] As MovieMaker puts it, "The movie was nothing less than a national cultural phenomenon."[116] Abroad, as well: in Britain, where it opened a week after its U.S. release, not only was the film a big hit, but in book form its screenplay became the most successful in UK publishing history, a top-ten bestseller.[117]
Tarantino has stated that he originally planned "to do a Black Mask movie", referring to the magazine largely responsible for popularizing hardboiled detective fiction. "[I]t kind of went somewhere else".[157] Geoffrey O'Brien sees the result as connected "rather powerfully to a parallel pulp tradition: the tales of terror and the uncanny practiced by such writers as Cornell Woolrich [and] Fredric Brown ... Both dealt heavily in the realm of improbable coincidences and cruel cosmic jokes, a realm that Pulp Fiction makes its own."[190] In particular, O'Brien finds a strong affinity between the intricate plot mechanics and twists of Brown's novels and the recursive, interweaving structure of Pulp Fiction.[191] Philip French describes the film's narrative as a "circular movement or Möbius strip of a kind Resnais and Robbe-Grillet would admire".[192] James Mottram regards crime novelist Elmore Leonard, whose influence Tarantino has acknowledged, as the film's primary literary antecedent. He suggests that Leonard's "rich dialogue" is reflected in Tarantino's "popular-culture-strewn jive"; he also points to the acute, extremely dark sense of humor Leonard applies to the realm of violence as a source of inspiration.[193]
The pivotal moment in which Marsellus crosses the street in front of Butch's car and notices him evokes the scene in which Marion Crane's boss sees her under similar circumstances in Psycho (1960).[215][216] Marsellus and Butch are soon held captive by Maynard and Zed, "two sadistic honkies straight out of Deliverance" (1972), directed by John Boorman.[205] Zed shares a name with Sean Connery's character in Boorman's follow-up, the science-fiction film Zardoz (1974). When Butch decides to rescue Marsellus, in Glyn White's words, "he finds a trove of items with film-hero resonances".[217] Critics have identified these weapons with a range of possible allusions:
Talking about his generation, one that came of age in the '70s, Tarantino has commented that the "number one thing we all shared wasn't music, that was a Sixties thing. Our culture was television." A random list of the TV programs referenced in Pulp Fiction confirms his observation: Speed Racer, Clutch Cargo, The Brady Bunch, The Partridge Family, The Avengers, The Three Stooges, The Flintstones, I Spy, Green Acres, Kung Fu, Happy Days, and last but not least, Mia's fictional pilot, Fox Force Five.[230]
In the 1980s television series Kage no Gundan (Shadow Warriors), Chiba's character would lecture the villain-of-the-week about how the world must be rid of evil before killing him.[246] A killer delivers a similar biblical rant in Modesty Blaise, the hardback but pulp-style novel Vincent is shown with in two scenes.[247]
In the Brookers' analysis, "Through Vince ... we see the contemporary world as utterly contingent, transformed, disastrously, in the instant you are not looking."[253] Fraiman finds it particularly significant that Vincent is reading Modesty Blaise in two of these instances. She links this fact with the traditional derisive view of women as "the archetypal consumers of pulp":
Willis reads Pulp Fiction in almost precisely the opposite direction, finding "its overarching project as a drive to turn shit into gold. This is one way of describing the project of redeeming and recycling popular culture, especially the popular culture of one's childhood, as is Tarantino's wont as well as his stated aim."[232] Despite that, argues Fraiman, "Pulp Fiction demonstrates ... that even an open pulpophile like Tarantino may continue to feel anxious and emasculated by his preferences."[252]
The screenplay, by Tarantino and Roger Avary, is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take "screenwriting" classes that teach them the formulas for "hit films." Like "Citizen Kane," "Pulp Fiction" is constructed in such a nonlinear way that you could see it a dozen times and not be able to remember what comes next. It doubles back on itself, telling several interlocking stories about characters who inhabit a world of crime and intrigue, triple-crosses and loud desperation. The title is perfect. Like those old pulp mags named "Thrilling Wonder Stories" and "Official Detective," the movie creates a world where there are no normal people and no ordinary days - where breathless prose clatters down fire escapes and leaps into the dumpster of doom.
It is part of the folklore that Tarantino used to work as a clerk in a video store, and the inspiration for "Pulp Fiction" is old movies, not real life. The movie is like an excursion through the lurid images that lie wound up and trapped inside all those boxes on the Blockbuster shelves. Tarantino once described the old pulp mags as cheap, disposable entertainment that you could take to work with you, and roll up and stick in your back pocket. Yeah, and not be able to wait until lunch, so you could start reading them again.
0aad45d008
Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed.
pulp fiction 1994 hindi dubbed ddl
Download Zip https://t.co/WajTXVVE8E
Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; it earned Travolta, Jackson, and Thurman Academy Award nominations and boosted their careers. Its development, marketing, distribution, and profitability had a sweeping effect on independent cinema.
Some of the songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.[97] The soundtrack album was released along with the film in 1994. The album peaked on the Billboard 200 chart at number 21.[98] The single, Urge Overkill's cover of the Neil Diamond song "Girl, You'll Be a Woman Soon", reached number 59.[99]
Pulp Fiction premiered in May 1994 at the Cannes Film Festival. The Weinsteins "hit the beach like commandos", bringing the picture's entire cast over.[101] The film was unveiled at a midnight hour screening and caused a sensation[102][103] It won the Palme d'Or, the festival's top prize, generating a further wave of publicity.[104]
On October 14, 1994, Pulp Fiction went into general release in the United States. As Peter Biskind describes, "It was not platformed, that is, it did not open in a handful of theaters and roll out slowly as word of mouth built, the traditional way of releasing an indie film; it went wide immediately, into 1,100 theaters."[108] In the eyes of some cultural critics, Reservoir Dogs had given Tarantino a reputation for glamorizing violence. Miramax played with the issue in its marketing campaign: "You won't know the facts till you've seen the fiction", went one slogan.[109] Pulp Fiction was the top-grossing film at the US box office its first weekend with a gross of $9,311,882, edging out a Sylvester Stallone vehicle, The Specialist, which was in its second week and playing at more than twice as many theaters. The gross claimed by Miramax was disputed by others. Warner Bros. initially reported an estimated gross of $8.9 million for The Specialist with Bob Weinstein then reporting a gross for Pulp Fiction of $9.1 million, claiming that the film was on another 100 screens that had previously been overlooked. Warners then updated their gross to $9.3 million, claiming they had made a calculation error.[110]Early Monday morning, Miramax reported a gross of $9.3 million with Warners reporting $8.9 million for The Specialist, placing Pulp Fiction first but other industry sources did not believe Miramax's numbers. Variety estimated that Pulp Fiction grossed $8.6 to $9 million for the weekend.[111]
Against its budget of $8.5 million and about $10 million in marketing costs, Pulp Fiction grossed $107.93 million at the U.S. box office, making it the first Miramax film to surpass $100 million in the United States and Canada.[112] Worldwide, it took in nearly $213 million.[c] In terms of domestic grosses, it was the tenth biggest film of 1994, even though it played on substantially fewer screens than any other film in the top 20.[114] Popular engagement with the film, such as speculation about the contents of the precious briefcase, "indicates the kind of cult status that Pulp Fiction achieved almost immediately."[115] As MovieMaker puts it, "The movie was nothing less than a national cultural phenomenon."[116] Abroad, as well: in Britain, where it opened a week after its U.S. release, not only was the film a big hit, but in book form its screenplay became the most successful in UK publishing history, a top-ten bestseller.[117]
Tarantino has stated that he originally planned "to do a Black Mask movie", referring to the magazine largely responsible for popularizing hardboiled detective fiction. "[I]t kind of went somewhere else".[157] Geoffrey O'Brien sees the result as connected "rather powerfully to a parallel pulp tradition: the tales of terror and the uncanny practiced by such writers as Cornell Woolrich [and] Fredric Brown ... Both dealt heavily in the realm of improbable coincidences and cruel cosmic jokes, a realm that Pulp Fiction makes its own."[190] In particular, O'Brien finds a strong affinity between the intricate plot mechanics and twists of Brown's novels and the recursive, interweaving structure of Pulp Fiction.[191] Philip French describes the film's narrative as a "circular movement or Möbius strip of a kind Resnais and Robbe-Grillet would admire".[192] James Mottram regards crime novelist Elmore Leonard, whose influence Tarantino has acknowledged, as the film's primary literary antecedent. He suggests that Leonard's "rich dialogue" is reflected in Tarantino's "popular-culture-strewn jive"; he also points to the acute, extremely dark sense of humor Leonard applies to the realm of violence as a source of inspiration.[193]
The pivotal moment in which Marsellus crosses the street in front of Butch's car and notices him evokes the scene in which Marion Crane's boss sees her under similar circumstances in Psycho (1960).[215][216] Marsellus and Butch are soon held captive by Maynard and Zed, "two sadistic honkies straight out of Deliverance" (1972), directed by John Boorman.[205] Zed shares a name with Sean Connery's character in Boorman's follow-up, the science-fiction film Zardoz (1974). When Butch decides to rescue Marsellus, in Glyn White's words, "he finds a trove of items with film-hero resonances".[217] Critics have identified these weapons with a range of possible allusions:
Talking about his generation, one that came of age in the '70s, Tarantino has commented that the "number one thing we all shared wasn't music, that was a Sixties thing. Our culture was television." A random list of the TV programs referenced in Pulp Fiction confirms his observation: Speed Racer, Clutch Cargo, The Brady Bunch, The Partridge Family, The Avengers, The Three Stooges, The Flintstones, I Spy, Green Acres, Kung Fu, Happy Days, and last but not least, Mia's fictional pilot, Fox Force Five.[230]
In the 1980s television series Kage no Gundan (Shadow Warriors), Chiba's character would lecture the villain-of-the-week about how the world must be rid of evil before killing him.[246] A killer delivers a similar biblical rant in Modesty Blaise, the hardback but pulp-style novel Vincent is shown with in two scenes.[247]
In the Brookers' analysis, "Through Vince ... we see the contemporary world as utterly contingent, transformed, disastrously, in the instant you are not looking."[253] Fraiman finds it particularly significant that Vincent is reading Modesty Blaise in two of these instances. She links this fact with the traditional derisive view of women as "the archetypal consumers of pulp":
Willis reads Pulp Fiction in almost precisely the opposite direction, finding "its overarching project as a drive to turn shit into gold. This is one way of describing the project of redeeming and recycling popular culture, especially the popular culture of one's childhood, as is Tarantino's wont as well as his stated aim."[232] Despite that, argues Fraiman, "Pulp Fiction demonstrates ... that even an open pulpophile like Tarantino may continue to feel anxious and emasculated by his preferences."[252]
The screenplay, by Tarantino and Roger Avary, is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take "screenwriting" classes that teach them the formulas for "hit films." Like "Citizen Kane," "Pulp Fiction" is constructed in such a nonlinear way that you could see it a dozen times and not be able to remember what comes next. It doubles back on itself, telling several interlocking stories about characters who inhabit a world of crime and intrigue, triple-crosses and loud desperation. The title is perfect. Like those old pulp mags named "Thrilling Wonder Stories" and "Official Detective," the movie creates a world where there are no normal people and no ordinary days - where breathless prose clatters down fire escapes and leaps into the dumpster of doom.
It is part of the folklore that Tarantino used to work as a clerk in a video store, and the inspiration for "Pulp Fiction" is old movies, not real life. The movie is like an excursion through the lurid images that lie wound up and trapped inside all those boxes on the Blockbuster shelves. Tarantino once described the old pulp mags as cheap, disposable entertainment that you could take to work with you, and roll up and stick in your back pocket. Yeah, and not be able to wait until lunch, so you could start reading them again.
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