Re: The Mere Brother Ki Dulhan 720p Movies
Hayden Hollins
Mere brother ki dulhan romantic comedy film. In this story depends upon the Love. During the wedding preparations however, Imran Khan and Katerina Kaif realize they have fallen in love with each other. after that they will marry to each other.
Daal mein Kuch Kaala Hai
London-based Luv Agnihotri decides to end his bachelorhood and asks his Bollywood film-maker brother, Kush, to find a bride for him - much to the displeasure of his Dehradun-based father. Kush accordingly meets and interviews a variety of women, and finally selects Delhi-based Dimple Dixit, a woman he had known before, to be the perfect match. Dimple and Luv meet on-line, are attracted to each other, and the former travels to India where the two families get the couple formally engaged. It is then Dimple decides that she prefers Kush. Watch as things spiral out of control when she insists that Kush must elope with her.
Ali Zafar Imran Khan Katrina Kaif Tara D'Souza Kyra Dutt Parikshat Sahni Mohammed Zeeshan Ayyub Kanwaljit Singh Sufi Malhotra Suparna Marwah Karamveer Choudhary Marhu Sheikh Arfeen Khan Tariq Vasudeva Brijendra Kala John Abraham Iain Fraser
this is a romantic comedy that really leans into the comedy, something which i think is quite underrated, actually. katrina sparkles on screen in this role, she's so funny and so memorable. ali zafar was such a splash on screen for me, the man has legendary comedic timing. imran and tara are great at supporting these two, and i love this cast SO much.
Vividly remember from childhood tv watches, but this is the best little gem from the last decade. Released in the same year as Tanu weds Manu but almost completely it's opposite in turning an arranged marriage to a love story by placing its empathy with the woman's want of freedom. It also marks the debut of a great young talent who has such a confident hand that the songs in this can compete with the ones from the biggest blockbusters, each better than the last. Ali Abbas Zafar also uses the film to let his passion for Hindi movies shine; from the s-rs tributing the 80s daaku movies for an irrelevant gag to the whole Amar, Akbar Anthony dress up and THAT Madhubala inclusion. Feels like it's the only visible (positive) impact of Om Shanti Om in the industry......iykyk.
Khan tells Sonil Dedhia how his mother played an important part in getting him the film, and what it was like to imitate the top Khans -- Aamir, Salman and Shah Rukh -- in the title song.
Our industry is such that you have to prove yourself every time. Even if you are a superstar, every film counts. If your last film is a hit, that doesn't guarantee that your next film will be a hit too. You have to prove yourself with every film because you are as good as your last film.
Yash Raj is unique in that their films have a certain style, on a different scale. Mere Brother Ki Dulhan is probably the first film where I have done so much lip-synching in songs and the dance steps are choreographed.
Even the comedy is louder than the other films that I have done. I am a shy person and never thought that I would be able to carry this off. It is a typical Bollywood film. Ali Abbas Zafar has brought out a side in me which people haven't seen before.
There are a lot of stories that Aditya Chopra does not exist. When I met him for the first time, I realised that he is for real (laughs). I was amazed by the excitement and passion that he has for making movies. He loves to watch movies and his only goal in life is to make movies. He is so dedicated that he will listen to everybody's comments and try to include them to make the film better.
Yes, that's true. Aditya Chopra had called me last year and said that he wanted me to meet Ali Abbas Zafar who has assisted Yash Raj in a lot of films. When I met Ali, he told me that he was making a film called Mere Brother Ki Dulhan. I thought it was a horrible title. I heard the narration of the story and it sounded like a bad story. He gave me the script and I just said that I will call him.
The script was lying in one corner when my mother found it and read it. She told me that I should read the script and do the film because it was hilarious. So I read it, and loved it. His script just won me over.
The character is not very heroic. He is a simple Dehradun boy-next-door, very relatable. He wears simple jeans, check shirt, nothing fancy about him. He is a normal guy. When you see the film you will realise that the characters do not want to hurt anyone. We have treated the film with humour and with love.
MBKD was more demanding than Delhi Belly. As I mentioned, the film required me to dance, sing, and act in a completely different manner. For me, Delhi Belly was a film in a space which I understood inherently as it's the kind of movie which I have grown up watching. With this film, I had to rely on my director to guide me.
If I don't feel comfortable with something, then I don't associate myself with it. I have rejected a lot of new directors because I did not have faith in them. I like working with people who I understand as we are on the same wavelength. There was a time when I was a newcomer in the industry and people supported me. I think I am in a position today where I can support a newcomer and his talent.
When I read the script, I told Aditya Chopra and Ali Abbas Zafar that we needed someone really good in my brother's role as the character in the movie is very strong. Ali Abbas told me he was looking for Ali Zafar who was in Pakistan at that time. Our director narrated the whole story on Skype and Ali Zafar agreed to do the film. He is very funny in the film.
It was a joint idea between the director, Bosco (choreographer) and me. The idea was to pay tribute to the three Khans who have inspired us and entertained us for so many years. Any actor working in the industry today would have to acknowledge that one of the three or all three inspired them at some point of time. They inspire me a lot and it was our way of saluting them and saying thank you.
I appreciate Aamir's honesty. The most important thing in his life is whatever you do, you must do it correctly. What I have always admired about Aamir and what a lot of people are jealous about is his ability to figure out the pulse of the audience. He knows what is missing and delivers it bang on. It's a mystery how he does it.
Salman Khan's charisma is beyond anything. I don't think any other star has possessed it at any point of time in their career. With other stars, people see the posters, watch the trailers and the song and will question certain things.This doesn't happen with Salman. You just put Salman's face and the name of the film on the poster and people will happily walk into the theatres to watch the film. They don't care what the film is going to be about. He is just on another planet.
What has always inspired me about Shah Rukh Khan is the level of energy he possesses. Whether it's a film or a stage show he is crackling with energy. He has a 400 volt current running through him. You don't want to take your eyes off him when he is performing.
I am very inspired by Katrina. The level of dedication that she has for her work is unbelievable. Katrina came here to work in Hindi films not knowing a word of Hindi and today, she speaks clean and fluent Hindi. The way she works on her character, dialogue, dance steps and fitness is amazing. The kind of effort she puts in is more than any other co-star I have worked with.
I don't want to talk about it right now. I will address a press conference in a week's time. There has been a very interesting development. The law that the government is trying to pass is not what it seems. What they have said is technically not a law.
In 2001, too, they raised the legal drinking age to 25, but it was not enforced, and everyone forgot about it. Again this year in June they said they have raised the drinking age from 21 to 25. But there's a grey area on whether it's in effect or not. And if it isn't, then the PIL is not needed. I have filed a Right To Information and I will be getting the response in a day or two.
"Mere Brother Ki Dulhan" is a quirky romantic comedy set in the world of the upper middle class in Northern India. Kush Agnihotri (Imran Khan) is looking for the ideal Indian bride for his Brother Luv Agnihotri (Ali Zafar) who stays in London.In his quest, Kush goes through an array of wacky encounters with several families until he finally finds that perfect girl in Dimple Dixit (Katrina Kaif), the craziest / wackiest girl he has ever known.Both the families meet. Formalities completed. Preparations proceed in full swing. And just then, our hero Kush falls in love with Dimple... his brother's dulhan.What follows is a comical and unpredictable series of events in this unusual topsy-turvy tale of love.This September, Yash Raj Films invites you to the craziest wackiest masaledaar wedding of the year. Written and Directed by Ali Abbas Zafar and produced by Aditya Chopra, the film releases worldwide on September 09, 2011.
Kahaani,the Vidya Balan-starring thriller which released just over a week ago,may or may not be full of unforgivable plot holes,but is being applauded pretty much across the board for having brought to the screen an Indian city that looks and feels real. Partly,of course,this is simply to do with the fact that the city in question is Kolkata,a place where so much living takes place in public that it cannot but be cinematic.
The visual pleasures of Calcutta (as it was then) were once afforded us not just by Bangla cinema,but by many Hindi films,too: think of Guru Dutts Pyaasa,Shakti Samantas Chinatown,Sombhu Mitras Jaagte Raho or the immensely enjoyable 1959 noir Howrah Bridge (with that terrific song,Kahin Mukherjee kahin Banerjee,kahin Ghosh kahin Datta hai,Suno ji yeh Kalkatta hai). These days,though,the few filmmakers for whom the texture of the urban experience is important Ram Gopal Varma,Anurag Kashyap,Dibakar Banerjee,Raj Kumar Gupta,Habib Faisal,Maneesh Sharma focus on Bombay/ Mumbai,the uncrowned First City of Hindi cinema,and increasingly,Delhi.
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