The Jester 720p Torrent

[Laurice Whack]

Format:

1. 100 files
2. Each file has name init1.html,...,init100.html
3. The numbers refer to the ID's of the jokes in the Excel files

The ratings data:

• jester_dataset_1_1.zip: (3.9MB) Data from 24,983 users who have rated 36 or more jokes, a matrix with dimensions 24983 X 101.
• jester_dataset_1_2.zip: (3.6MB) Data from 23,500 users who have rated 36 or more jokes, a matrix with dimensions 23500 X 101.
• jester_dataset_1_3.zip: (2.1MB) Data from 24,938 users who have rated between 15 and 35 jokes, a matrix with dimensions 24,938 X 101.

Format:

Dataset 3: 2.3 million ratingsValues from (-10.00 to +10.00) of 100 jokes from 73,421 users: collected between April 1999 - May 2003Includes 150 jokes( 50 not in Dataset 1) and an updated version of our old Dataset 2 with over 115,000 newratings from 82,366 total users: data collected from November 2006 - Mar 2015The text of the 150 Dataset 3 jokes: jester_dataset_2/3_joke_texts.zip (29KB)

The Jester 720p torrent

Download Zip https://t.co/NKN4Qt5NeW

Format:

1. An excel spreadsheet with 150 rows
2. The row number corresponds to the joke ID referred to in the Excel files above
3. The first 100 jokes and their ID's are consistent with the 100 jokes in Dataset 1

The Ratings Data, Save to disk, then unzip: jester_dataset_3.zip (6MB)

1. Includes 8 new jokes 151-158.
2. An excel sheet with 158 rows.
3. The row number corresponds to the joke ID referred to in the Excel files below
4. The first 150 jokes and their ID's are consistent with the jokes from earlier datasets

The Ratings Data: Save to disk, then unzip: jester_dataset_4.zip (1.4MB)

Many of today's elected leaders have no better connection with real people (especially outside their borders) than those "divinely ordained" kings did centuries ago. And while I'm fortunate to have a built-in platform, I believe that any traveler can play jester to their own communities. Whether visiting El Salvador (where people don't dream of having two cars in every garage), Denmark (where they pay high taxes with high expectations and are satisfied), or Iran (where many willingly compromised their freedom to be ruled by clerics out of fear that, as they explained to me, "their little girls would be raised to be like Britney Spears"), any traveler can bring back valuable insights. And, just like those truths were needed in the Middle Ages, this understanding is needed in our age.

"Mention a court jester, and one pictures a whimsical creature in a belled hat or, perhaps, the ill-fated character in King Lear. Otto's lively, well-researched text proves that there are centuries of other examples and that the jester has a rich tradition worldwide. . . . Through anecdotes, historical details, analyses, and commentary, Otto brilliantly delineates the court jester, and quotations and illustrations do much to enhance this eminently readable text. . . . Well worth a look by avid readers with an eye for an informative yet uncommon title."
—Library Journal

"[A] lively survey of the state-sponsored mischief maker and his irrepressible, life-giving spirit. . . . In her richly detailed chapters (and an appendix listing 334 named fools in the historical record), Otto makes a vigorous case for the jester's ubiquity—from the ancient Chinese court to the Elizabethan stage to the modern corporate suite—and for the consistency of his characteristics: attachment to a particular ruler; physical or mental deformity (real or pretended); concern for the general welfare of the people; and the freedom to alert isolated kings, emperors, sultans, even popes of their 'moral halitosis.'"
—Jennifer Schuessler, Lingua Franca

The jester is an elusive character. The European words used to denote him can now seem as nebulous as they are numerous, reflecting the mercurial man behind them: fool, buffoon, clown, jongleur, jogleor, joculator, sot, stultor, scurra, fou, fol, truhan, mimus, histrio, morio. He can be any of these, while the German word Narr is not so much a stem as the sturdy trunk of a tree efflorescent with fool vocabulary. The jester's quicksilver qualities are equally difficult to pin down, but nevertheless not beyond definition.

The Chinese terms used for "jester" now seem vaguer than the European, most of them having a wider meaning of "actor" or "entertainer." In Chinese there is no direct translation of the English "jester," no single word that to the present-day Chinese conjures an image as vividly as "court jester," fou du roi, or Hofnarr would to a Westerner. In Chinese the jester element often has to be singled out according to context, although the key character you does seem to have referred specifically to jesters, originally meaning somebody who would use humor to mock and joke, who could speak without causing offense, and who also had the ability to sing or dance: "The you was also allowed a certain privilege, that is, his 'words were without offence' . . . but the you could not offer his remonstrances in earnest, he had to make use of jokes, songs and dance." The term is often combined with other characters giving differing shades to his jesterdom, an acting or a musical slant, for example: paiyou, youren, youling, changyou, lingren, linglun. All could include musical and other talents, chang suggesting music, ling, playing or fooling, and pai a humorous element to bring delight. Several of these terms are too frequently translated as "actor" regardless of where they appear on the etymological chain of evolution and even though they were used long before the advent of Chinese drama.

Perhaps the earliest antecedents of the European court jester were the comic actors of ancient Rome. Several Latin terms used in medieval references to jesters (including numerous church condemnations of them), such as scurrae, mimi, or histriones, originally referred either to amusing hangers-on or to the comic actors and entertainers of Rome. Just as there is now no clear distinction between the terms for "actor" and "jester" in Chinese, so the Latin terms could merge the two. If there was no formal professional jester in Rome, the comic actors fulfilled his functions, sometimes even bearing a striking physical resemblance to what is usually considered a medieval and Renaissance archetype. With periodic imperial purges against actors for their outspokenness, many of them took to the road and fanned out across the empire in search of new audiences and greater freedom. Successive waves of such wandering comics may well have laid the foundations for medieval and Renaissance jesterdom, possibly contributing to the rising tide of folly worship that swept across the Continent from the late Middle Ages.

An individual court jester in Europe could emerge from a wide range of backgrounds: an erudite but nonconformist university dropout, a monk thrown out of a priory for nun frolics, a jongleur with exceptional verbal or physical dexterity, or the apprentice of a village blacksmith whose fooling amused a passing nobleman. Just as a modern-day television stand-up comedian might begin his career on the pub and club circuit, so a would-be jester could make it big time in court if he was lucky enough to be spotted. In addition, a poet, musician, or scholar could also become a court jester.

The recruiting of jesters was tremendously informal and meritocratic, perhaps indicating greater mobility and fluidity in past society than is often supposed. A man with the right qualifications might be found anywhere: in Russia "they were generally selected from among the older and uglier of the serf-servants, and the older the fool or she-fool was, the droller they were supposed and expected to be. The fool had the right to sit at table with his master, and say whatever came into his head." Noblemen might keep an eye out for potential jesters, and a letter dated 26 January 1535/36 from Thomas Bedyll to Thomas Cromwell (ca. 1485-1540) recommends a possible replacement for the king's old jester:

A German, Paul Wüst, declined an offer of a post as jester with the sort of brazen dismissiveness that explains why he was asked. When Duke Eberhard the Bearded of Würtemburg (1445-96) invited him to be his jester he replied, "My father sired his own fool; if you want one too, then go and sire one for yourself" ("Mein Vater hat einen Narren für sich gezeugt, willst du aber einen Narren haben, so zeuge dir auch einen"). The same story is attributed to Will Somers, who uses the joke to mock Henry's predilection for chalking up wives:

The post of court jester might also appeal to somebody in need of a safe haven. The thirteenth-century French tale of Robert le Diable has him fleeing a populace baying for blood and forcing his way past the footmen to gain access to the emperor, who duly takes him under his wing as a jester, saying that nobody should be allowed to beat him. Alfred de Musset's play Fantasio (1834) is about a dandy whose job as jester allows him to escape and evade creditors, and a Scottish miscellany tells us how one of the most roguish historical jesters found his vocation:

Tarlton tended pigs, Archy stole sheep, and Claus Hinsse (d. 1599), jester to Duke Johann Friedrich of Pomerania (d. 1600), began his working life as a cowherd. Wamba, "son of Witless," the jester in Sir Walter Scott's Ivanhoe, was, like Tarlton, a swineherd, and Claus Narr (Fool), one of Germany's most famous and long-serving jesters, was tending geese when he was recruited. He was jester to four Saxon electors and one archbishop during the last quarter of the fifteenth century and first quarter of the sixteenth, and there are more than six hundred stories about him. One day when the first of his patrons, Elector Ernst (d. 1486), was traveling through Ranstadt with a lot of horses and wagons, Claus became curious about all the commotion and went to see what was happening. Worried that his geese would be stolen, he secured the goslings by putting their necks through his belt while he carried the older geese under his arms. When Ernst saw him he laughed at his simplicity and decided he was a born jester. He asked Claus's father's permission to take him to court:

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