Babul Hindi Film

[Melissa Hassel]

BalrajKapoor (Amitabh Bachchan) is a rich businessman, happy and content with his world. He and his wife Shobhna (Hema Malini) wait for their only son Avinash a.k.a. 'Avi' (Salman Khan) to return from his studies in the United States. After seven years, Avinash completes his education, comes back to India, and joins his father's business.

Avinash meets Malvika a.k.a. 'Millie' (Rani Mukherji) and the two fall in love. Millie tells her childhood friend Rajat (John Abraham) that she loves someone, which devastates him as he is also in love with her. He asks Avinash to keep her happy.

Avinash and Millie get married and have a baby boy they name Ansh. A couple years later, during Ansh's birthday party, the family waits for Avinash to get home from a business trip but he died in a road accident, leaving Millie devastated.

Baabul opened in Mumbai with occupancy of about 75%, considered remarkably low for a Salman Khan-starrer, and occupancy went downhill very quickly, presumably due to unfavorable word-of-mouth. In the rest of the country, even the opening was dismal and it never picked up. Eventually, the film was declared a flop.[4] The small centres opened to poor response and overall the film did not do quite well in India but was an above average grosser.[5] However, it did great business overseas, entering at the 8th position on the UK charts in its first week.[6] It was a big hit in the overseas market.[7]

The Times Of India gave a 3/5 rating, saying, "The problem with Baabul is its first half- completely dead and totally listless. Samrat Sharma of Fullhyderabad.com wrote: "It's a film made for the more traditional generation or social class, and even so, while may not be terribly effective, it is sufficiently well-crafted..."[8] Namrata Joshi of Outlook India gave the film 2 out 4, writing "Despite the failings in his character, Big B lends it gravitas and dignity. But his self-conscious cute couple act with Hema Malini is irritating. Time to get over Baghban.[9]

Bela has competition from the wealthy landowner Jamnadas's daughter Usha, who lives a lavish lifestyle in a hilltop mansion. Usha, drives a foreign car and seems more suitable for Ashok, the young postmaster. Bela, heartbroken, in a fit of jealousy lies to Usha that Ashok has confessed his love for her and is playing a double game.

Bela witnesses Usha's wedding while sitting in a tree, believing that shortly afterwards she would be married off to Ashok. But the tree branch that she is sitting on breaks and she falls to the ground, severely injured. As she is brought back to her father's home in this condition, Ashok arrives and promises her father he would marry Bela. As Ashok sits on Bela's bedside to comfort her, Bela dreams again that the black-veiled rider has come to get her and dies.

The score and a soundtrack of fifteen songs was composed by Naushad[2] and the lyrics were penned by Shakeel Badayuni.[2] The songs were mostly about the joys and pains of love, and the film is closely connected to the lyrics. The best known song in the film Chod Babul Ka Ghar (literally meaning Now you must leave your father's house), is performed when a newly married girl departs from her maternal home and village. The love song Nadi Kinare (On the bank of a river) is performed by Ashok and Usha and a group of boatmen.[2]

The film takes a theatrical form, largely attributed to the set of the film and script. Cinematographer Fali Mistry contributes much to the film with atmospheric lighting, especially during night scenes and is able to create an essence of darkness in the hilltop mansion which adds an element of suspense.

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Topical film-forming metered dose spray formulations were designed for management of pain. Ropivacaine, a local anesthetic is explored for its topical efficacy in alleviating pain. Metered dose spray containers, organic solvents, film forming polymers and permeation enhancers were utilized to fabricate the Metered Dose topical spray. Factors like viscosity, spray pattern, spray angle, volume of actuation, droplet size distribution of the metered dose spray formulation and drying time, flexibility and wash-ability of the film formed after spraying were assessed. Permeation of the drug into the porcine skin was observed based on ex-vivo diffusion studies and confocal microscopy. The results indicated a high level of drug concentration in the skin layers. Anti-nociceptive efficacy of the formulations was assessed on Wistar rats by hot plate and tail flick tests, based on the response to pain perception. The results were comparable to the conventional lidocaine gel. Topical film forming sprays have the ability to provide an accurate, long lasting and patient compliant delivery of drugs on the skin as compared to conventional gels.

I am thrilled to announce that The Visitation has been selected to screen at the Babul Eco Film Festival, in Hyderabad, India. The film will then travel to venues around India. The Visitation explores human exceptionalism and our entitled approach to nature.

The poster features one central image showing father and daughter Janak Singh (Gyan Shivpuri) and Nannu/Nandini (Upasna Singh). In the image, Nandini is dressed as a bride and is resting her head on her father's chest as they share an emotional moment. Towards the top left corner area is a logo of the production banner Rajshri Productions. Towards the top right corner area is a tagline in Devanagari reading 'Ek Pita ka Sapna...' (A Father's Dream), next line; '...Beti ke liye' (For the Daughter). In the bottom half of the poster towards the left, first comes the banner's name in Devanagari as 'Rajshri Productions (Pvt.) Ltd.', next line; 'Prastut' (Presents), next line; 'Babul' (Devanagari). To the right of the film title in Devanagari, the title is written in Urdu and in English under it. To the extreme left below the film title is 'Rajshri Vitaran' (Rajshri Distrubution). In the next line, along the bottom border, the other film credits are present as 'Sahyogi Nirmata' (Assistant Producer), next line; 'Kamal Kumar Barjatya, Rajkumar Barjatya, Ajit Kumar Barjatya'. Next to this is 'Nirmata' (Producer), next line; 'Tarachand Barjatya'. To the right of this is 'Katha Patkatha Samvad evum Nirdeshan' (Story Screenplay Dialogue & Direction), next line; 'Govind Moonis'. In the end is 'Geet Sangeet' (Lyrics Music), next line; 'Ravindra Jain'. On the bottom border towards the extreme right, below the film credits, the printer's credits are present as 'Printed by AAR PEE REPROTECHNIK For POSTER CENTER, Bombay-4.'

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