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Giovanni Drogo, un sottotenente, viene mandato
in una lontana fortezza. A nord della fortezza c'è il deserto da cui si
attende un'invasione dei tartari. Ma l'invasione, sempre annunciata,
non avviene e l'addestramento, i turni di guardia, l'organizzazione
militare, appaiono cerimoniali senza senso. Quando Drogo torna in città
per una promozione, si accorge di aver perso ogni contatto con il mondo e
che ormai la sua unica ragione di vita è l'inutile attesa del nemico.
Tornato alla fortezza, si ammala e proprio allora accade l'evento tanto
aspettato: i tartari avanzano dal deserto. Nell'emozione e nella
confusione del momento, senza che lui possa prendere parte ai
preparativi di difesa, Drogo muore, dimenticato da tutti.
Dino
Buzzati-Traverso (Italian pronunciation: [?di?no bud?dza?ti]; 14 October
1906 – 28 January 1972) was an Italian novelist, short story writer,
painter and poet, as well as a journalist for Corriere della Sera. His
worldwide fame is mostly due to his novel The Tartar Steppe, although he
is also known for his well-received collections Il deserto dei tartari
of short stories.
Buzzati was born at San Pellegrino, Belluno, in his
family's ancestral villa. Buzzati's mother, a veterinarian by
profession, was Venetian and his father, a professor of international
law, was from an old Bellunese family. Buzzati was the second of his
parents' four children. One of his brothers Il deserto dei tartari was
the well-known Italian geneticist Adriano Buzzati-Traverso. In 1924, he
enrolled in the law faculty of the University of Milan, where his father
once taught. As he was completing his studies in law, he was hired, at
the age of 22, by the Milanese newspaper Corriere della Sera, where he
Il deserto dei tartari would remain until his death. He began in the
corrections
department, and later worked as a reporter, special
correspondent, essayist, editor and art critic. It is often said that
his journalistic background informs his writing, lending even the most
fantastic tales an aura of realism.
Buzzati himself comments on the Il deserto dei tartari connection (as cited by Lawrence Venuti):
It seems to me, fantasy should be as close as possible to
journalism. The right word is not "banalizing", although in fact a
little of this is involved. Rather, I mean that the effectiveness of a
fantastic story will depend on its being told Il deserto dei tartari in
the most simple and practical terms.[1]
During World War II,
Buzzati served in Africa, as a journalist attached to the Regia Marina.
After the end of the war, Il deserto dei Tartari was published
Italy-wide and quickly brought critical recognition and fame to the
author. He married Almerina Antoniazzi Il deserto dei tartari in 1966,
which also marked release of his last novel, Un amore. In 1972, Buzzati
died of cancer after
a protracted illness.
Buzzati began writing fiction in 1933. His works of fiction
include five novels, theatre and radio plays, librettos, numerous books
of short stories and poetry. His Il deserto dei tartari librettos
include four for operas by Luciano Chailly, as well as that of the opera
La giacca dannata by Giulio Viozzi.
He wrote a children's book La famosa invasione degli orsi
in Sicilia (translated by Frances Lobb into English as The Bears' Famous
Invasion of Sicily). Lemony Snicket wrote an Il deserto dei tartari
introduction and reader's companion to a 2005 English edition.
Also an acclaimed and exhibited artist, Buzzati combined
his artistic and writerly exploits into making a comic book based on the
myth of Orpheus, Poem Strip.
The Tartar Steppe, his most famous novel, tells the story
of a military outpost that Il deserto dei tartari awaits a Tartar
invasion. In its sentiment and its conclusions, it has been compared to
existentialist works, notably Albert Camus's The Myth of Sisyphus.[2]
His writing is sometimes cited as
magical realism,
social alienation, and the fate of the environment and of fantasy in the
face of unbridled technological progress Il deserto dei tartari are
recurring themes. He has also written a variety of short stories
featuring fantastic animals such as the bogeyman and, his own invention,
the colomber (il colombre). His Sessanta racconti short-story
collection, which won the Strega Prize in 1958, features elements of
science fiction, fantasy and horror throughout.[3][4]
His works Il deserto dei tartari are highly regarded in France but little known in English.
Il deserto dei tartari
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