How To Download 10k From Edgar ##BEST##
Ara Scholze
I am trying to analyse the S-1 filings of all Special Purpose Acquisition Companies (SIC=6770) but I am having trouble finding a way of getting this data from SEC EDGAR in an efficient way. I have looked into the "edgar" and "edgarWebR" R packages but am yet to find a way of extracting the S-1 filings for such a large amount of companies based only on their SIC code. I think if I could get the CIK codes of all the companies I'm looking for I could work with the existing packages to get the information I need.
The House of Edgar has a wide range of tartan fabric woven in Scotland from 100% pure new wool. With over 1000 stocked tartans to choose from, available in mediumweight or heavyweight. Within our collections, find a selection of contemporary designs along with authentic clan tartans.
Shortly after his quarrel with his foster father, Edgar Allan Poe left Richmond for Boston where he hoped to pursue a literary career. His first book of poetry, Tamerlane and Other Poems was published there. Unable to support himself, and receiving little assistance from his foster father, Poe enlisted as a private in the US Army on May 26, 1827 for a five year term. He entered under an assumed name and lied about his age, claiming to be 22 years old when he was only 18. Poe was assigned to Battery H of the First Artillery at Fort Independence in Boston Harbor. On October 31, 1827 Battery H was ordered to Fort Moultrie to protect Charleston Harbor. He sailed on the Brigantine Waltham, arriving for duty in Charleston on November 18.
In contrast, the pension funds grew just 3 percent annually from 2000 to 2009, far lower than the previous decade and far less than the 7.4 percent annual return the funds currently assume as part of their yearly actuarial calculations.
Instead, Illinois should follow the lead of the private sector and many states by ending its unmanageable and nearly insolvent defined-benefit retirement plans. Nearly 85 percent of private-sector companies now have defined contribution plans, and states ranging from Oklahoma to Rhode Island have initiated some form of 401(k)-style reform.
We are starting the new monthly learning modules soon which will look at how to paint all sorts of subjects, from trees to mountains, water to clouds, and so much more. And as we were planning out the first set of lessons - which will be on trees - I kept thinking of Edgar Payne's painting "Eucalyptus Grove". So, I decided to look it up on Google.
It also means that buyers can trust that they are buying from a legitimate business. Art sellers that conduct fraudulent activity or that receive numerous complaints from buyers will have this badge revoked. If you would like to file a complaint about this seller, please do so here.
It was raining in Baltimore on October 3, 1849, but that didn't stop Joseph W. Walker, a compositor for the Baltimore Sun, from heading out to Gunner's Hall, a public house bustling with activity. It was Election Day, and Gunner's Hall served as a pop-up polling location for the 4th Ward polls. When Walker arrived at Gunner's Hall, he found a man, delirious and dressed in shabby secondhand clothes, lying in the gutter. The man was semi-conscious and unable to move, but as Walker approached him, he discovered something unexpected: The man was Edgar Allan Poe. Worried about the health of the addled poet, Walker stopped and asked Poe if he had any acquaintances in Baltimore who might be able to help him. Poe gave Walker the name of Joseph E. Snodgrass, a magazine editor with some medical training. Immediately, Walker wrote Snodgrass a letter asking for help:
In 1867, one of the first theories to deviate from either phrenitis or alcohol was published by biographer E. Oakes Smith in her article "Autobiographic Notes: Edgar Allan Poe." "At the instigation of a woman," Smith writes, "who considered herself injured by him, he was cruelly beaten, blow upon blow, by a ruffian who knew of no better mode of avenging supposed injuries. It is well known that a brain fever followed." Other accounts also mention "ruffians" who had beaten Poe senseless before his death. Eugene Didier wrote in his 1872 article "The Grave of Poe" that while in Baltimore, Poe ran into some friends from West Point, who prevailed upon him to join them for drinks. Poe, unable to handle liquor, became madly drunk after a single glass of champagne, after which he left his friends to wander the streets. In his drunken state, he "was robbed and beaten by ruffians, and left insensible in the street all night."
Around the late 1870s, Poe's biographer J.H. Ingram received several letters that blamed Poe's death on a cooping scheme. A letter from William Hand Browne, a member of the faculty at Johns Hopkins University, explains that "the general belief here is, that Poe was seized by one of these gangs, (his death happening just at election-time; an election for sheriff took place on October 4), 'cooped,' stupefied with liquor, dragged out and voted, and then turned adrift to die."
Though the theory that Poe's drinking led to his death fails to explain his five-day disappearance or his secondhand clothes on October 3, it was nonetheless a popular theory propagated by Snodgrass after Poe's death. Snodgrass, a member of the temperance movement, gave lectures across the country, blaming Poe's death on binge drinking. Modern science, however, has thrown a wrench into Snodgrasses talking points: Samples of Poe's hair from after his death show low levels of lead, explains Semtner, which is an indication that Poe remained faithful to his vow of sobriety up until his demise.
In 1999, public health researcher Albert Donnay argued that Poe's death was a result of carbon monoxide poisoning from coal gas that was used for indoor lighting during the 19th century. Donnay took clippings of Poe's hair and tested them for certain heavy metals that would be able to reveal the presence of coal gas. The test was inconclusive, leading biographers and historians to largely discredit Donnay's theory.
E.P., Benitez soon found out, wasn't just any author from Richmond. It was Poe whose death the Maryland cardiologist had diagnosed as a clear case of rabies, a fairly common virus in the 19th century. Running counter to any prevailing theories at the time, Benitez's diagnosis ran in the September 1996 issue of the Maryland Medical Journal. As Benitez pointed out in his article, without DNA evidence, it's impossible to say with 100 percent certainty that Poe succumbed to the rabies virus. There are a few kinks in the theory, including no evidence of hydrophobia (those afflicted with rabies develop a fear of water, but Poe was reported to have been drinking water at the hospital until his death) nor any evidence of an animal bite (though some with rabies don't remember being bitten by an animal). Still, at the time of the article's publication, Jeff Jerome, curator of the Poe House Museum in Baltimore, agreed with Benitez's diagnosis. "This is the first time since Poe died that a medical person looked at Poe's death without any preconceived notions," Jerome told the Chicago Tribune in October 1996. "If he knew it was Edgar Allan Poe, he'd think, 'Oh yeah, drugs, alcohol,' and that would influence his decision. Dr. Benitez had no agenda."
According to Semtner, Pearl isn't the only person to believe Poe suffered from a brain tumor: A New York physician once told Poe that he had a lesion on his brain that caused his adverse reactions to alcohol.
For Semtner, however, none of the theories fully explain Poe's curious end. "I've never been completely convinced of any one theory, and I believe Poe's cause of death resulted from a combination of factors," he says. "His attending physician is our best source of evidence. If he recorded on the mortality schedule that Poe died of phrenitis, Poe was most likely suffering from encephalitis or meningitis, either of which might explain his symptoms."
Degas's own artistic thinking was significantly influenced by the artists he admired, and this subject is explored by several authors. Theodore Reff's classic essay on Ingres, Delacroix, and Daumier demonstrates the complex ways Degas comprehended the genius of each master and in some way made it his own. Degas's personal and artistic relationship with Manet is investigated by Mari Kálmán Meller and Juliet Wilson-Bareau, and his protective encouragement of Gauguin is described by Françoise Cachin. Richard Kendall points out the intriguing parallels and divergences between Degas's and Cézanne's artistic achievements. The history of a printmaking endeavor in which Degas collaborated with Mary Cassatt and other artists is presented by Barbara Stern Shapiro. Colta Ives explicates how Degas assimilated the lessons he derived from Japanese prints.
The dramatic revelation and then the auctioning off of Degas's collection constitute still another story. Caroline Durand-Ruel Godfroy conveys a sense of the frantic behind-the-scenes activity at the Durand-Ruel gallery, which inventoried the collection and managed its sale. Susan Alyson Stein narrates the chain of events by which the Metropolitan Museum, despite wartime difficulties, ultimately succeeded in acquiring masterworks from Degas's collection and studio. Rebecca A. Rabinow describes the animated press coverage of the sales on both sides of the Atlantic and provides a compilation of the actual writings.
A second, companion volume is an illustrated summary catalogue of the entire collection. Richly illustrated with hundreds of works from Degas's collection, this comprehensive study of a great artist's artistic passions is a book of exceptional interest.
Albis, Antoine d'. "Hard-Paste Porcelain Plates from Sèvres with Chinoiserie Decoration in Colored Golds and Platinum." Metropolitan Museum Journal, Vol. 37 (2002). New York: The Metropolitan Museum of Art, 2002. See more
Centeno, Silvia. "The daguerreotype surface as a SERS substrate: characterization of image deterioration in plates from the nineteenth-century studio of Southworth & Hawes," Journal of Raman Spectroscopy, v. 39 (2008), pp. 914921.. n/a: n/a, 2008.
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