Hey Mike,
In the 2nd paragraph of the 2012 remaster section, this line jumped out at me: “There’s been talk of a technical issue with the original recording equipment being corrected during the remastering process …”
Has anyone ever heard this before, and what this issue might have been?
I’ve listened to the original CD issue almost exclusively since the 2012 remasters came out on Merge and Edsel. And although I’m not familiar with details on the remasters on a track-by-track basis, I have never picked up “genuine improvements from the original tapes,” as the article suggests, or more clarity.
They sound like standard, brick-walled, modern CD masterings to me. FU:EL, in particular, sounds like it’s on steroids compared to the original CD. Looking at WAV forms bears the squashed dynamics out 100%.
I wish he pointed out some of the spots he was referring to when he writes, “Bass lines that were previously buried in the mix now have definition, and drum hits carry more texture.”
I don’t listen to vinyl with regularity, so can’t comment as much on that format. I break out the original Copper Blue and FU:EL pressings from time to time and think they sound great. I’m not even sure I’ve played all of the 2012 pressings…
He makes an interesting point in the article that maybe the vinyl format is alleviating some of the issues of the remastered CDs.
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