Zoe Saldaña on Political Questions; Locarno Market Wrap: Key New Projects From Africa

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Variety at Locarno Film Festival

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Aug 14, 2026, 3:47:02 PM (3 days ago) Aug 14
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DAILY

Locarno Film Festival

No. 4 | Friday, August 14

Entertainment News, Reviews, Personalities, Stats, and More From the World's Fests and Markets

Zoe Saldaña Says It’s ‘Frustrating’ When Political Questions Only Get Asked to Actors of Color and Women: ‘That’s Incredibly Limiting’

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Locarno Takeaways: A Charming Olivia Wilde, Navigating an Industry Crunch and One Reason Why There Should Be More Women Filmmakers

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Locarno Open Doors: Talemwa Pius’ ‘A Vineyard for a Lobster’ and Mohammed Sheikh’s ‘Accept My Plea for a Burial’ Win Top Prizes at Festival’s Africa Industry Focus

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Caleb Landry Jones on the Five-Year Battle to Make ‘Down the Arm of God,’ Confronting Prejudices Against Homelessness and How Luc Besson Saved the Film

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Monica Bellucci Has ‘Never’ Done Anything Like ‘Ketticè’: ‘I Was on Set in My Pajamas With a Knife in My Hand and Slippers on My Feet’

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‘Pacifiction’ Director Albert Serra on His New Film ‘Sixteen Moments of My Life’ and Why He’d Love to Have Directed Elvis Presley

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Heritage Monday at the Locarno Film Festival Sees a Future in the Past

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Isabelle Stever Discusses Challenges of Shooting Locarno Competition Title ‘I Rarely Wake Up Dreaming’ During War

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Locarno: The Filmmakers Behind ‘Piluk,’ From the National Film Board of Canada, Discuss the Language of Animation

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Locarno’s Spanish Previews: A Big Basque Period Thriller, the Debut of ‘The Others’ Editor and Tales of Millennials’ New Emotional Bonds

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Mateo Ybarra’s ‘Small Talk,’ a Locarno Premiere, Takes a Peek Into Switzerland’s Last Remaining Etiquette School for Women

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‘The Best Mother in the World’ Standout Shirley Cruz to Star in Clara Ferrer and Tainá Bevilacqua’s Trans Coming-of-Age ‘The She-Devil’ (EXCLUSIVE)

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Ana Vaz Discusses the Impact of the Fukushima Nuclear Disaster, the Work of Yoko Hayasuke and Preferring to Be a Mother Rather than a Zombie

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Beatrice Gibson Questions Motherhood and Womanhood in Her Debut Feature ‘At Night’

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Featured Stories

Zoe Saldaña on Seeing ‘Terminator’ Aged 7, Having the Wrong-Shaped Feet and Wanting to Direct: ‘Give Me That Camera!’

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‘Far From the Trees’ Director Meritxell Colell on Turning Exile and Endangered Languages Into a ‘Body of Memory’

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Reviews

‘I Is Another’ Review: An Impeccable Claes Bang Plays Felix Kersten, Massage Therapist to Heinrich Himmler and Would-Be Nobel Laureate

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‘Objet a’ Review: Ann Oren’s Wickedly Kinky Curiosity Eroticizes Everything From Mushrooms to Mushroom Cuts

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‘You Don’t Belong Here’ Review: A Potentially Involving Story Is Weakened by Airless Dialogue and a Misguided Finale

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‘Far From the Trees’ Review: A Richly Contemplative Journey of Physical and Mental Meanderings, Beautifully Combining 4K Digital with Super 16

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‘Hearing’ Review: Lê Bảo Continues His Sensory Exploration With an Arresting Study in Silence

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‘Brave New Love’ Review: Infidelity Isn’t the End in an Unusual, Open-Minded Marital Drama

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‘Wandering Trees’ Review: Iconoclastic Director Salvatore Mereu Tries a Newly Minted Fairyale, but Only Fitfully Finds Magic

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